Following the strikes, as the TV season finally gets back to normal.
On the good side? The sitcom EXTENDED FAMILY has a lot going for it including laughs and the cast. Jon Cryer plays the ex-husband to Abigail Spencer who is now engaged to Donald Faison -- the three adults are raising Jon and Abigail's two children.
We're not supposed to notice that Donald's seven years older than Abigail or that Jon's 16 years older than here. This being TV, well trained audiences probably will look the other way on that for now. Jon's probably got at least 15 more years until his own version of LIFE WITH LUCY forces audience to recoil in horror at his age. Even so, will they ignore the hair? No, not Jon's hair, he's bald. We're talking about Abigail Spencer's hair. Did they forget she wasn't in a medical drama anymore? It's too dark, it's too long, it's too shapeless, it's too much, it's too heavy. She's buried under it and it's stepping on every one of her punch lines. It so upstages her (and her performance) that it sometimes seems THE ADAMS FAMILY's cousin It has wandered onto the set.
If they could fix that, EXTENDED FAMILY would be an even stronger addition to the NBC schedule. As it is, the series is already a better partner with Melissa Rauch's NIGHT COURT -- much, much better than AMERICAN AUTO. And, as a lead-in, it's helped boost the ratings for season three of LA BREA. If NBC can pull off Reba McEntire's return to comedy next year, they have everything for a solid, two hour comedy block: NIGHT COURT, EXTENDED FAMILY, LOPEZ VS LOPEZ and Reba's show.
Playing pitiful and timid is once again paying well for Jon Cryer. But that's the role he's playing. Max Blumenthal has no character to hide behind -- he's just being the vain nebbish he truly is. At 46, he's a study in failure. A failure not because he was never given a chance, but a failure because he blew every chance he ever had. Now he's a pathetic and insignificant nothing who sees himself as so much more. On THE HILL's RISING last week, he and the Lola Falanda of the political set Briahna Joy Gray attempted to pass him off as Max The All Powerful as they both insisted that Maxie had forced THE NEW YORK TIMES to back away from their questionable and poorly sourced story claiming Hamas raped Israeli women during the October 7th attack.
And then, they wanted you to know, the paper didn't even credit Max Blumenthal by name, they just noted an amalgam of 'critics.'
Reality was in short supply on RISING so let's provide some here.
First off, no one has ever feared Max Blumenthal except for those few unfortunate enough to live near him and, even then, they only feared being detained by him as they tried to make it to their front door. Secondly, the ego on the two of them.
Max was far from the only one to call out the NYT coverage of still unproven, still mythical rapes -- rapes that have no actual witnesses, no actual victims and no evidence. In the US, the paper's coverage of the mythical rapes have been called out by many.
And the credit there includes WSWS, ZNET, COUNTERPUNCH, DEMOCRACY NOW! and especially THE ELECTRONIC INTIFADA. The latter of which features the work of Nora Barrows-Friedman. She's the journalist Max wishes he was. She's not a hitchhiker on The Freeway of Fads. She's someone who is known for her long, long history of covering Gaza and giving voice to the Palestinian people. And, of course, outside the US, there were many outlet's questioning the NYT claims -- including ALJAZEERA but when you're Max Blumenthal -- with all the sadness that entails -- you have to make absurd and grandiose claims to mask the actual meaningless of your life.
A lot of masks are being worn in MR. & MRS. SMITH. The new AMAZON PRIME series is loosely based on the Angelie Jolie blockbuster from 2005. In the film, Jane and John Smith are a married couple who work for different spy agencies. In the new TV series, Jane and John Smith are brought together by one spy agency and they are married as part of their cover. This is how the agency works, in fact, Pairing up a man that they name John with a woman that they name Jane. They're paired up to be a team based on their mutual skills and deficiencies. Falling in love after the marriage is apparently common as we learn in the first minutes of the first episode where a John and Jane -- played by Alexander Skarsgard and Eiza Gonzalez -- are killed. Later in the series, they meet another John and Jane couple -- this time played by Wagner Moura and Parker Posey.
The main John and Jane, the characters we focus on, are played by Donald Glover and Maya Erskine who manage not only to deliver compelling performances but also have a real and strong chemistry. That doesn't just come through between the high octane action scenes, it's also what carries those scenes and every other. The eight episodes zip quickly along and make you eager for a season two.
And in a cast that includes outstanding work by Parker Posey, Alexander Skarsgard, John Turturro, Sarah Paulson, Urusla Cobero, Ron Pearlman and Michaela Coel, we still have to take a moment to single out and praise Beverly Glover -- Donald's real life mother who also plays his mom in the series.
A shocking rarity, AMAZON PRIME has two news series worth watching. EXPATS is the other one and it continues the TV work of Nicole Kidman as both lead actress and executive producer that began in 2017 with BIG LITTLE LIES. With that show, the excellent HBO series THE UNDOING, NINE PERFECT STRANGERS and SPECIAL OPS: LIONESS, Nicole has demonstrated both an eye for potential projects and the skill to shape them into something memorable, stories viewers want to see unfold. Sophia Vergara's just done that with GRISELDA (NETFLIX) and, hopefully, she'll find the same streak that Nicole has.
Nicole's doing some of her best acting in EXPATS. She's a mother who's youngest child Gus disappears when new friend Mercy (Sarayu Blue) is supposed to be watching him at the market. The family is torn apart. Husband Clarke (Brian Tee) seeks out religious answers as he tries to deal with his son's disappearance. The two other children have to deal with the obsessive fears of their mother Margaret (Nicole). Margaret is on self-destruct, destroying friendships, making accusations, trying to find leads after the police have given up. It's really something to watch.
The writers strike and the actors strike are over. But, as some are determined to prove, the stupid always lives on.