Monday, September 11, 2017

The controversy should not be Chris Hedges

Chris Hedges.

He's recently angered a lot of people.

I was on panel with Jill Stein Medea Benjamin. Now Hedges excuses terrorists. Wouldn't do it again.



Chris Hedges is trash Chris Hedges hates anti-fa Chris Hedges lies Chris Hedges draws false equivalences Chris Hedges plagiarizes



Chris Hedges (and others) lie and slander Antifa militants. This is Why. Our preface and an article by Matt...

Counter Punch encourages the Left to unite around in rebuttal of Chris Hedges & Noam Chomsky.


Equating the long history of right-wing violence with the comparatively negligible carried out by AntiFa is absurd.

  1. What's Wrong with Chris Hedges view that ‘Antifa’ Mirrors the ‘Alt-Right’ - antifainternational: ara-la:...
  2. Chris Hedges is a tool. God, I cant believe the support he garners. Its what a no sense of humor can get you I guess.





He's also had some supporters.





This is an important and beautiful essay. Thank you and Please read, ponder RT and take action in your community


How ‘Antifa’ Mirrors the ‘Alt-Right’ Very wise article by Chris Hedges. Please read, take off your mask





Online, he's had supporters and he's had opposers and the opposing has outnumbered the support.


We were largely staying out of the whole thing (Ann weighed in last month) until we saw Cindy Sheehan had linked to "Chris Hedges Is A Public Menace."  This surprised us.

Maybe it shouldn't have?

First off, Chris Hedges is not a god.

He can be criticized positively and negatively.

Can and should be.

This community, in 2008, operated on a back off Chris.

Why?

Chris was lying and has never gotten honest about one thing.

C.I. was calling him out at THE COMMON ILLS for this.

Chris -- not Judith Miller --  wrote the first NEW YORK TIMES report falsely linking Iraq to the attacks of 9/11, click here for that front page story from November 8, 2001.

Not only did it falsely link, it did so via anonymice:


Two defectors from Iraqi intelligence said yesterday that they had worked for several years at a secret Iraqi government camp that had trained Islamic terrorists in rotations of five or six months since 1995.

One was exposed publicly by MOTHER JONES.  Jack Fairweather exposed Abu Zainab posing as Jamal al-Ghurairy.

Chris was not pressed to expose that 'defector.'

Or the other one.  And was the other one the source Jack Fairweather reported on who had spoken to Lowell Bergman of 60 MINUTES (Sabah Khodada) and, if so, why was Hedges self-presenting that he had spoken to two defectors when he had only spoken to one (who was an imposter)?

C.I. was publicly making the point that the two sources lied and they'd lost their right to be anonymous.  They'd lie to start a war and they needed to be exposed.

Why did we back off Chris?

It was 2008.  It was an election year.  Tom Hayden called C.I. and explained Chris was endorsing Ralph Nader.  Tom was a love slave to Barack Obama.  He wanted to use this issue -- the front page NYT story from 2001 -- to discredit Chris Hedges.

For that reason, we all backed off.

It was brave of Chris to step out of the duopoly and we weren't going to be a part of an effort to trash him for that.

After the election, when needed, C.I. has brought up (at THE COMMON ILLS) the issue as coverage of Iraq (the focus at THE COMMON ILLS) has required.

As the Iraq War has continued, under Barack Obama and now Donald Trump, initial lies used to sell it have become far less important than the new lies used to keep it going.

We have praised Chris when we felt he deserved it, we have called him out when we felt he deserved it.

We not only praised his book DEATH OF THE LIBERAL CLASS, we included it on our list of the ten most important books of the last ten years in 2011.

We think that's part of the process of active thinking.

We encourage those bothered by his recent column to criticize and explore.

We also discourage blind worship and fan boi hero worship.

This is a crossroad for the movement -- or what passes for one.

Some will oppose Chris' argument and think of other ways.  Some will agree with the argument Chris makes.  Some will embrace violence.

And let's not kid because that's what the issue is.

The resorting to violence is what happens when a group of people feel left out of the process.

Chris is arguing that is understandable for some who feel powerless to be left out of the process and he thinks they can still be reached.

Maybe he's right, maybe he's wrong.

This road was hit by the SDS decades ago.

It led to the rise of the Weather Underground.

Some feel their actions helped end the war on Vietnam, some feel their actions harmed the left.

From a poli sci perspective, we have never condemned the Weather Underground and don't intend to.

(We have slammed would-be glamour girl Bill Ayers.  The spouse of Bernardine frequently attempts to present himself as the James Dean of the Weather Underground when, in fact, he was the Natalie Wood.)

Violence is not a path we're going to take.

You're grown ups, you need to choose your own path.

But grasp that the issue does come down to violence.

You can call it self-defense, if you like.

But it is not a new path or something that has just popped up recently.

You'd do well to educate yourself on the history of movements because you're going to have to defend yourself with words to a number of people.

Not us.

We're not your enemy.

But there are a number of people who will slam you and if this is your path and you want more on it, you need to be strong advocates for yourselves and your actions.


And as you figure out your path, grasp that the real issue isn't Chris Hedges, the real issue will be your own actions.  You will be attacked (verbally) and making it about Chris is not going to be a solid defense.








Your picks for 70 TV shows we overlooked last week

Last week, we offered "TV's 70 best shows" -- a look at our pick for the 70s best TV shows.

We picked ten by each decade.

What did we leave out?

You were quick to let us know.

Rather than group by decade, we went with a ranking based on votes.  So the first one listed below is the show that got the most votes (134) and the last one listed got the least (5).  There were more shows that we could have counted (including one vote for IT'S A LIVING) but we went with your 70s choices since we'd already made our choice of 70.




111

1) ALL IN THE FAMILY

2) THE NANNY

3) CYBILL

4) GUNSMOKE

5) SEINFELD

6) THE REAL WORLD

7) ANGEL

8) MARY HARTMAN, MARY HARTMAN

9) UPSTAIRS DOWNSTAIRS

10) PHYLLIS

11) ROOTS (mini-series)

12) DYNASTY

13) MELROSE PLACE (90s version)

14) THE MONKEES

15) ONE DAY AT A TIME (NETFLIX reboot)

16) THE MAN FROM UNCLE

17) HILL STREET BLUES

18) RAISING HOPE

19) RHODA

20) MY SO CALLED LIFE

21) MISSION IMPOSSIBLE

22) ST. ELSEWHERE

23) THE FACTS OF LIFE

24) THE JEFFERSONS

25) LA LAW

26) CHEERS

27) MURPHY BROWN

28) LAVERNE & SHIRLEY

29) BLACKISH

30) ARE YOU BEING SERVED?

31) HOT IN CLEVELAND

32) KATE & ALLIE

33) CROSSING JORDAN

34) THE BOB NEWHART SHOW

35) THE KILLING

36) MORK & MINDY

37) TRUE DETECTIVE

38) WKRP IN CINCINNATI

39) GIMMIE' A BREAK

40) MAUDE

41) WAGON TRAIN

42) SANFORD AND SON

43) THE BEVERLY HILLBILLIES

44) WHAT'S HAPPENING?

45) THE INCREDIBLE HULK

46) ONE DAY AT A TIME (original CBS TV series)

47) REMINGTON STEELE

48) ALIAS

49) THROB

50) HAPPY DAYS

51) THE ODD COUPLE

52) THAT 70'S SHOW

53) SHERLOCK

54) THE LONE RANGER

55) ORANGE IS THE NEW BLACK

56) THE DREW CAREY SHOW

57) GREEN ACRES

58) 227

59) STEP BY STEP

60) THE PATTY DUKE SHOW

61) THREE'S COMPANY

62) WEEDS

63) MR. ED

64) THE ROCKFORD FILES

65) BONES

66) THE BIG VALLEY

67) THE SHIELD

68) FARGO

69) NYPD BLUE

70) LITTLE HOUSE ON THE PRAIRIE






Radio moment of the week

a radio 



Last week, Francis A. Boyle appeared on BLACK AGENDA RADIO.




Excert:


Francis A. Boyle:  Obama was far more deceptive.  I like to call Obama -- You know, he was behind me at Harvard Law School.  Obama was the black velvet glove covering the white racist iron fist of US imperialism and capitalism around the world.  Trump is just the iron fist.  So you know what you're getting with Trump, that's for sure.

Glen Ford: Neither one of the two major political parties in the United States has ever put international law at the top of its priorities or run campaigns based on US adherence to international law -- except for the law that they make up -- regarding, for example, responsibility to 'protect' and 'humanitarian' intervention.


Francis A. Boyle:  Well, you're right.  Certainly in my political lifetime -- which  goes back to the Bay of Pigs under Kennedy and all up -- international law, human rights, has always been eyewash.  Although I will make one slight modification to your statement, Glen, in that, as I said, Obama was behind me at Harvard Law School, he's a magna cum laude graduate and in his campaign statements running the first time for president, his statements were technically, legally correct but once he got into power he came as lawless as Bush you know Obama left office when he was attacking 7 or 8 countries he spent 8 years continuously at warfare, longer than any president we had had.  But Obama's campaign statements were right in 2008 -- but once he got into power I would say that he's even worse than Bush.  Even Bush never arrogated to himself some right to murder US citizens as  Obama did there with the drone strikes, murdering Mr. [Anwar] al-Awlaki and his 16-year-old son.  Now I note that al-Awlaki daughter is dead.  So Obama is the one that officially endorsed the policy of murdering United States citizens.








Oh, Martha, shut up (Dona)

Martha Plimpton is the woman with the off-kilter features.

Martha Plimpton supposedly 'dated' River Phoenix though no one I know could ever believe he'd be that hard up.


She's taken to being a real bitch of late and that's too bad because her art won't save her.

It's been the same performance over and over for the child performer.

She never grew as an artist.

So playing a scheming lawyer on THE GOOD WIFE?

It's the exact same performance she gives as a cleaning woman on RAISING HOPE.

She can't create characters.

She can create controversy.

Over the summer she bragged about her abortions.

She's now getting flack for it.

And she should.

I believe in and support abortion.  I don't believe you should live in shame for having one.

But I do not support her nonsense which was out of touch and harmful to the movement.

I also don't appreciate her attacks on Susan Sarandon.

I’ll pray for you.




Good for Susan.

But how long does Susan have to take the high ground?

Susan supported Jill Stein in 2016.  (As did I.)

She couldn't vote for a War Hawk.  (Nor could I.)

Maybe it's time Martha Plimpton apologized for her rude manners which result from a life of being spoiled and pampered.

Martha never had to struggle, did she?

Nope.

Martha's just another spoiled brat whose parents paved the way for a career.

And so it doesn't matter to her what happens to people in other countries.

She's okay with war.

When she's willing to risk something, we might take her seriously.

Until then, she's just a 46-year-old spoiled brat who never grew up.











Tweet of the week




5 ways you can help 'Dreamers' in the wake of Trump's DACA decision via








Remember, kids, it's CRAPAPEDIA

In last week's "The format streaming services need to invest in (Ava and C.I.," they suggested Sandra Berhard should host a variety series.

A ton of you agreed.

One of you noted that she'd done "amazing one woman shows, and each of them was turned into an album starting with I'M YOUR WOMAN."

To which Ava and C.I. replied, "Huh?"

Ty wrote the reader back explaining that was incorrect and asked him where he got that information?

It's crap -- CRAPAPEDIA.

Here it is:




I'm Your Woman

From Wikipedia, the free encyclopedia
I'm Your Woman
SandraBernhardImYourWoman.jpg
Live album LP by Sandra Bernhard
Released1985, re-release 2004
Recorded1985
GenreComedypop
LabelMercury
Sandra Bernhard chronology
I'm Your Woman
(1985)
Without You I'm Nothing
(1987)
I'm Your Woman is the title of the first record released by comedian and singer Sandra Bernhard. It was released on the Mercury label near the beginning of her career and is a live performance recording that was issued only on vinyl in 1985.[1][2] It was later re-released on compact disc and made available for sale on Bernhard's own website. The original vinyl is considered highly collectible and often fetches upwards of $100 at auction.[citation needed] The recording combines what became Bernhard's trademark combination of live music performance and witty, sarcastic comedy.














First off, Ava and C.I. note, the album  was not just released on vinyl.  It was released on vinyl and audio cassette.

Second, it was not a live performance.

It was studio recorded songs with recorded spoken segments between songs.

It was not a recording of a live act or of a one-woman show.


Remember, kids, it's CRAPAPEDIA.


Tuesday, September 05, 2017

Truest statement of the week

On the new Netflix show Ozark, financial adviser Marty Byrde (Jason Bateman) is forced to launder millions of dollars in a rural red state, under threat of death from a Mexican drug cartel. In Billions, which finished its second season in May, viewers are meant to envy and respect mega–hedge-funder “Axe” (Damian Lewis), despite his evident criminality. And then there is the wildly popular Empire, about a hip-hop dynasty ruled by the ridiculously wealthy and brutal Lyon family.
Welcome to the new aspirational television, about a 1% that lives with impunity. These series center on brilliant, albeit extremely violent entrepreneurs. Our antiheroes have technical specialties they managed to turn into criminal know-how: on Ozark, money management becomes money laundering, and on Breaking Bad, high-school chemistry instruction becomes meth production.
These shows subtly argue that their protagonists have been forced to become criminals to avoid falling out of the upper-middle class. They are, after all, self-made: there aren’t even rich grandparents or parents to bail them out. And while these series are far from real, they do rest on the bedrock American reality of income inequality – the huge gap between the Axes of the world, or even the Marty Byrdes, and the “little people”.

-- Alissa Quart, "Our new TV antiheroes are just like us: they don’t want to fall out of the middle class" (GUARDIAN).  (For more on the topic of the economy and its impact on TV, see Ava and C.I.'s "TV: The meanings of OZARK" and "TV: Conventions ingrained").








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