Tuesday, March 11, 2025

Books (Isaiah, Ava and C.I.)

 1summerread

 

As we did in 2021 and 2023 and 2024, we're attempting to again increase book coverage in the community. This go round, we're talking with  Isaiah about his review of  Chaz Gower's "STAN LEE LIED: YOUR HANDY GUIDE TO EVERY LIE IN THE ORIGINS OF MARVEL COMICS.".  You recommend it?



Isaiah: I do.  I recommend it for a number of reasons.  First, it's a fascinating book.  Gower gets very detailed and involved and you'll love the amount of information he presents.  Second, Stan Lee has stolen credit over and over from others so I recommend it because it sets the historical record straight.

And that's important.


Isaiah: It's very important.  The truth does matter.  That's what so many of us respond to in your writing.  And look at the impact -- "California Dreamin'" was the Mamas and the Papas biggest hits.  But it took you two pointing that out at THIRD for WIKIPEDIA and others to grasp it.


To be clear, for any late to the party, "Monday Monday" was a number one hit for one week.  "California Dreamin'" -- the group's first single -- peaked on different charts around the country at different times and never hit number one on the national weekly chart.  But it is the bigger hit because it made to number one on BILLBOARD's singles chart for 1966 -- the number one selling song of the entire year.  It sold two million more copies than "Monday Monday."  It is the band's biggest hit.  What was Stan Lee's biggest hit?


Isaiah: When MARVEL started reprinting older comics and he got to add his name to them as writer even though Jack Kirby wrote and drew his own comics.  People were credited in the original editions.  But when those 60s editions were reprinted a decade or more later?  Suddenly, they had Stan Lee's name on it.


Why?


Isaiah: Because he was a glory hog who had no glory and because he was related to the owner.  And putting his name -- falsely -- on these books meant he and MARVEL could retain the intellectual rights.  He's just a liar.  And it's interesting how lies get started and who they're used against.  The book reminded me of the stuff you two have written about THE WIZ and how it's been falsely attacked regarding money and regarding Diana Ross.


You can talk about that if you want, we're probably not going to very much because we've actually traced down another lie on that, the original lie that popularized it online.  And we plan to write about that soon.  But we will again note that the film was not a bomb.  And that the film was released beyond North America even if no one wants to ever note the overseas box office. But it is cute how IMDB is the basis for box office for CRAPAPEDIA and CRAPAPEDIA calls CONVOY, released the same year as THE WIZ, a hit and they call F.I.S.T. a hit when THE WIZ is 21 for 1978, right between CONVOY and F.I.S.T.  It's part of the attack on Black history and Black artists to downgrade THE WIZ and to attack Diana Ross.


Isaiah: Without Diana, there is no movie.  It would never have been made.  Can we talk about that?  I know it's not books but as a Black man I've gotten really sick of all the attacks and that was before you guys started writing about how these attacks were based on lies.  


Sure.  Rob Cohen, the producer,  knew that Diana as Dorothy meant two things -- the film got made and Diana would get a million dollars for her portrayal.  Diana was the first box office actress to be Black.  She twice made the list of the 20 box office stars.  And without her, the film wouldn't have been made.  It would have been another successful Broadway show with an all Black cast or even a majority Black cast that got optioned throughout the seventies but never got made.  Diana meant box office.  A film that brought in that amount -- and this is film rentals, not ticket sales -- is not a bomb. 


Isaiah:  It brought in basically four times the box office that Richard Pryor's BLUE COLLAR did the same year. But NETFLIX didn't mention that in the 'documentary' where they slammed Diana and accused her of ending Black movies.  And, to bring it back to the book, Chaz Gower's book does a real service, for the record, for truth, for Jack Kirby and others who've seen their credits watered down or outright stolen. 

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Previous book discussions:

"Books (Jess, Ava and C.I.)"


"Books (Stan, Ava and C.I.)"


"Books (Trina, Ava and C.I.)"


"Books (Rebecca, Marcia, Ava and C.I.)"





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