Forget fourth graders, are you smarter than a liberal arts major? Test your knowledge this go round and find out.
Yes, you liked it, so it's back. Below you will find the opening paragraph or paragraphs to six classic books. Can you identify them?
Wait, we'll make it easier for you.
After the six excerpts, there are eight possible books that the six can be from.
Can you match them up?
Openings:
1) "Yes, of course, if it's fine tomorrow," said Mrs Ramsay. "But you'll have to be up with the lark, she added."
2) On an evening in the latter part of May a middle-aged man was walking homeward from Shaston to the village of Marlott, in the adjoining Vale of Blakemore or Blackmoor. The pair of legs that carried him were rickety, and there was a bias in his gait which inclined him somewhat to the left of a straight line. He occasionally gave a smart nod, as if in confirmation of some opinion, though he was not thinking of anything in particular. An empty egg-basket was slung upon his arm, the nap of his hat was ruffled, a patch being quite worn away at its brim where his thumb came in taking it off. Presently he was met by an elderly parson astride on a gray mare, who, as he rode, hummed a wandering tune. `Good night t'ee,' said the man with the basket.
3) No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard - and he had never been handsome. He had a considerable independence besides two good livings - and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as anybody might expect, she still lived on - lived to have six children more - to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features - so much for her person; and not less unpropiteous for heroism seemed her mind. She was fond of all boy's plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief - at least so it was conjectured from her always preferring those which she was forbidden to take. Such were her propensities - her abilities were quite as extraordinary. She never could learn or understand anything before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the "Beggar's Petition"; and after all, her next sister, Sally, could say it better than she did. Not that Catherine was always stupid - by no means; she learnt the fable of "The Hare and Many Friends" as quickly as any girl in England. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinner; so, at eight years old she began. She learnt a year, and could not bear it; and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-master was one of the happiest of Catherine's life. Her taste for drawing was not superior; though whenever she could obtain the outside of a letter from her mother or seize upon any other odd piece of paper, she did what she could in that way, by drawing houses and trees, hens and chickens, all very much like one another. Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could. What a strange, unaccountable character! - for with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper, was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny; she was moreover noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.
4) Helga Crane sat alone in her room, which at that hour, eight in the evening, was in soft gloom. Only a single reading lamp, dimmed by a great black and red shade, made a pool of light on the blue Chinese carpet, on the bright covers of the books which she had taken down from their long shelves, on the white pages of the opened one selected, on the shining brass bowl crowded with many-colored nasturtiums beside her on the low table and on the oriental silk which covered the stool at her slim feet. It was a comfortable room, furnished with rare and intensely personal taste, flooded with Southern sun in the day, but shadowy just then with the drawn curtains and single shaded light. Large, too. So large that the where Helga sat with a small oasis in a desert of darkness. And eerily quiet. But that was what she liked after her taxing day’s work, after the hard classes, in which she gave willingly and unsparingly of herself with no apparent return. She loved this tranquility, this quiet, following the fret and strain of the long hours spent among fellow members of a carelessly unkind and gossiping faculty, following the strenuous rigidity of conduct required in this huge educational community of which she was an insignificant part. This was her rest, this intentional isolation for a short while in the evening, this little time in her own attractive room with her own books. To the rapping of other teachers, bearing fresh scandals, or seeking information, or other more concrete favors, or merely talk, at that hour Helga Crane never opened her door.
5) We were a family of three girls. By Chinese standards, that wasn’t lucky. In Chinatown, everyone knew our story. Outsiders jerked their chins, looked at us, shook their heads. We heard things.
6) In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains. In the bed of the river there were pebbles and boulders, dry and white in the sun, and the water was clear and swiftly moving and blue in the channels. Troops went by the house and down the road and the dust they raised powdered the leaves of the trees. The trunks of the trees too were dusty and the leaves fell early that year and we saw the troops marching along the road and the dust rising and leaves, stirred by the breeze, falling and the soldiers marching and afterward the road bare and white except for the leaves.
A) Jane Austen’s NORTHANGER ABBEY
B) Nella Larsen’s QUICKSAND
C) Ernest Hemingway’s A FAREWELL TO ARMS
D) Thomas Hardy TESS OF THE D’URBERVILLES
E) Virginia Woolf TO THE LIGHTHOUSE
F) Fae Myenne Ng’s BONE
G) Charles Dickens' A TALE OF TWO CITIES
H) George Orwell's 1984
So how did you do?
Not sure?
Need to check or maybe to cheat?
Fine, the key is below.
1) E
2) D
3) A
4) B
5) F
6) C
"So you think you know the classics"
"So you think you know the classics"
"So You Think You Know The Classics"
