Tuesday, September 06, 2022

Iraq coverage: Return of The October Revolution, fall of Moqtada?

This is last Friday's "Iraq snapshot:"


Friday, September 2, 2022.  The number of assaults within the US military continue to increase, The October Revolution returns to the streets of Baghdad, and much more.


Allison Jaslow is an Iraq War veteran and a member of Iraq and Afghanistan Veterans of America.  She is in the news today because of an interview she gave this morning.  CNN reports:

An Iraq War veteran and former Democratic Party official on Friday criticized the presence of US Marines in the backdrop of President Joe Biden's speech in Philadelphia, during which he issued stinging political criticism of Republicans.

"We need to make sure that our military is as removed from politics as possible and it's not right if a Democrat uses the military as a political pawn and it's not right if the Republican Party does it as well. None of our politicians or elected leaders should do that," Allison Jaslow, a former executive director of the Democratic Congressional Campaign Committee, told CNN's Brianna Keilar on "New Day."

She's on solid ground with that critique and she's not the only one making it.  CNN's Jeff Zeleny Tweeted:

There’s nothing unusual or wrong with a President delivering a political speech — it’s inherent in the job description — but doing it against a backdrop of two Marines standing at attention and the Marine Band is a break with White House traditions.
Image


It's not a minor issue but expect the usual nonsense from the partisan patrol that poses as leftists and pretends to be fact based.  


Let's stay with Allison for a bit more.

MILITARY TIMES editor Leo Shane III Tweeted:


. at #ALConv2022: "We’re continuing to fight like hell to make sure that all veterans feel welcome and safe at VA. That means getting women vets -- our fastest growing cohort of vets -- the care they’ve earned, and deserve."


To which Allison replied:


Fighting like hell? I call bulls**t. Changing the motto outside

front door to be more welcoming to women veterans should be a lay up, but there's been 19 months of inaction by

on it. #ChangeTheDamnMotto


10:22 AM · Aug 31, 2022


And the motto goes to the lack of welcoming which goes to the reality of the way so many are treated within the military.  Allison more recently Tweeted:


Women in the military deserve a culture that respects them, this is not that: "A new Pentagon survey shows women in the military endured the highest level of unwanted sexual contact since the Defense Department began tracking the data sixteen years ago"


Important additional finding in here: "About one in five troops – 29% of women and 10% of men – reported their assault, and data show that trust in the military to protect privacy of victims, ensure safety, and treat victims with dignity and respect is declining."



And she reTweeted veteran and journalist Paul Szoldra on the same topic:

For years, officials have couched increases in sexual assault reports by claiming that survivors are becoming more comfortable with reporting, but for 2021, that math doesn’t bear out... So this year, officials aren’t couching it anymore: it’s not good.


Senator Kirsten Gillibrand has been a fierce fighter on this issue (even calling out some members of her own party when needed).  Her office issued the following:

Senator Gillibrand: “This data shows a military in a crisis…We are betraying the trust of service members and their families and failing the most heroic among us.”

Today, Senator Kirsten Gillibrand, chair of the Senate Armed Services Personnel Subcommittee, responded to the release of the Department of Defense’s (DoD) Fiscal Year 2021 Annual Report on Sexual Assault in the Military. The survey showed that 8.4% of active duty women and 1.5% of active duty men reported at least one unwanted sexual contact in the prior year, amounting to an estimated 35,900 total active duty service members – a disturbing rise from previous years. 

For years, Senator Gillibrand has fought the DoD to fundamentally reform how it deals with sexual assault among its ranks. She earned bipartisan majority support for her bill, the Military Justice Improvement & Increasing Prevention Act, which was blocked from receiving a vote in the full U.S. Senate.

In response to today’s shocking numbers, Gillibrand said: “This data shows a military in a crisis. Nearly one in ten active duty women reported unwanted sexual contact during a single year, and that number rises to one in four when the service member experienced an unhealthy command climate involving sexual harassment. When service members cannot trust their leaders to uphold the values of our military services it means we are failing. Finally, the percentage of cases preferred for court-martial charges continues to drop. These results are completely unacceptable.

“We are betraying the trust of service members and their families and failing the most heroic among us. The current versions of the National Defense Authorization Act in Congress contain vital military justice reforms that I have fought for for nearly a decade, and they should be passed and enacted with the urgency this crisis demands.”

The DoD’s full report can be viewed here.



Let's move over to Iraq where the press so frequently gets things wrong.  Let's start with ASIA TIMES because they've always been a garbage outlet but they tend to fool so many.  They're pimping a neocon whose sucked on the US government tit off and throughout his pathetic career.  His name is Hussain Abdul-Hussain and he's a 'journalist.'  He's a fool, an idiot and a whore and it's telling that ASIA TIMES wants to publish his latest garbage.




Ten months after Iraq’s pro-Iran bloc was soundly defeated in parliamentary elections, and less than a week after Shia cleric Muqtada al-Sadr announced his retirement from political life, a stalemate between Shiites who oppose Tehran and those who support it seems to be leading the country toward civil war. Yet this is only half the story.


Yes, that is only half the story.  For example, the other half goes to the fact that the militias (that his pro-Iran bloc) were disenfranchised and I know the US government doesn't like that reality to be told but it is a reality.


I am not a fan of the militias, I have called them out forever and a day.  I strongly called out the move to make them part of the Iraqi security forces.  I still think that was a mistake.  Epic mistake.  


But I'm not a whore.  The prime minister, at the last  minute, pulled them out of early voting.  They weren't allowed to take part in the election as a result since they had to be stationed throughout Iraq on election day (to protect polling places).  Mustafa al-Kadhimi does not like the militias because they have mocked him and criticized him.  They do not support him so his move to disenfranchise them was not just illegal, it was anti-democratic and the thing a despot does.


A whore, like the one writing for ASIA TIMES, looks to see where the money is.  And the US government will always pay those who verbally attack the 'enemy' of the moment.  Hussain Abdul-Hussain gets paid for making it all about Iran.  Which is why he then types the garbage he does.  Iran this and Iran that.

The US gave money to Moqtada al-Sadr -- a killer of US troops.  They did that because Moqtada was preferred to the militias.  I really think they need to explain to the American people why their tax dollars went to a killer of US troops.  

The American people weren't consulted on this.  Moqtada was paid off in August of last year (only the latest pay off) to announce that he wanted his cult to vote in the elections held October 10, 2021.  


Hussain Abdul-Hussain wants to simplify the issue and make everything about Iraq or Iran.  Because that's where the money is and it's where the blood is and a neocon whore like Hussain Abdul-Hussain needs other people's blood to live off of.


Iran and Iraq share a border.  


The US government never learns a damn thing.  


If you want Iraq and Iran to bicker and the US to benefit, then stay the hell out of it.


It will happen because their border is in dispute.  And when it does happen, the US government can't just let it develop, they have to try bring in 800 other issues, "You should be upset about this and about that!"  And all that ever does, is remind the two how much the US wants them to be opposed to one another.

The US government is like a stupid person wanting a couple to break up so that they can grab one of the partners.  The US always overplays its hand and always makes a concealed motive clear, thereby bringing the couple back together.


Let's got to VOX, believe it or not.  Zach's not that smart but I was pleasantly surprised to learn Zach wasn't covering the topic.  Jonathan Guyer is:

 The ongoing conflict that has paralyzed the country is grounded in complex domestic politics — Sadr himself has long been a powerful figure in Iraqi politics. Its most recent roots, though, start about a year ago in a parliamentary election where Sadr’s movement won the most seats. In the ensuing months, Sadr was unable to secure a majority coalition to his liking, and in July, he urged the parliamentarians from his bloc to resign. But Iraqi politics quickly moved on, and as other parties jostled to form a new government, Sadr’s loyalists held protests outside of government buildings, at one point even occupying the parliament. Meanwhile, religious politics came into play as a prominent cleric in Iran urged his Iraqi followers to break with Sadr.

“For the average Iraqi who was living through that night of terror [Monday], it really felt like going back to the war, in which there was the constant sound of gunfire throughout the night,” [Marsin] Alshamary told me. “We didn’t know whether we would wake up to a civil war in the country.”

To understand why the resignation of a man who has resigned from politics several times before led to street violence, why elite politics in Iraq are so volatile right now, and why many Americans are misunderstanding both (hint: They’re overplaying Iran’s role in the crisis), I spoke with Alshamary, who had just returned from Iraq where she is based. Our conversation has been lightly edited for length and clarity. 


[. . .]


JG: He resigned in a tweet on Monday. Does that mean he’s left politics?

MA: Excellent question, because really, he doesn’t make it clear. Muqtada al-Sadr has “left politics” several times before. Usually it’s before elections, because he’s trying to get concessions. We’re not sure what it means this time, because his members of parliament have already resigned. So what more does it mean? That he’s going to withdraw bureaucrats and high-level officials within the government institutions and tell them that they’re no longer participating in the government in any way? Does it mean that he will not make any political statements going forward? He doesn’t clarify.

After Muqtada’s statement on Twitter on Monday about how he’s quitting politics, all hell breaks loose in Baghdad and in the south.

The clashes between the protesters and paramilitary groups grew increasingly violent. We see the kinds of weapons that you would see on a battlefield being brought out. There’s a curfew imposed in Baghdad. The conflict extends beyond the Green Zone, it moves to neighborhoods in Baghdad, particularly ones where the Sadrists are, and we hear news of conflict in cities like Basra, which is the southernmost city in Iraq, Nazriya, and Diwaniya, other important cities in southern Iraq.

For the average Iraqi who was living through that night of terror, it really felt like going back to the war, in which there was the constant sound of gunfire throughout the night. We didn’t know whether we would wake up to a civil war in the country. Most analysts thought that this was going to be a long confrontation between Sadr’s militia — Saraya al-Salam, or the Peace Brigades — and other militias, other Shia militias in Iraq.

But the next day, a little past noon Baghdad time, Muqtada al-Sadr holds a press conference. In this press conference, he looks chastised, he’s apologetic, he apologizes to the Iraqi public for the violence, for what they had to go through that night. He chastises his followers, saying that their movement isn’t violent, that they shouldn’t drag Iraq into corruption and violence, like Iraq is already corrupt, we don’t need more problems. He even reaches a point where he says both those who were killed and the killers are all in hell, which is a very, very strong condemnation of his own followers. 

He also gives his followers an hour to leave the Green Zone and to stop all violence. And the effect is instantaneous, by the way. Everyone breathed a sigh of relief when he told them to go because we knew they would follow him.

JG: That’s quite a turnaround. What triggered all of this?

MA: Can I get in the weeds of Shia political authority for a bit? Muqtada al-Sadr, although he wears a turban and looks very much like a cleric, doesn’t have the clerical authority to become a spiritual guide for Shia.

Shia Muslims have to find a particular high-ranking cleric who is able to direct them in personal matters, social matters, and sometimes even political matters. In order to become that person, though, you have to go through a lot of training and reach this level, where you become an ayatollah essentially. Muqtada’s father, who formed the base of the Sadrist movement that we see today, he was both an ayatollah and a social-movement leader.

Muqtada inherited this movement but couldn’t fill in that void of being a spiritual guide. The person who stepped in was someone named Kadhim al-Haeri, who was a student of his father’s and who became the spiritual guide for Muqtada and the movement. Him and Muqtada have had an on-and-off relationship; there were points of disagreement. But prior to Muqtada’s tweet, and what really prompts the tweet, is that last week Haeri releases a statement — keep in mind, he lives in Iran right now — and in the statement, there’s two things that are important.

First, he makes the unprecedented move of abandoning his office and saying he no longer wants to be a spiritual guide for anyone, and that if any of his followers are looking for where to go next, they should go to Khamenei, the supreme leader of Iran. This is unprecedented in the Shia religious establishment; no one gives up their position as a spiritual guide and tells someone to go elsewhere. And it’s very strange why it’s Khamenei who he picks to be the next spiritual guide. This is the first blow in the statement for Muqtada al-Sadr, who built his entire movement around being an Iraqi nationalist and anti-Iranian, to be told that he and his followers should turn to Khamenei.

The second big blow is Haeri criticizes Muqtada in the statement. He says that he is not a true inheritor of the legacy of the Sadr family, this illustrious family of clerics who has been involved in Iraq for decades. He also says that Muqtada al-Sadr is creating this strife and chaos and a lot of tension among the Shia. He never says [Sadr’s] name, by the way, but it’s very clear who he’s talking about.

And this letter must be a slap in the face to Muqtada al-Sadr, to be so criticized by someone so close to your father, that the next day we see this response. So that’s the trigger point.


JG: Many observers in Washington frame all of this around Iran. And obviously, we’re talking about a very influential cleric who is based in Iran, but you’re saying a lot of this has much more to do with Iraqi domestic politics and the complexities of a parliamentary system in a post-civil war country than with outside powers?

MA: I think the simplicity around the Iran rhetoric is that everyone looks at this conflict as though Sadr was this anti-Iranian hero, and the Coordination Framework are the pro-Iranian villains — when in reality, everyone in the story is a villain. Everyone’s relationship with Iran is very complicated. The relationship that’s often portrayed to exist between Iraq and Iran is very much simplified.

To take Muqtada al-Sadr as an example: In many of my meetings and conversations with the Western diplomats, I’m astounded by the degree to which they want to believe that Muqtada al-Sadr will be an anti-Iranian force in Iraq, completely forgetting his violent history against Iraqis, against Americans, and how at the time, he was supported by Iran in those endeavors. Now, I expect them to look away as Iran seems responsible for manipulating Sadr to end the violence. I think they are misunderstanding Sadr’s intentions in being anti-Iranian. He is just trying to capitalize on popular sentiments in Iraq that are anti-Iranian.

There’s also a simplistic narrative around the Coordination Framework that they’re all pro-Iranian militias, when in fact, in the Coordination Framework, you have someone like Haider al-Abadi, the former prime minister during the ISIS war who was close allies with Washington, as well as Ammar al-Hakim, who was a cleric and a politician with ties to the West. So not everyone in the Coordination Framework is a staunch pro-Iranian politician, and Muqtada al-Sadr isn’t reliably anti-Iranian either.

Regardless of all that, what I find really mystifying is the willingness to allow Iraq to burn just so that Iran would lose a little bit of influence, when there is another opportunity to build on the civil society in Iraq, on the protest movement in Iraq that produced new members of Parliament and that produced independent MPs, and to actually support them because they represent the Iraqi street. Actually, they’re anti-Iranian too, but they don’t do it in a way that invites violence and confrontation, but they do it in a way that places Iraq’s interest front and center. 


It's an intelligent discussion that deals with reality.  She also offers her feeling on the future.  She's probably right there as well.  I disagree but I may be too hopeful.  She, for instance, feels that the next vote will be see either the same low turnout or maybe even worse.  I don't see that.  I see a higher turnout and, yes, that is based in part on what I hear from people who were members of The October Revolution.  Many of them sat out the election due to the corruption.  Their attitudes now are about developing politicians to run in the next election, taking part in the next election.  (These are a small number of members of The October Revolution and our communications are as individuals -- they are not speaking on behalf of the movement.)  I may be giving too much weight to that outcome because, historically, it is the natural outcome.  

Moqtada's violence has now spread to Basra.  All of Iraq is watching.  The October Revolution had a large number of potenial voters who sat out the election.  These young Shi'ites sitting it out weren't the only ones.  And as they see the violence in Baghdad and now in Basra, I also believe that they will be more likely to show up and vote.  Again, I could be wrong.  

The occupation of the Parliament triggered a large response that the western media ignored.  A large number of Iraqis were outraged by both the occupation of the Parliament and what they saw as the disrespect taking place during the occupation.  


Again, I could be wrong about what would happen at the next election.  


Read her observations and insight.  She's probably more on the mark than I am.


MEMO notes:


The leader of Iraq's Iran-backed Asaib Ahl Al-Haq militia, Qais Al-Khazali, yesterday ordered the closure of the militia's offices across the country following violent clashes that erupted in the southern city of Basra during which four people were killed.

In a statement posted on Twitter, Al-Khazali ordered the closure of the militia's offices until further notice and called on his followers not to respond to any provocations.

Earlier yesterday, Reuters reported that four men, including two members of Saraya Al-Salam, an armed faction linked to Shia cleric Moqtada Al-Sadr, were killed in clashes among rival Shia Muslim militants in the southern Iraqi city of Basra.


OIL PRICE notes, "Violence in Baghdad is one thing, and has the potential to mildly move markets as fears increase of threats to the oil industry in OPEC’s second-largest producer nation. Violence in Basra–the heart of Iraqi oil–is quite another thing.  This is not a separate incident from what has happened in Baghdad, and that is significant. This is a spreading of the political unrest in Baghdad as rival Shi’ite groups vie for power."


Meanwhile, The October Revolution is back in the streets:


Chanting Anti-#Iran & #US Slogans. Dozens of #Iraqi protesters took to the streets in #Baghdad neighborhood of #NisourSquare, chanting slogans against Iran’s interference in #Iraq’s internal affairs. #ستنتصر_ثوره_تشرين
The protest were organized by The #OctoberProtestMovement, known in #Iraq as the #TishreenMovement.


THE NATIONAL's Mina Aldroubi Tweets:


Iraq's peaceful pro-reform protest movement has make a come back this afternoon in Baghdad. Protesters are shouting "Iran will not rule Iraq" #العراق_اولآ_واخيرآ



 The following sites updated:


TV: Some shows don't need or deserve more than one season

These days, everyone wants a long running series.  That's true even if you bill the program as a limited series (BIG LITTLE LIES) and it's true even if you're a program NETFLIX airs despite their desire for fewer and fewer seasons.  Some shows deserve more than one season, some don't.  Some hang around for five seasons without ever fixing the problems that were evident at the start.  But we'll get to DYNASTY in a moment.  First up . . . 


DEVIL IN OHIO has several things going for it including Emily Deschanel in the lead role.  The thriller also has a lot going against it, including the fact that the creators seem to be entertainment challenged.

That deficiency is clear not just in the execution but also in the premise.

Deschanel plays a doctor, Suzanne, who takes a teenage girl into her family when the girl shows up at the e.r. with a pentagram carved into her back.  Bit by bit, we see crows appear == overhead.  We see her worship a crow.  We learn that she's praying to the crow god.  And we're never, ever supposed to be laughing at this "morning star" 'religion' the cult is practicing.

3 JESS
 
 
So why are we laughing?



Because, like many people, we've seen AMERICAN DAD's season 14 episode "Julia Rogerts."  When Stan and Roger's attempts to recreate a wine for Francine fail because Roger (dressed as Cher in her "If I Could Turn Back Time" costume) is whisked away by a tornado, Roger pouts over Stan's failure to save him.  He bicycles into a small town, one that's a lot like the one Julia Roberts moves to in SLEEPING WITH THE ENEMY.  There he goes by the name Julia Rogerts and has several encounters with Jessie (voiced by Dermont Mulroney who played opposite Julia Roberts in MY BEST FRIEND'S WEDDING).  While Jessie seems trustworthy, turns out that he's pursuing Roger to use him as a human sacrifice to the . . . crow god.  They need someone pure -- which Roger laughs at -- just like DEVIL IN OHIO needs someone pure to sacrifice. 

The "Julia Rogerts" episode is one of the most streamed on the TBS channel, on YOUTUBE TV and on HULU -- one of the most streamed of season 14, one of the most streamed of seasons ten through nineteen.  

No one connected with DEVIL IN OHIO ever noticed that?  No one, including Daria Polatin, ever said, "Could this cause some intended laughter?"  Polatin is the creator, the executive producer and wrote many of the episodes.  It never occurred to her.  It really undermines NETFLIX's limited series.

Should it be limited.  We stand by our call that ECHOES does not need a second season.  Season one covered the lives of two twin sisters from the start to the present -- when both were presumed dead but whom the creators and cast of the show now say are still alive.  What really is left to cover that needs a second season?  They're both alive.  Will there be a national manhunt for them?  Will the local sheriff claim she has jurisdiction outside her county and outside her state?  

DEVIL IN OHIO needs another season because the first one was handled so poorly.

That includes casting.  Sam Jaeger brings nothing to the role of Suzanne's husband Peter Mathis because there's nothing to the role.  It would have made a lot more sense -- and created more suspense -- if Sam turned out to be part of the cult.  Instead, we're left with him acting weird -- for no reason other than to build suspense -- and stupid (stupid? bringing a dying bird your daughter wants taken to the vet and 'hiding' it in the garage -- it's just set out in the garage -- is pretty stupid and does make him look suspicious).  Sam also leaves Suzanne at the end.  He's so bothered by all that took place in the eight episodes that he leaves her -- takes their daughters but leaves Suzanne.  She'll show up with a pie but he won't let her in his apartment or see the girls.  Huh?

The other big mistake in casting was Gerardo Celasco.  He plays Detective Lopez.  He should have been cast as Peter because he and Emily actually have chemistry.  Barring that, they should have made the detective gay.  Why?  The chemistry is so obvious, you keep waiting for them to get together.  If Lopez were gay, you'd say, "Oh, they're just going to be friends."  And maybe he is gay.  An old love is mentioned but that doesn't mean it has to be a woman even though we're led to believe it was.  

Besides having chemistry with Emily, Gerardo is also just so appealing that you want more of him.  You care whether he lives or dies so when he's investigating the cult, those scene have tension.  

Besides casting, the series is also poorly plotted.  This results in a lack of suspense.

It also results in Suzanne being an idiot.

The ending?  Suzanne's husbands and kids no longer live in the house with her.  She sits down to Thanksgiving Dinner with Mae only to be pulled away by a phone call.  On the call, she learns that innocent victim Mae wasn't innocent and that she set up much of what took place.

So Suzanne stands there looking like an idiot who has lost everything to defend a victim that was not a victim.  

If a season two could correct that, we'd sign off on it.

We have no conditions when it comes to PEACOCK's QUEER AS FOLK.  The series began as a British program.  It then moved to SHOWTIME with an American cast.  An all White cast.  PEACOCK's version is the third one and, fortunately, unlike HBO MAX's hideous SEX AND THE CITY reboot, they've not adding persons of color as mascots to the former leads.  Instead, they've relocated the show and found a cast that is diverse.  And a cast that is very appealing.  Brodie is played by Devin Way and he's the lead character.  Devin's wonderful in the role.  When he decides to tell Shar (CG) he loves her, it matters and has meaning.  It matters because you like Shar with Ruthie (Jessie James Kietel) even though Ruthie does step out on her (including with Brodie's mother).  But you just want to root for Brodie.  

You want to root for Mingus (Fin Argus) as well.  Especially when he returns to the stage, following a shooting at the club, to try drag again.  You're as excited watching him as his own mother (wonderfully portrayed by Juliette Lewis).  We could write praise for every member in the cast.  They all deliver.  But we want to make a point to note Kim Cattrall.  While so many actresses who find success just try to repeat themselves (often in a sad and pathetic caricature, see AND SO IT GOES), Kim isn't playing that game.  In 2020, she was great in FILTHY RICH (sadly, the male youths were disappointing).  On HULU's HOW I MET YOUR MOTHER, she's delivering.  And she's delivering here as well  The character was overly broad -- which was in keeping with the character -- in the beginning.  Later episodes have provided Kim with the space to provide the depth that a real actress can.  When her character Brenda learns that, for example, Ruthie only wanted a one night stand, it's a shock.  Brenda, in love with Ruthie, has announced to everyone she knows that she's now a lesbian.  So it's not just losing Ruthie, it's also losing face.  Kim sketches it in lightly and a scene where she bumps into Juliette Lewis character is so strong it should have resulted in praise and awards for both actresses.

The eight episodes of the series move far too quickly and leave you wanting more -- something you can't say about many shows -- certainly THE CW's DYNASTY earned its cancellation, for example, by padding episodes with nonsense while forgetting it was a soap opera.  Soap operas mean continuing storylines -- or meant that before HILL STREET BLUES.  Once that MTM drama found that viewers would tune in to cop dramas if they had continuing storylines, pretty much every drama in the world began aping them.  So how did DYNASTY forget what it was here?  

With two more Fridays to burn off two more episodes, the show is wrapping up with a final episode that no one planned for a series ender.  The show's problems were immense.  Various actresses played Crystal.  Three, in fact.  The first one, we were later told, was an imposter.  The audience didn't like that Crystal.  What was the excuse for firing the second actress in the role?  And then there was Alexis.  She was also played by three actresses.  Sadly, that included Elizabeth Gillies who was already playing Fallon at the time.  Stunts like that were just nonsense and garbage.  So was the pacing which rushed viewers through episodes and rarely allowed a pleasurable moment.  Most of all too much attention and time went to Fallon.  

Pamela Sue Martin, the original Fallon in the 80s and a great actress, couldn't have had that much time onscreen and held your attention.  Until season five, every episode revolved around Fallon.  It was overdone and it was boring.  Fallon never grew.  (Which makes the thought of her as a mother especially frightening.)  They began to invent nonsense for Fallon to do to keep her prominent.  It wasn't a continuing storyline, it was just make-work scenes.  And they were boring and they were often offensive.  In five years, she should have demonstrated some growth.  Instead, she still came across as a spoiled teenager.  

Elizabeth has the talent to be a lead.  But she doesn't have the talent to be the sole focus the soap wanted her to be -- no one does.  

There were strong actors in the cast who should have been brought to the foreground.  Michael Michele was first-rate as Dominique and ran with every (underwritten) scene she was handed.  A true force of nature, it was difficult to watch someone so talented be repeatedly short changed in episode after episode.  Once you noticed that, it became even more difficult to stomach Elizabeth's nonsense as Fallon.  Oh, look, a rare turtle that Fallon'll use to stop a construction project!  Oh, look, now Fallon wants to defeat an old school rival and the charity she heads.  Oh look, viewership is dropping off with this crap, does no one notice? 


Michael Michele was first rate.  She had a number of talents trailing behind her.  Robert Christopher Riley (Michael) and Rafael de la Fuente (Sammy Jo) were amazing on their own.  When they were teamed as best friends and business partners, the show had a dependable team that always delivered no matter how poorly the scene was written.  Sam Underwood (Adam) and Sam Adegoke (Jeff) were very talented but repeatedly misused and relegated to the second and third string.  We have no idea if Maddison Brown can act.  She was called Kirby on the series.  She seemed to break every known rule and make it work.  Whether that was acting or just luck, a real show runner would have placed her front and center in her first season on the show (season two) instead of keeping her buried as a back burner character for seasons two through four.  The focus on Elizabeth's Fallon -- the incessant focus -- meant that many solid performers were relegated to nothing like Wakeema Hollis who really connected with the viewers as Monica.  Or James Mackay who left the role of Steven in season two -- after Adam had made him think he was crazy.

On the original series, Steven was played to perfection by Al Corely and then the light weight Jack Coleman took over.  So viewers of the reboot assumed this was another 'in joke' (that no one would find funny) when Mackay left and they waited for Steven to return played by a different actor.

Didn't happen.

That was bad.  Steven is Fallon's brother.  And he is Fallon's brother who has a score to settle with Adam -- the brother he doesn't know he has.  

But the character was left to dangle because the show runner wanted to waste everyone's time with Fallon having a gal-pal snowing trip or even worse nonsense.

It could have been a great reboot.  There were actors who were really something to watch (and that may include Maddison Brown -- if she can't act, she still grabbed you by the eye balls -- we are not picking on her or mocking her, we are noting what she did, the choices she made, were truly original, if that was acting, she's someone to watch).  They should have had storylines to match.  Instead, every episode felt padded and, in the end, it was the filler and the waste that killed the show and ran off viewers.


Anthology programs once held multiple slots on the small prime time hours that three networks could offer.  Even than, as ROBERT MONTGOMERY PRESENTS . . . quickly found out, the viewers weren't eager for a new cast each episode.  (Elizabeth Montgomery would become part of the ensemble on her father's show and make her television debut there.)  Audiences don't just want the same actors every week, however, they want the same characters.  It was a lesson networks still hadn't learned by 1990 when NBC put CAROL & COMPANY on the air.  No, viewers were not wanting to see Carol Burnett and her ensemble in a different play each week.  They instead wanted her to do the characters she'd done before and create new recurring characters.  Fans so disliked CAROL & COMPANY that it harmed Carol's career.  Returning to THE CAROL BURNETT SHOW in the fall of 1991, she saw that the fans who initially turned out for CAROL & COMPANY were not willing to now turn out for what they wanted -- her back in THE CAROL BURNETT SHOW.  A trust had been broken and it was not to be repaired.  (Had CBS done a better promotional effort for the show, a larger number of Carol's fans would've shown up.)  

NETFLIX vows that no show of their own will ever go as long as GRACE AND FRANKIE did.  That makes no sense.  Shows like GREY'S ANATOMY are the lifeblood of NETFLIX -- multi-episode programs that people can binge and rebinge.  They need multi-season offerings -- especially now that they're in the process of losing every deal that they had with various networks to stream their shows.  NETFLIX once meant multiple seasons of, for example, GREY'S, SCANDAL, FAMILY GUY, AMERICAN DAD, NIKITA, VAMPIRE DIARIES, THE ORIGINALS and many others.  But those aren't NETFLIX programs and soon they will be gone.  They need programs with multi-seasons if they're going to have any kind of long range future.  But, that said, every show doesn't deserve even a second season.



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