Sunday, April 19, 2009

Papers and David Carr Stuck In The Box

There's a kind of stupid . . . all over the web. But never more so than when a Docker Boy weighs in. As happened Monday on page one of The New York Times "Business Day" section where the last of the goofy Docker Boys (we pray he's the last) David Carr was yammering away about news models and profits and things that were way over his head.

NYT paper woes

"Faced with an ad market that no longer supplies enough revenues to meet costs, many newspapers are now considering putting up pay walls on their Web sites, long an anathema in Internet culture," declared David before following up with a run-on sentence and then one whining about 'poor' AP. The reader might think (and Carr appeared to) that ad revenue was how the AP makes money. Wrong. The AP makes money by charging its members. Not a standard fee, in fact. They can (and frequently do) increase fees when they feel an event (sporting, political or war) will require more money.



AP's business model (long a monopoly) is based on what AP wants it to be and there was no reason for Carr to include AP in an article which repeatedly touched on advertising (including the decision by The Los Angeles Times to run an ad on their front page which many could and did mistake for reporting).



Sidebar, AP really doesn't want to piss off the blogosphere. March 31st C.I. (and Ava, Kat and Wally) attended a Senate Foreign Affairs subcommittee hearing on Iraqi refugees which C.I. wrote up (we say "reported on," C.I. says "wrote up") for the March 31st snapshot. April 1st, AP 'reported' on the hearing but, as C.I. noted that morning, "AP misplaces 1.1 million Iraqi refugees." As C.I. points out, the number was established in the initial round of questioning and was then used repeatedly in the hearing. It's also true that AP grabbed a copy of Senator Bob Casey Jr.'s press release which used the correct number throughout. Even so AP couldn't get the figure correct in their 'report.' Point? That's no uncommon. And just yesterday, C.I. included this in an entry: "Contrary to a really bad AP report (we're not linking), Kristoffer Walker did not make a stand in January and announce he was not returning. That was in February and you can see this Feb. 23rd snapshot for more." The Associated Press has cut back on positions and a lot, A LOT, of mistakes are making it into their articles repeatedly. If they really want to go to war on the blogosphere, they may piss off the wrong group of people who may decide to start monitoring their 'reporting' and creating a score card. If that happens, watch AP's 'brand' plummet because who wants to run stories by a national laughingstock?



We're done with AP for the rest of this article.



David Carr's article was based on the woes. The woes of the every day whiner.



Back before he started mainlining Barack's Kool-Aid, Norman Solomon was capable of making a coherent argument and one of them, in 2006, was how the newspapers were not in the trouble they said they were. That the profit many papers were turning was an acceptable profit every where but with Wall Street. He also dreamed daily of a sort-of combine, a journalist owned and operated newspaper.



These days, he's too busy wet dreaming over Barack to form a passing thought, let alone an argument. Which is too bad because before he became a Barack Junkie, he could have told Carr what's what.



Carr's article is based on the dwindling reader theory and it's real funny how newspapers never take accountability for their own problems. And that's especially funny with regards to The New York Times. As pointed out Monday, "For the New York Times, any article on the lack of newsprint being the first and last stop should include the names: Jayson Blair and Judith Miller. Among many, many others." Somehow those names escape Carr's attention despite the fact that both made the paper a laughing stock.



But let's talk the reality Carr wouldn't or couldn't because we've got various age groups, we've got people who were journalism majors (Jim, Dona, Ty, Jess and Ava), you've got two who grew up in news families (Ava and C.I.) and you've got some actual subscribers in the mix.



Does David Carr subscribe to a paper? If he does, that needs to be his next column. And it needs to be honest.



A number of us live here on the West Coast at C.I.'s and there are no problems with the deliveries of the various newspapers but only because C.I. no longer uses The New York Times (and others) paper service. C.I. cut deals with local distributors and gets the paper promptly each morning at the same time. If you have a ton of cash to waive around, it could happen to you as well.



But for most of us, that's not the case.



Which leads to the "Will the paper get here before I have to leave for the day?"



That wouldn't be a problem for C.I. and it's not one for Elaine (it's left with the doorman of her highrise) or Rebecca ("It's a small island, we all know each other). But for many people, a paper tossed on the yard or near the door needs to be snapped up within ten to fifteen minutes of hitting the ground -- otherwise a neighbor's grabbing it.



How many time this decade has the paper switched contractors? And we're not even talking about the delivery contractors, we're talking about their contracted 'customer service.' By February 2008, the problems were non-stops. We heard about it from readers and were toying with writing about it back then. When The New York Times ever complains about their falling subscription base, they have no one to blame but themselves because they have NO IDEA how bad the situation is. As late as last January, we were getting regular reports from subscribers calling to complain about papers not being delivered (1-800-NYTIMES) only to be cursed out and hung up on by the 'cheerful' women (do they have any men answering the phone?) working for the contractors. (Anyone at the paper wanting to shop those phone lines should do so between five and six a.m. EST which is when most of the cursing and hang ups take place.)



One apparently universal complaint is that the latest round of contracted carriers (delivery) are no longer delivering to the door. Now they toss it on the yard, on the curb, sometimes in the street. There is no quality oversight. And the paper wants to whine when subscribers walk?



People like Carr like to pontificate about how cities used to have an afternoon and morning paper. Yes, and cities also used to have multiple papers. That actually encouraged buying a newspaper because if one had lousy service, you could switch papers and get a different carrier as a result in most cases.



The newspaper is no longer the primary resource for news and as they began to happen, they all should have started reconsidering their models and evaluating various services. The one service they never seem to improve on or even consider is the subscription one.



When people are being cursed out by 'customer reps' at the customer hotline, the newspaper business has a problem. And The New York Times can claim that it's not them, that they contract it out. Doesn't make a damn bit of difference. That number (1-800-NYTIMES) not only has the paper's name it, you only call it when you can't get a paper.



And it takes a long time before most subscribers figure out (or are told) that the employees they are speaking to (the ones who answer "New York Times") do not work for the paper.



In one of the worst cases we've heard of, a subscriber of the paper has been complaining about one delivery issue since February 2008 and has repeatedly been told that he will be called by someone. He has never been called by anyone. And when he calls to complain again (and again) about the same problem, the customer rep will usually bring up, "I see on my screen that this was passed on up and ___ was supposed to get back to you." And ___ never does. Never has. Never will. That's over a year with the same problem. (The subscriber is giving it until July and then cancelling.)



David Carr wanted to whine which is all the Dockers Boy are ever good for but, notice, with them it's always a self-whine.



So David Carr stitched together a really bad column of the same factoids and bromides that have been talking points for about three years now. He had nothing to add and, most of all, he forgot the customer.



That is the problem.



He does grasp that, right?



When he's whining about lost revenues, he does grasp that the amount of readers determine advertising rates, right?



And he does grasp that for-profit newspapers are in the business of selling papers.



So when he wants to ponder the state of newspapers next and fret over dropping circulations, maybe he should get off his fat, candied ass and try speaking to some of the paper's subscribers and some of their former subscribers.



That might be too much work for a Docker Boy but that's another thing. Once upon a time, when newspapers paid columnists, they paid them for doing something other than gas bagging with the same talking points. They expected the columnists to interact with actual people and to never forget the public as part of the story.



The refusal to continue to do that may go a long way towards explaining the continual decline of circulation. But that's the point, it's not one easy reason and it didn't just start yesterday. It's a longterm process of driving your readers away and a number of papers have worked overtime to do just that.

Civil Rights history including 'Now!'

While working on this edition, as we waited for Jess to put on some new tunes, C.I. was humming a song which Ruth guessed was "Hava Nagillah." Yes and no. It was that melody but Adolph Green and Betty Comden had put lyrics to it. As C.I. was explaining it, Jim pulled up Crapapedia to see if it was noted. It isn't (hence Crapapedia). Here's their section on Civil Rights and Lena Horne:





Horne also is noteworthy for her contributions to the Civil Rights movement. In 1941, she sang at Cafe Society and worked with Paul Robeson, a singer who also combated American racial discrimination. During World War II, when entertaining the troops for the USO, she refused to perform "for segregated audiences or to groups in which German POWs were seated in front of African American servicemen" [5], according to her Kennedy Center biography. She was at an NAACP rally with Medgar Evers in Jackson, Mississippi the weekend before Evers was assassinated. She was at the March on Washington and spoke and performed in behalf of the NAACP, SNCC and the National Council for Negro Women. She also worked with Eleanor Roosevelt to pass anti-lynching laws. [6]





They leave out a lot. But they do have a good photo by Carl Van Vechten.





Lena Horne





They can't get her family correct. (Two relatives of Lena Horne's maternal grandfather would pass for White, one an actress, the other a singer.) They can't get the pressure on her correct either. (Early on, while trying to establish herself in the New York theater, she was advised to pass for Latino by agent Harold Gumm and producer George White -- Horne refused).





Most significantly, they leave out Horne's signing with MGM. Horne didn't want to make movies and was quite happy in New York City. So happy she was turning down an offer from the Trocadero in Los Angeles when the NAACP's Walter White explained to her that not only could this lead to a break in films for Horne, it could lead to a huge advanced for African-Americans. She took the town when she opened at the Trocadero. After MGM offered a contract, Horne went to speak with Walter White. They discussed the roles African-Americans were relegated to -- servants and native caricatures. It was for this reason that Horne refused to play demeaning roles and had that written into her contract. In her autobiography, Lena, Horne explained of the roles offered to African-Americans at the time, "They were mainly extras and it was not difficult to strip down to a loincloth and run around Tarzan's jungle or put on a bandanna and play one of the slaves in Gone with the Wind."





Crapapedia leaves out that and they also tell you that Lena Horne never starred in a film while under contract to MGM. Apparently they missed Cabin in the Sky and Stormy Weather (the first was for MGM, the second was made by Fox with MGM loaning Horne out for the film).





During one section of the conversation Dona nodded to Ava who jotted this down.





C.I.: Betty rightly likes to bring up Katha Pollitt's nonsense dismissal of the NAACP speaking out against the lack of TV portrayals of people of color. That's Katha showing not only her xenophobia and snobbery -- yes, Katha is a snob; no, no one knows why -- she's also flaunting her historical ignorance. Cabin in the Sky was made, and all the studios tried to turn or churn out one all African-American film during that period, because FDR's administration was asking them too. 1945, FDR dies and Harry Truman's not interested so the studios feel they 'did their part' and the flurry of FDR-requested African-American films are over. As a result unemployment rates skyrocketed for African-American performers which led the NAACP and others to pressure and led to a motion, introduced by Betsy Blair -- not yet blacklisted and married to Gene Kelly -- to introduce a motion in the Screen Actors Guild calling on the Guild to fight back against discrimination. Though the motion made no real difference in the immediate time, it did pass unanimously. But what did happen was a push back of stubbornness on the part of the studios. And that's either followed with a push-back from advocates or with a backlash. Bringing that up to the present, so for Katha to write that bad column where she felt it was her 'duty' to tell the NAACP what to focus on, and to include that bad column in her bad Virginity or Death was not just insulting, it was historically ignorant and racist. Racist even if she was completely ignorant because it's really not her business to decide what issues an organization should focus on and I've never seen her call out the ACLU or any other organization. Only the NAACP, which is an African-American organization, was she comfortable bossing around. Strikes me as racist. Historically ignorant because instead of attacking the ACLU, she should have been applauding it and standing with it to call out the absence of African-Americans from TV. By refusing to join the call and slamming the NAACP, she was siding with the forces that opposed Lena Horne and that traditionally held African-Americans back. That she did so from the pages of The Nation is very telling. And Betty has rightly focused on the issue of the message it sends to the youth. She's a mother of three and she's very aware that her children rarely see characters of their race onscreen. That hurts them, that hurts all children. Equally true is that there are many people who, like Lena Horne at MGM, are repeatedly held back, repeatedly prevented from a chance to utilize their gifts and talents. Katha regularly re-writes her whine about the small number of women writing columns for The New York Times -- while ignoring her own magazine's miserable record. Maybe she just thinks bad columnists need opportunities? But someone needs to ask her why she wants equality in a bad newspaper but thinks it's 'wasteful' for African-Americans to object to being excluded from roles?





We did not know about FDR's request or the studios rushing to execute it. We also didn't know, as C.I. would continue to explain, that Lena Horne was dubbed "the female Paul Robeson" because she was very active politically -- with the NAACP and the Hollywood Independent Citizens Committee for the Arts, Sciences, and Professions. That she was blacklisted for her politics and not just from film, but blacklisted from TV and radio (Ed Sullivan helped get her off the blacklist). She protested the KKK, advocated for the rights of Japanese-Americans and much more. She was highly active politically, especially for that time period.





C.I.: And The Nation pops back into Lena Horne's life before the blacklist. She refused to do an MGM-backed Broadway play because it was flat-out racist. As a result, MGM started screwing her over by refusing to let her do night club work. [Joan] Crawford advised her to get a bigger agency and she went with MCA. They did the bare minimum. That's in terms of getting 'permission' for her to work in nightclubs and in terms of 'representing' her. They were more than happy to take her money. But MCA was a highly racist agency and Lena would find, in town after town, that while a White star or White personality far less famous than her, raising far less money than she did, would be greeted immediately by MCA, receive congratulatory telegrams on opening night, MCA would mosey on over to see her when they damn well felt like it, maybe three, maybe five days after she opened. The telegram would arrive on the second or third night. They were racists, they were damn racists. Even for the time. They were also cowards. And of course Jules Stein ran MCA. That would be Katrina vanden Heuvel's racist grandfather -- the only person in the family who ever made money, the money she still lives off of. And that money, like her little Harlem mansion, comes at the expense of African-Americans. That family made their money off modern slavery and racism.





So remember that each time you buy a copy of The Nation, you reward a family with a long legacy of racism. A family that built its money treating African-Americans like second-class people (at best) while gladly taking commissions off their work -- work that they didn't even get the performers. Performers whose career they were happy to profit from but refused to build.





Lena Horne's Civil Rights work including raising the profile of African-Americans in film and in clubs, ending segregation in New York City clubs as well as clubs outside of NYC. It includes joining James Baldwin, Harry Belafonte, Jerome Smith, Rip Torn, Dr. Kenneth Clark, Lorraine Hansberry and Dr. Brewton Berry for a meeting with then Attorney General Robert F. Kennedy to discuss the segregation and violence in Birmingham (the violence included police sicking dogs on the marchers and fire fighters turning the hoses on the marchers on May 3rd, which followed the April arrest of MLK and other assaults on peaceful protests). Her activism found her traveling to Jackson, Mississippi to speak and sing at an NAACP rally -- which is where she met Medgar Evers for the first time. Horne was booked on NBC's Today Show June 13, 1963 to talk about the Civil Rights movement and learn, shortly after arriving at the studio, that Medgar Evers had been assassinated the night before. Horne would manage to compose herself and go on live TV to discuss Evers life and legacy. She participated in the August 28, 1963 March on Washington. She would do a Carnegie Hall benefit for the Student Nonviolent Coordinating Committee.





At that performance she would debut two new songs. "Silent Spring" was written by Harold Arlen and Yip Harburg about the September 15, 1963 Birmingham 16th Street Baptist Church bombing in Birmingham in which four young girls -- Carol Denise McNair, Cynthia Diane Wesley, Carole Rosamond Robertson and Addie Mae Collins -- were murdered. The second song was "Now!" which is a Civil Rights anthem and was a hit song. Like "Kumbaya" its role in the Civil Rights movement seems to be forgotten by many today. The bulk of us had never heard of it when C.I. was singing it and still didn't recognize it when C.I. put on Lena Horne's recording. (Crapapedia is, not surprisingly, unaware of "Now!") Betty insisted on calling her father and though he didn't recognize "Now!," when she sang the first lines of the song, he immediately recognized it.





In an effort to reclaim and pass on history, below are the lyrics Adolph Green and Betty Comden wrote for Lena Horne's anthem:





If those historical gentlemen came back today --
Jefferson, Washington and Lincoln --
And Walter Cronkite put them on channel 2
To find out what they were thinking,
I'm sure they'd say,
"Thanks for quoting us so much
but we don't want to take a bow,
enough with the quoting put those words into action
and we mean action
Now!"

Now is the moment,
Now is the moment ,
Come on,
We've put it off long enough.

Now!
No more waiting,
No hesitating,
Now!
Now !

Come on
Let's get some of that stuff!


It's there for you and me.
For every he and she.
Just want to do what's right
Constitutionally.

I went and took a look
In my old history book.
It's there in black and white
For all to see.

Now!
Now!
Now!
Now!
Now!
Now!

Everyone should love his brother.
People all should love each other.
Just don't take it literal, mister,
No one wants to grab your sister

Now is the time!
Now is the time!

Now is the moment,
Now is the moment,
Come on,
We put it off long enough.

Now no more waiting,
No hesitating
Now!
Now!
Come on,
Lets get some of that stuff.

It's there for you and me
For every he and she
Just want to do what's right
Constitutionally.

I went and took a look
In my old history book.
It's there in black and white
For all to see.



Now!
Now!
Now!
Now!
Now!
Now!

Now!
Now!
Now!
Now!
Now!
Now!

The message of this song's not subtle.
No discussion.
No rebuttal.
We want more
Than just a promise.
Say goodbye
To Uncle Thomas.
Call me naive,
Still I believe
We're created free and equal now!




Now!
Now!
Now!
Now!
Now!

Everyone should love his brother.
People all should love each other.
Since they say we all got rhythm,
Come on, let's share rhythm with them.

Now is the time!
Now is the time!
The time is now!

The Shirley goes to . . .

Shirley Chisholm

The highest honor we hand out is "The Shirley" named after the late, great Shirley Chisholm. It's such an honor that this is only the second time this year we're handing it out.



Who's receiving it?



US Rep Polis



US House Rep Jared Polis.



Why?



Last Sunday a Denver Post's editorial cited him: "Killing of gay Iraqis shouldn't be ignored: We applaud Rep. Jared Polis for his efforts last week to shine the spotlight on the killings of homosexuals in Iraq."



Polis is speaking out for Iraq's LGBT community and not just here in the US. He made a trip this month to Iraq and, while there, raised the issue repeatedly including in a letter to Patricia A. Butenis (Charge d'Affaires ad interim of the US State Dept) [PDF formart warning] which Polis made public here:

Dear Ms. Butenis:
Over the past week, I have become aware of egregious human rights violations against lesbian, gay, bisexual and transgender (LGBT) Iraqis being carried out by Iraqi government officials from the Ministry of the Interior called "Magaweer al-Dakhilya." The information I received was derived from two separate testimonials of gay and transgender Iraqi men that were detained, tortured and sentenced to death for being members of an allegedly forbidden organization in Iraq called Iraqi LGBT. One of these individuals was able to escape, while the other was subsequently executed by Iraqi Ministry of Interior Security Forces.
While I do not know if these executions are being sanctioned at the highest levels of the Iraqi government, it is nonetheless disturbing that government officials and state-funded security forces are involved in the torturing and execution of LGBT Iraqis.
Even more disturbing was that the United States government appears to be largely unaware that the executions of gay and transgender Iraqis have been able to occur in Iraq given the enormous American presence. After reaching out to State Department officials in Washington, I was disappointed by their unwillingness to seriously consider these allegations and examine the evidence given to our office by international human rights watchdog organizations.
I urge you to use every channel at your disposal to properly and promptly investigate these grave human rights violations. Please know that I will continue to monitor this situation and hope to be of assistance in this investigation."

The United Nations, the White House and the US State Department have been silent throughout all of the targeting, all of the assaults, all of the murders. (Yes, one State Dept staffer spoke this week but it completely contradicts what another said earlier this month, see last Friday's "Iraq snapshot.") At his Congressional website, Polis is quoted stating, "The United States should not tolerate human rights violations of nay kind, especially by a government that Americans spend billions of taxpayer dollars each year supporting. Hopefully my trip and letters to US and Iraqi officials will help bring international attention and investigation to this terrible situation and bring an end to any such offenses." And hopefully in the next few weeks we'll hear the White House and the State Department following Polis' lead in condemning these attacks. For now he stands alone.



And that's how you earn a Shirley. By showing the bravery and determination that were hallmarks of Shirley Chisholm's life and remain her legacy.

[See Marcia's "Jared Polis" for more.]

Greta Garbo

Garbo

I love to waltz with a man in a dark linen suit
All alone -- at a party with someone I knew
From a time gone by -- turned to stone
You could be Garbo or even Marlene
You could be Marilyn...
Or you could forget

-- "Garbo," written by Stevie Nicks (originally the B-side to "Stand Back," available on the boxed set Enchanted)




Greta Garbo was a film star who died in April of 1990, 48 years and five months after her last film (the flop Two Faced Women) was released. By then she had already been among the few stars of silent films to crossover and remain a star in the 'talkies.' Some might argue she never recovered from being labeled box-office poison in 1937.



Greta Garbo 3



"Don't make an issue of my womanhood. We're here to work, all of us. Let's not waste any time. Shall we go?" asks Garbo as Comrade Nina Ivanovna Yakushova as she makes her entrance in Ninotchka.



The 1939 comedic gem directed by Ernst Lubitsch was a blockbuster and saw Garbo nominated for an Academy Award in the Best Actress category (her third nomination in the category, she lost all three times, in 1939 to Vivian Leigh for Gone With The Wind). The film was also nominated for Best Picture, Best Original Story and Best Screenplay. Melcior Lengyel would garner the Original Story nomination while Charles Brackett, Billy Wilder and Walter Reisch would receive the Screenplay nomination (all lost -- Best Picture and Screenplay to Gone With The Wind; Original Story to Lewis R. Foster for Mr. Smith Goes to Washington).



Billy Wilder would co-write many successful screenplays and move on to directing them (such as the classics Some Like It Hot and The Apartment). For 1999's Conversations With Wilder, director and writer Cameron Crowe (Jerry McGuire, Say Anything, Almost Famous, etc.) spoke with Wilder at length. Pages 110 through 111 find Crowe asking about Garbo and Ninotchka:



Billy Wilder: We were just writers -- that was at MGM -- [and] I was on the stage one day, and Garbo was playing a love scene. So she went up to somebody, an assistant, and she came out and started rehearsing the scene, but in between, they put up a blackboard right in front of me. She had eyes in the back of her head. She saw me there. "Throw that man out!" So they threw me out. And then I met her later at a party at Salka Viertel's, the grandma of the German circuit. She was here in twenties. I met her there and now knew Garbo a little. The one day years later I saw her running, exercising, up Rodeo Drive. Rodeo then had a track in the middle where you could run. So she was running up Rodeo and she was very sweaty, and I stopped her and said, "Hi, how are you? I'm Billy Wilder." And she said [imitates her smoky accent:] "Yes, I know you." "Would you like to have a martini, something to drink? I live right around the corner, Beverly Drive." She said. "Yes, I would like to." I lived right around the corner, so I took her home.

It was in the afternoon, and she collapsed in the chair and I said, "I will tell my wife, she is upstairs, to come and fix us a drink." And I said, "And come on down, guess who we have here." She says, "Who, Otto Preminger?" -- somebody like that. And I said, "No, Greta Garbo." And she said, "Oh, go on, go fuck yourself!" And I said, "No, honestly." So she came down and I introduced her, and Aud [Audrey Wilder] fixes a martini, really strong, bit and [Garbo] had that thing in one gulp, and then another one and another one. They drink them like beer, those Swedish -- martinis. She lived on Bedford Drive, the house of [Jean] Negulesco, North Beverly, across the street from the house of [MGM executive] Joe Cohen. And we started to talk about pictures and she said [does accent], "I would like to make a picture about a clown." I said, "Oh, that's fine." "I always am a clown, and I am wearing a mask, and I will not take the mask off. I will only be in the picture as a clown." She never made a picture again. She made one more picture after Ninotchka, and that was it. So she wanted to play the clown, and not show her face. A clown who grins all the time. I said, "That might be difficult."

She stayed on a while. Then she walked out. I wanted to drive her, but she said, "No no no no no no. I walk a little bit to cool off."



Cameron Crowe: Did you discuss Ninotchka?



Billy Wilder: I mentioned Ninotchka, but she did not want to talk about the old pictures. She just said, "I would like to make another picture." That's when my ears perked up. Then she said, "I play a clown. I always play a clown [in life]. I will always be a clown in the picture." I only saw her there that one time, running. And then I saw her arm in arm with Salka Viertel, going down a street in Klosters, Switzerland. She was always there. She was a great friend of Salka Viertel. So that was my only long encounter with Garbo, that was kind of a half hour. "I will play the clown."





Greta



Wilder's being iced out on the set of Ninotchka was nothing new. Joan Crawford was a co-star of Garbo's in Grand Hotel and looked forward to meeting Garbo.









She showed up for rehearsals December 30, 1931 determined to make a grand entrance with her dog (Woggles) only to discover that Garbo did not rehearse with her cast mates (which included John Barrymore, Lionel Barrymore, Lewis Stone, Wallace Beery and Jean Hersholt). Not only did Garbo not rehearse with the cast, the bulk of her scenes were filmed another soundstage which was closed to "visitors" (cast mates qualified as "visitors").



Garbo Greta



For the entrances and exists through the hotel lobby, the entire cast used the same soundstage; however, Garbo had dibs on the post-lunch period. The never-back-down Crawford feigned illness and had her scenes rescheduled from the morning in order to meet Garbo.



Garbo poses



Crawford and Garbo 're-teamed' May 30, 1937. That's when they and others -- including Mae West, Katharine Hepburn, Edward Arnold, Marlene Dietrich, Bette Davis and Kay Francis -- starred in an Independent Theatre Owners print 'production' which opened, "The Following Stars are BOX OFFICE POISON". Crawford, Hepburn and Davis would go on to have long film careers refuting the poison label, many others would not.



Greta Garbo 2



In the film that returned to her to the list of moneymakers, Ninotchka, Garbo's is asked, "What kind of girl are you anyway?" She responds, "Just what you see: a tiny cog in the great wheel of evolution."





In 1954, Garbo would receive an Honorary Oscar. By that time, she'd been nominated three times . . . for four roles. Yes, you read that right. Along with Ninotchka, she was nominated for Camille (1937) and for the 1929/1930 Academy Awards (you read that right, held November 5, 1930) her single nomination was for two roles: "Anna Christie {"Anna Christie"}; and Romance {"Madame Rita Cavallini"}".



Greta 2



The first line Garbo spoke onscreen was, "Give me a whiskey, ginger ale on the side, and don't be stingy, baby" from the 1930 film Anna Christie. In the early eighties, Nancy Frangione would utter the line as Cecile DePoulignac on NBC's Another World. But Garbo's most quoted line is from Grand Hotel, "I want to be alone." From Saturday Night live skits to Lisle von Rhoman (Isabella Rossellini) in Death Becomes Her, it is the most quoted of all Garbo's lines. Some are done as homages, some as parodies. The most insulting imitation took place in April 1932 following a Grand Hotel preview held at Grauman's Chinese Theater. Garbo's contract with MGM had lapsed and they had threatened to drop the re-shoots Garbo had done and hand Grand Hotel over to Joan Crawford. As the animosity grew on both sides, MGM decided to the way to 'cap' the LA preview was to have 'Garbo' appear, introduced by Will Rogers. Beefy Wallace Beery stumbled down the aisle in a frizzy wig and dress while those assembled laughed and applauded. Reaching the stage, Beery declared, "I think I go home now."



Photos are by Arnold Genthe.





Greta Garbo


Another lady...another time...

Another heartbroken state of mind
Alone in her chambers...she dreams of her home
Outside...she's got a movie star view
Outcries...well where will the kings go...
Where will the kings go now?
She's got her eyes wide open...
And she's ready to stare you down
She says in words unspoken...she's from out of town
Well some cry...well I really don't dance down
Stormy weather...it cuts like a knife
-- "Greta," written by Stevie Nicks and Mike Campbell (available on Nicks' Street Angel).

Lt. Muthana Shaad's Gay Boy Chronicles

Last night I cornered a 'puppy' in Sadr City. It felt good to beat him. I did so repeatedly. He moaned. He cried. And still I continued.



He told me tales of being Nouri al-Maliki's rent boy and threatened me with punishment from Prime Minister al-Maliki himself. That only made me madder and made me beat him harder.



As I kicked him repeatedly, I realized that beating up gays was the best way for me not to feel so badly about being a 'puppy' myself.



While he lay bleeding and barely breathing, I went through his jacket for pocket change. Along with a few small bills, I found a postcard.



Ramon Navarro



He swore it was a movie star from the United States that Nouri al-Maliki was obsessed with. An actor named Ramon Navarro. Supposedly Navarro was gay and Prime Minister al-Maliki has all of his films and screens them regularly, especially Ben-Hur, when having 'Boy Parties.'



That only made me angrier.



I think it is because no one has ever asked me to work security for such a party, let alone invited me to be a guest at one.



I kicked the young man a few kicks harder and thought about how he was probably no more than seven years younger and no more than sixty pounds lighter.



A scary thought crossed my mind: Had I aged myself out of gay beauty?



Was I undesirable?



Yes, I was in the closet but I would like to think that if I weren't, other men would find me attractive and desirable.



Looking down, I saw the young man had passed out from the beating. Unzipping my pants, I quickly pulled out my engorged member and tugged repeatedly until it exploded on the face of the puppy.



[This is a regular series. "Lt. Muthana Shaad's Gay Boy Chronicles" ran previously.]

Yesterday's Morning Glory Naomi Klein

Poor Naomi Klein. Early in this decade she appeared to indicate that there was a post-mall life for the thousands of Tiffanys out there. Somewhere around the time she was forgetting her post-2004 election hectoring of the need for the peace movement not to confuse its goals with party politics by barnstorming the US to flog her now dead book (dead at the time of the softcover tour) while pimping Barack Obama at book stop after book stop, somewhere around the time she portrayed herself as a spolied rotten brat in an interview with Matthew Rothschild, somewhere around the time she refused to take accountability for her own actions, Little Nomi lost her way and it's starting to appear there's no way home for her. Nothing left except possibly a Robin Sparkles reunion tour.



That was very clear last week when she showed up with "Hopebroken and Hopesick" which, strangely, wasn't an autobiographical piece. However, she did feel the need to lecture everyone else while forgetting to join the ownership society by owning her own guilt. The piece ran at Information Clearing House which is always home to lively debates and we thought we'd share some of the comments on Little Nomi's article we found most interesting. But as you read them, grasp that Little Nomi's apparently determined to face the slow fade out insisting, "I am not afraid to be a morning glory. Why should I be afraid. I am not afraid."




Naomi Klein and the Nation magazine--yeah, keep calling yourselves "progressives" and maybe you'll fool some people into believing it's true. You're gonna wake up one day, real soon, and realize you're just a bunch of middle class scardy cats on the colaboratory side of the class war desperate to maintain the status quo. See how far your shallow political analysis gets you then.
not buying 04.17.09 - 1:31 pm #

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Peace Out
With Obama in office, liberals learn to love war

By Justin Raimondo

...The big truth is that the antiwar movement has largely collapsed in the face of Barack Obama’s victory: the massive antiwar marches that were a feature of the Bush years are a thing of the past. Those ostensibly antiwar organizations that did so much to agitate against the Iraq War have now fallen into line behind their commander in chief and are simply awaiting orders. ...

http://obamboozled.blogspot.com/.../peace- out.html
atheo Homepage 04.17.09 - 1:55 pm #

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not buying 04.17.09 - 1:31 pm

Nailed her agenda.
Anonymous 04.17.09 - 2:30 pm #

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See this:

//I was feeling really hopesick about the escalation in Afghanistan, but then I watched a YouTube video of Michelle in her organic garden and it felt like inauguration day all over again. //

All what Obama needs to do, if he wants to keep on killing people around the world, is to have the good folks watch his wife do some gardening.

.
0++0 04.17.09 - 2:35 pm #

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The evidence was there before the election, but our hope-fiend friends refused to see it. The One Party system in this country is entrenched, and only a true Socialist party, candidates and program can rescue it. The money elites will fight that like crazy, and the only question then is, will America's soldiers permit the election of people committed to change, or will they fire on the civilians demanding the change? Since mercenaries now outnumber the regular army in Iraq (like Imperial Rome!) I'm "hopeful" but not optimistic.
greybeard616 04.17.09 - 5:24 pm #

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Give me a effin break. Send this Pollyanna back to The Nation. Reminds me of why I canceled getting that left gatekeeper rag.

No it is not a good thing that Obama turned out to be a house slave for the oligarchs. Organize and vent -- accomplish nothing but feel better about it. That's The Nation spirit.

Naomi Klein, you're a stupid cow.
winston 04.17.09 - 6:51 pm #

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Naomi Klein was one of the biggest pushers of Obama- along with the neo con lite Nation. Yes- The Nation that
strongly requested cindy Sheehan NOT run against that consummate traitor Nancy Pelosi.

Yes- that Naomi Klein who said (along with Howard Zinn and many other Controlled Opposition figureheads-
"It doesnt matter who was behind 911."

Kick this garbage to the curb, and shun these efforts to revive the careers and credibility of sell outs. THESE same obstructors created our present mess and are part of the old Hegelian problem-reaction-solution.
Anonymous 04.17.09 - 7:14 pm #

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klein's disillusion, along with many other liberal Obama supporters, comes from not understanding who he is to begin with--a centrist democrat, now chairman of the board of a system where the two parties are the vehicle for corporate political and economic power in the U.uS. But given the choice, it was better that Obama got elected than McCain. His election was a repudiation of Bush, and has raised expectations which historically have been a necessary condition for building grass roots movements and struggles. As someone who became politically active after LBJ's election in 1964, it was these dynamics that radicalized a generation, during the reign of the "best & the brightest", and many came to understand the role of both the Republican and the Democratic party in serving U.S. imperialism. the task remains--to organize to challenge that power and build a strong enough movement to bring about fundamental change to this rotten system. And that means clearly understanding what we're up against, and it's not the "Jews"-- it's capitalism.
kbro Homepage 04.17.09 - 8:01 pm #

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"As someone who became politically active after LBJ's election in 1964, it was these dynamics that radicalized a generation, during the reign of the "best & the brightest", and many came to understand the role of both the Republican and the Democratic party in serving U.S. imperialism. the task remains--to organize to challenge that power and build a strong enough movement to bring about fundamental change to this rotten system." What a load of nonsense. No one thought LBJ was change. The Cult of Barack will just rewrite history to continue to deny that they have blood on their hands. The brave thing to do was to vote for Cynthia McKinney or Ralph Nader.
Criticism of The Nation is largely dead on and Naomi Klein schilled like crazy for Barack. She thought she could get away with it by doing it on her book tour (just out in softcover!) turning every event into a "Vote for Barack!" while pretending she wasn't involved. Thing is, she lives in Canada, she was born in Canada why doesn't she try fixing Canada? Where's her take down of neo con Stephen Harper?
She's nothing but a professional distraction.
Martha 04.17.09 - 8:18 pm #

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When are web sites gonna stop printing these buyer's remorse pieces?
Harvey Reading 04.17.09 - 8:45 pm #

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First, the anti-Semites who post here are scum. Down with Zionism! Long live the Palestinian people and their resistance!

Second, does Naomi Klein never tire of writing petty bourgeois drivel? For goodness sake, how do you say this, "If the superfan culture that brought Obama to power is going to transform itself into an independent political movement, one fierce enough to produce programs capable of meeting the current crises, we are all going to have to stop hoping and start demanding," with a straight face?

There's enough silliness in that one line to power Monty Python for a century. What is superfan culture? You say it brought Obama to power!

Sounds like you are calling for a fierce political movement to bring into being programs. Fierce political movements involve fundamental transformations of economic and political systems. If one of those should ever arise, you'll surely run and hide Ms. Klein.

And who is the "we" you keep referencing? Are you sitting on some massive underground insurgency ready to spring to life on your signal. You represent an impotent but self-important strata of cackling racist intellectuals. Please go read and give the writing a rest.
Malcolm Martin 04.17.09 - 9:35 pm #

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Ah shucks schmux but the Jolson grease paint is wearing off under the stage lights, the tux is fraying, the spats scuffed and even politically correct cheerleading Canadian Naomi is starting to grasp perhaps that Mr O Bama, the so-called African American ain't what he was cracked up to be in Variety.

Will the thinking despairing finally acknowledge that the system is rigged, that the entire 2 party same agenda shell game is an advertisng farce and like the happy meals sludge they are offered down at Burger Pig you don't decide what goes into the food trough no more than the masses could be trusted to decide who moves into the "White" house?

God forbid because pulling the plug on the Orwellian double-think chip built in at source in every ameriKan child would lead to permanet despair.

With the acceptance that Prezident Jolson is a shallow, vain, chosen- racer coached shill, a last chance for the machine to weld the Bushian iron curtain into place, comes the inevitable conclusion that ameriKans must (literally) get up off their asses and go out and take back their streets and country like the French do for example.

In this perfect patriotic punk police state, a tall order indeed after the smugness turns to real terror and fear to see that the monster is not under the bed but in the Plantation House in Washington.

Change you can't hope for and hope that you can't trade for spare change.

Onward thru the meltdown with Cap'n what's his face at the helm and the izzy albatross losing feathers by the day.

And by the way "keep whining" about the chosen racers who brought this on, both on Wall St and ameriKa's murder "think tanks" that have long besieged the death bed of USer democracy.
Ramirez 04.18.09 - 2:01 am #

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It took Constitutional Scholar 'mr. Obama' less than three months to break at least as many National and International laws as the Bush-Regime managed to do during his 8 years of crime-waving. Naomi Klein, like most of the U.S. Intellectuals who play the MSM Intellectual-Idols-PR-Game, exposes a Martha-Steward-like flowery and honeybee grift-talent with her unbe-fucking-leavable naïve 'Hopebroken and Hopesick' article. First she writes 'Dissaster Capitalism' a book so full of 'political/corporate-intrinsic' corruptions, nepotisms, crimes and betrayals, the seven circles of hel from Dante are moderate compared with it, and now her high-hopes seem to be crushed because of her childlike naïvety and illusionary proven hindsight?

YOU'VE BECOME A LEXICON OF DISAPPOINTMENT INDEED, DEAR NAOMI KLEIN!

With this article you've authored yourself straight into in the 'Ophra-Winfrey we do(did)not see, we do(did)not hear, we do(did)not speak, elite-dumbass-class'.

UNBEFUCKINGLEAVABLE!

A SHITLOAD OF HOPE. 04.18.09 - 2:52 am #


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Many of my friends, even fairly well informed people, fell for Obama's charm and vague promises and collapsed in tears on election night, believing that we would now get "change" and now had reason to "hope." It is understandable to want a Daddy figure to come swooping in out of no where to rescue us, but unfortunately there was never any good reason to believe that Obama was that person.

One can settle into a movie theatre and be swept away to a land of make-believe: ancient Japan, 19th century Wyoming, or a gritty story of inner city Baltimore. We silently exult when the hero escapes the bad guy and weep when he dies at the end in his lover's arms. But we won't be shocked when we see him alive and well at the Oscars, for we know it was just theatre. We know that if we saw him dancing with joy or sneering with contempt on the silver screen, it wasn't that he was really feeling those emotions. He was acting.

Film makers use trained actors, costume designers, set designers, makeup and hair stylists, lighting designers, music composers, cinematographers and script writers to create a world that seems real, but is 100% a fantasy.

So why is it that people who well understand the power of theatre have such a hard time believing that political campaigns use the same techniques to convey a false sense of reality? Or a false expectation of "hope" and "change?"

http://www.sheilacasey.com/2009/04/obama-shows-his-true-colors.html- colors.html
Sheila Casey Homepage 04.18.09 - 7:41 am #

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Matthis Stands Tall April 21st

Matthis Chiroux will be speaking out and speaking up this Tuesday even as he faces a military body. This is "Resistance to an Abhorrent Occupation: Press Release of Matthis Chiroux" (World Can't Wait):


(ST. LOUIS, MO) The U.S. Army will hear the case of Sgt. Matthis Chiroux, an Individual Ready Reservist who last summer publicly refused activation and deployment orders to Iraq, on April 21 at 1 Reserve Way in Overland, St. Louis, MO, at 9 a.m. Chiroux, a member of Iraq Veterans Against the War, refused to participate in what he described as "an illegal and immoral occupation" May 15th, 2008, in Washington D.C., after nine other veterans testified to Members of the U.S. Congress about atrocities they experienced during deployments to Iraq. Chiroux also vowed to remain public in the U.S. to defend himself from any charges brought against him by the military. (see matthisresists.us for a record of that speech and others by Chiroux)
"My resistance as a noncommissioned officer to this abhorrent occupation is just as legitimate now as it was last year," said Chiroux, adding, "Soldiers have a duty to adhere to the international laws of war described as supreme in Art. 6 Para. 2 of the U.S. Constitution, which we swear to abide by before the orders of any superior, including our former or current president."
Following Chiroux's refusal to deploy, the military did not contact him until after he and 10 other IVAW members marched on the final presidential debate Oct. 15, 2008, in Hempstead, N.Y. demanding to question then Senators Obama and McCain regarding their war policies and plans to care for returning veterans. After the veterans were brutalized and arrested by police, (one suffered a fractured skull and is currently suing the police for damages) the Army charged Chiroux with "misconduct" for refusing to deploy, announcing their intentions to discharge him from the reserves as a result.
"I go now to St. Louis to honor my promises and convictions," said Chiroux. "Obama or No-Bama, the military must cease prosecuting Soldiers of conscience, and we will demonstrate to them why."
Following the hearing, Chiroux and other IVAW members will testify about their military experiences which led them all to resist in different capacities the U.S.'s Overseas Contingency Operation (formerly the Global War on Terror).
For more information, see matthisresists.us and ivaw.org.


Iraq Veterans Against the War notes:

On Tuesday April 21st an Army administrative discharge board will hear the case of Sgt. Matthis Chiroux, an Individual Ready Reservist (IRR) who last summer publicly refused activation orders in support of Operation Iraqi Freedom. The board will convene at 9am at the Army Human Resources Command, 1 Reserve Way in Overland, Missouri, just outside of St. Louis. IVAW members and supporters will rally outside the hearing starting at 8:30am.
Although Chiroux is voluntary attending this hearing, all other IRR members who have refused activation have not had any disciplinary actions taken against them by the military other then receiving a General or Other Than Honorable discharge from the IRR. This discharge has no effect on benefits like the GI Bill that IRR members earned through their service while on active duty. Service members who have questions about the IRR can
click here or contact the GI Rights Hotline at 877-447-4487.

Highlights

This piece is written by Rebecca of Sex and Politics and Screeds and Attitude, Cedric of Cedric's Big Mix, Kat of Kat's Korner, Betty of Thomas Friedman is a Great Man, Mike of Mikey Likes It!, Elaine of Like Maria Said Paz, Ruth of Ruth's Report, Marcia of SICKOFITRADLZ, Stan of Oh Boy It Never Ends and Wally of The Daily Jot. Unless otherwise noted, we picked all highlights.



"NYT's propaganda push" -- most requested highlight and it's a different entry for a change but it is by C.I. In this Thursday morning entry, C.I. walks you through NYT's latest propaganda.



Isaiah's The World Today Just Nuts "Brotherly Embarrassment" -- Isaiah covering the topic that was apparently an 'unmentionable' even in the laughable quarters of PUMA (they really need to give it up at this point, they're such a joke and this 'Let's be an advocay organization! Let's figure out what we want to advocate for!' bullshit is bullshit, they have become the biggest joke, every week they're attempting another makeover). Isaiah has the guts PUMA wishes they had.





"Kat's Korner: The LOtUSFLOW3R Blooms . . . and rocks" -- Kat's review of Prince's new album (only available at Target).





"Lemon Pepper Noodles in the Kitchen" -- Trina takes on the economy and more. (And Dona asked us to include this statement by her: "I lived on Ramen noodles when I was an undergradute. If I'd known this recipe -- I know it's obvious -- I would have lived on this. Try it, it's really good. If you're like me, you'll want to use linguine and lots of butter.")



"Tim Howe -- ugly name for ugly man" -- Betty writing about various things and, yes, community members, It is back. You guessed right. Which was the point of this post. We'll be bringing it into fiction over here and agree with Betty that it needs to be in our current serial -- where we take a real life homophobe with a badge and turn him into a closeted gay man -- but we didn't have the time to work him into this week's installment. He will be added shortly, trust us.





"April 21st, St Louis, Matthis needs your support" -- Betty on Matthis Chiroux.



"amy goodman pretends to write about pacifica," "Whora Flanders needs to shut her ass" "How I've grown to HATE Naomi Klein," "The world laughs at David Corn" and "Matthew Rothschild is an ass"-- Poor Amy Goodman she really thinks she's fooling anyone. Go hawk some more tickets to Barack's inaugural, Goody. Meanwhile Laura Flanders decided to flash her ugly insides. Spare us, Laura. And Kat explains how irritating Naomi Klein is (we have a funny feature this edition on Klein). Stan takes on whiny baby David Corn who suddenly wants everyone in a press behaving to behave themselves (surprising after all of his yelling during Hillary's press briefings) and Elaine explains how pathetic Matty Rothschild truly is. (He still won't defend Norman Finkelstein.)



""Adelaide Crapsey," "egalia's a tennessee bimbo zombie," "On The Snake," "Sylvia Plath," "Jane Cooper," "Martha Collins," "Ogden Nash, Larry Jones" and "Philip Dacey" -- Poetry night Tuesday.



"Movie night" and "Avoid The Soloist, see State of Play" -- Stan offers Movie night (review of The Conversation) and also movie tips (we agree with his choice of what to see).



"Barack's latest disgrace," "Ray McGovern," "Ray McGovern," "It's called 'justice,' Barack," and "Barack needs a Constitutional tutor" & "THIS JUST IN! HE DOESN'T KNOW JUSTICE!" -- Mike, Marcia, Ruth, Kat, Cedric and Wally comment on and react to the news that Barack won't prosecute those who illegally engaged in torture.



"egalia's a tennessee bimbo zombie," "Covering up for sexaul assailants" and "THIS JUST IN! WHAT AN IDIOT!" -- Rebecca, Cedric and Wally take on the idiot at Tennessee Guerilla Women who, blinded with love for Barack, wanted to state that reporting on sexual predators was "National Enquirer" and "tabloid" topics. Keep pretending you're a feminist, Princess, keep pretending.



"Jared Polis" -- Marcia on US House Rep Jared Polis.



"Poor New York Timid" -- Once a week, Isaiah postings an old cartoon at his new site. He's on the Downing Street Memos series from June 2005 and that really brings back memories. Including just how many comics Isaiah must have done. Seriously, we didn't realize that he'd done so many but he's easily got over 200 and maybe over 300. He always makes it seem so easy but we all know it's hard work and that along with these comics from The Common Ills, he also now does comics for all the community newsletters.





"Isaiah, World Can't Wait" -- Mike explains last week's edition and more.



"The gangsters get back together" & "THIS JUST IN! POND SCUM 11!" -- back story on this? Cedric and Wally got a phone report from a neighbor. The photos ran in Friday's gina & krista round-robin. Look for more "At home with Bully Boy" features. We have the best DFW community members! (Hey, everyone loves Bully Boy's new home, right?)
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