Tuesday, May 21, 2024

Books (Ty, Ava and C.I.)

1summerread

 

As we did in 2021 and 2023, we're attempting to again increase book coverage in the community. After a review posts, we try to do a discussion with the reviewer.  This go round, we're talking to Ty about his "THE DARK SIDE OF HOLLYWOOD (Ty)." You liked the book.

 

 

Ty: I did.  It focuses on the lives and careers of Charlie Chaplin, Lupe Velez and Jean Harlow.  All of their careers ended too soon -- Lupe and Jean died young while Charlie was refused entry to the US due to his leftist politics.  It moved quickly, was breezy, informative and entertaining.


You said you'd marked a section you wanted to note in the book talk.


Ty: Yes.  Lupe had a number of famous affairs and one was with Gary Cooper:

 

One peculiar aspect of their relationship was the tolerance that Lupe had for Cooper's homosexual  affairs, especially with Andy Lawler, an actor and longtime friend of Cooper.  According to many biographies, Lupe was very open-minded about their involvement as long as she was allowed to participate.  When she was left out, she was jealous.  One time, at a very crowded Hollywood party, she unzipped Gary's pants, bent down, and sniffed his crotch to see if she could detect Lawler's signature cologne.

 

Ty (Con't): And this is from WIKIPEDIA:

Lawler was gay, although he was frequently linked with women. In 1935, he accompanied Kay Francis on a trip to Europe, ostensibly sent by the studios to keep her out of trouble. At one point, Walter Winchell started a rumor that the two were engaged.[9]

Lawler purchased Donald L. Linder's house in West Hollywood, California, designed in the Streamline Moderne style by architect Edward B. Rust.[10] When he moved to New York City, he rented it to actors Orson Welles and Rita Hayworth.[10]

 Ty (Con't): I couldn't find a lot about Andrew Lawler. 


He was great friends with Katharine Hepburn, the two loved to gossip -- especially about the sex lives of people they knew.   A good book to follow up with would be William J. Mann's BEHIND THE SCREEN: HOW GAYS AND LESBIANS SHAPED HOLLYWOOD 1910 - 1969.  

 

Ty: Okay, I'm look that book up and make the next one I read.

 

 

 

Previous book discussions:

 

 "Books (Kat, Ava and C.I.)"

"Books (Ann, Ava and C.I.)"

"Book Talk (Stan, Ava and C.I.)"

"Book Talk (Dona, Ava and C.I.)"

"Book Talk (Ty, Ava and C.I.)

 "Book Talk (Mike, Ava and C.I.)"

 

"Book Talk (Stan, Rebecca, Ava and C.I.)"

"Book Talk (Mike, Ava and C.I.)"


"Book Talk (Ann, Marcia, Trina, Ava and C.I.)"

 

Roundtable

Jim: Roundtable time. Participating our roundtable are  The Third Estate Sunday Review's Dona, Ty, Jess, Ava, and me, Jim; Rebecca of Sex and Politics and Screeds and Attitude; Betty of Thomas Friedman Is a Great Man; C.I. of The Common Ills and The Third Estate Sunday Review; Kat of Kat's Korner (of The Common Ills); Cedric of Cedric's Big Mix; Mike of Mikey Likes It!; Elaine of Like Maria Said Paz); Ruth of Ruth's Report; Trina of Trina's Kitchen; Wally of The Daily Jot; Marcia of SICKOFITRDLZ; Stan of Oh Boy It Never Ends; Isaiah of The World Today Just Nuts and Ann of Ann's Mega Dub. Betty's kids did the illustration. You are reading a rush transcript.



 
Roundtable
 
 
Jim (Con't): Why not more roundtables?  Because they take forever to do.  We're doing this Monday evening.  Among the topics in the news are Harrison Butker Jr.  Marcia covered him in "Harrison Butker is a hate merchant" and Mike covered him in "A kicker thinks he's accomplished something and has wisdom," "Hate merchant Harrison Butker"  and "Idiot of the week."   Do you two have any comments you want to add.

Marcia:  Ava and C.I. wrote a piece yesterday that will go up in this edition.  I applaud them for it.  I think more people should have made the connection they did but, in fairness to others, I didn't make the connection either.  Historically, Black women have not had the opportunity to pick and choose whether or not they worked -- especially true if they are women.  His remarks were uninformed and ignorant and Whoopi Goldberg does him no favors pretending it's just a difference of opinion.  No, it is not.  For Black women, it is a reality that he refuses to acknowledge. Also,   Isaiah's THE WORLD TODAY JUST NUTS "Harrison Loves Josh"  tackled Boy Junior as well.
 

Jim: Thank you, Marcia.  Mike?

Mike: I'd just like to read this in, it's from VARIETY:


Pearl Jam played the MGM Grand in Las Vegas on May 18, and frontman Eddie Vedder couldn’t resist eviscerating Kansas City Chiefs kicker Harrison Butker for his controversial commencement speech at Benedictine College.

Butker has received enormous backlash for the speech, in which he attacked Pride Month and shared his belief that women belong in the kitchen. He said “one of the most important titles” a woman could have is homemaker.


Vedder took a quick pause in between songs at Pearl Jam’s Vegas show to encourage the audience to cheer for the band’s opening act, the indie rock band Deep See Diver, via BroBible. Vedder noted that two of the band members, including its lead singer, are women.

“The singer, Jessica, and the keyboard player, Patti, they must not have believed that ‘diabolical lie’ that women should take pride in taking a back seat to their man,” Vedder said in a dig at Butker’s ideology.

“There should be pride in homemaking if you’re a man or a woman … it’s one of the hardest jobs and you should definitely take pride in it, but you’re going to benefit by giving up your dreams?” the frontman asked. “I couldn’t understand the logic, so I’m questioning it in public right now … It’s not a graduation speech.”




Jim: Anyone else want to weigh in?

Trina: I will.  Harrison Jr is an idiot and a fool.  And when people want to speak up and they don't have their facts, you call them out.  Marcia is exactly right that the country didn't need Whoopi's nonsense of 'difference of opinion.'  He didn't have the fact and he shouldn't be speaking to begin with.

Jim: Ava, there was something you and C.I. pulled out because you couldn't make it fit.

Ava: It wasn't flowing.  Maybe we'll get an idea how to put it back in before it goes up; however, we note that celebrities aren't that well educated in most cases.  We note that's especially true of sports stars.  However, we had a section in there about actors where we were noting that their training should teach them empathy which would put them a step ahead of other celebrities.  And there are celebrities who have an education -- a great one in college or self-taught.


Jim: Ty, you had an e-mail.

Ty: Conrad e-mailed asking if anyone here is opposed to home schooling?  Anybody?

Ruth: No one is speaking, so I will.  I am not necessarily opposed to it.  But I am opposed to people not learning what they are supposed to.  Part of education in the US is socialization and there are some skills there that I see missing in a lot of conservatives who were homeschooled as well as the ditsy Felicia Day who thinks she is of the left but has a collapsible mind that leaves her stranded on the side of the road.  A real education could have addressed that.  I realize some children have behavioral issues, for example, and do better at home school.  I am fine with independent study if it covers reality.  Live and let live but do not cut your child out of this century because you are teaching them garbage.  You hurt the whole country at a time when we need science skills more than ever.

Betty: Amen.

Dona: I've got an e-mail I'm going to note.  Rachel LeFevre e-mailed to ask what we thought was the biggest domestic story of the year?

Cedric:  This year?  Without a doubt the student activism to end the assault on Gaza.  The students have risked everything.  They've been brave.  They've been lied about and attacked and they were on the right side.  I'd say that they were on the side of God.  And that's what my church believes as well, by the way.  The same corporate media that repeatedly lies about the students has tried to lie about Black churches as well.  My church and every other Black church in my city are firmly on the side of the Palestinians and strongly believe that there is no excuse in the world for killing children.  None.  

Rebecca: I would agree with Cedric -- on everything he just said.  And I'd add that the corporate media originally reported what took place at UCLA as a clash on both sides when, in fact, it was not.  It was the counter-protesters attacking the students.  And these 'counter-protesters' were not students.  They were outside agitators.  And you knew that the morning after if you read the gina & krista round-robin because C.I. connected the dots for you with four of the counter-protesters and how these four had tried their tactics early on back in 2022 when they worked overtime with astroturf to appear to be this massive group of the public as they repeatedly attacked and lied about the film BROS.  Shame on those who did not defend the film.  This same group was then emboldened in 2023 to go after Target -- among others.  They are the same ones attacking students.

Elaine: I'm just not in the f**king mood, sorry.  I'm tired of the left that stays silent and pretends like these issues aren't connected.  The fake left like Aaron Matte and Max Blumenthal and his ugly trash wife.  This is an attack on all and they better grasp that.  'Oh, I don't want to defend trans people!' or 'Oh, gays are identity politics!'  Shut your damn mouths.  Reality, they go after the ones they know they can get away with attacking.  They attack those groups and learn from those attacks what tactics to use on larger groups.  I don't even see this, honestly, as a left or right issue.  I see this as: It's 2024.  We should all be involved in fighting this discrimination -- left, right, everyone.

Wally: But the problem there is that the Blumenthals and Aaron elected to stand wit Proud Boys and Nick Fuentes.  They're happy to trash the left while insisting we need to big tent with racists like the Proud Boys.  And Max's idiot wife mocking trans people at the top of her feed for months should not ever be forgotten or ever forgiven.

Isaiah: I have no sympathy for her.  I don't get it.  As an African-American male, I've had to struggle in this society.  I have no interest whatsoever in making life harder for anyone else.  I just don't get it.  

Dona: Is anyone threatened by trans girls and women competing with other females in sports?


Betty: Not one damn bit.   And as Ava and C.I. have repeatedly pointed out, there is no concern for protecting all women by these trolls.  It's birth males that are a threat and a focus.  No one's screaming that someone born female can't compete in male boxing.  It's just garbage and bad faith arguments.  And Riley Gains looks like a man so if we're not going to let trans females participate, let's also start doing DNA testing to make sure mannish females like Riley Gaines don't get to compete because that's just not fair to the females with typical female bodies.


Cedric: Tell me why Katie Halper remains rooted to transphobes Aaron Matte and Matt -- What's Uncle Fester's last name?

Jim: Taibbi.

Cedric: Thank you.  She should have walked away from them.

Kat: But she didn't which means she's one with them and that she's on board with Tucker Carlson as well.  

Betty: That mother Tucker!

Kat: Exactly.  But she's an adult, Katie --

Jess: And then some!

Kat: Yeah, and then some.  She'll be 44 in July.  She made her bed.  It's on her.  You're judged by the company you keep.


Dona: Agreed but I also agree with Cedric's point and with the disappointment he has in her.


Jess: Matt Taibbi is the garbage you scrape off your shoes.  Related, nut job Oliver Stone.  The pro-nuke Stoney wants everyone to know that poor Donald Trump is facing "lawfare" and it's so unfair.  All these court cases and blah blah blah.  Oliver Stone is a well known sexist and that should have made him sus to all.  But here's some reality: You break the law, you have to pay.  Sorry, Stoney, that your boyfriend Donald Trump broke the law.  He's not above the law.  Seems like Ollie Stone's been in bed enjoying Putin's morning breath for too many years and it's obliterated his common sense.

Jim: Reader Jonas e-mailed asking if anyone plans on not voting for Joe Biden?

Ann: He's lost my vote.  I'm a Green who always votes Green.  His blaming of the students and his attacks on them?  Sorry.  I was already ticked about the assault on the Palestinians.  The verbal attacks on the students meant I walked away completely. 

Rebecca: And I may do that yet.  I'm not trying to tell anyone who else how to vote -- that's your own business -- I mean readers -- but I'm close to the edge on not voting for Joe, sorry.  For the same reasons that Ann cited.

Jim: Anyone else?  No one's speaking.  Jess?  You're a Green.  What about you?

Jess: I want to be able to vote for Joe but won't if he continues to look the other way as Muslims and Arabs are the victims of genocide.  I am a Green.  I will not be voting for Jill Stein.  She's a fake ass and we didn't need her to run for a third time.  At 74, she's also too old just like Joe and Donald. 
 
Jim: And that's the note we're going to end on.
 
 
 


THE DARK SIDE OF HOLLYWOOD (Ty)

I've loved movies all my life and I work in the entertainment industry so it can be depressing and distressing when I get confronted with some big chunk of film history I know nothing about.  I enjoyed, for example, Ann's "Not Your China Doll: The Wild and Shimmering Life ..." because it was about a period that I'm very weak on -- the silent picture years and the emergence of the 'talking pictures.' So when I saw Keli Noury's THE DARK SIDE OF HOLLYWOOD on AMAZON's KINDLE UNLIMITED, I immediately wanted to read it.


The book focuses on three performers who were big in silent films and went on to be names when the pictures began to talk: Charlie Chaplin, Lupe Valdez and Jean Harlow.


There are some typos in the book and some 'logistos.'  The latter is especially true in the Jean Harlow section of the book.  'Logistos'?  Logic in sentence errors.  Jean Harlow, near the end of her career, begins losing her hair due to the bleaching to make it 'platinum blond.'  But the first sentence about her losing her hair somehow leaves out "hair."  And you're left to wonder what's being written.  It also has more "he" for "her" errors and vice versa.  


Jean Harlow was the prototype for the blond bombshells that followed -- including Marilyn Monroe.  Early on, critics loathed her.  But ticket buyers loved her.  The critics would come around slowly but probably the most amazing thing about Jean Harlow was that she started out pre-Code Hollywood and played women that would be thrown off the screen later.  Mae West started out that way as well.  They then tried to soften Mae and the films did less well.  When they tried to soften Jean, it didn't effect her box office.


Lupe Velez needed to care for her family and left Mexico for a job in Hollywood only to find out there was no real job.  That didn't stop her, she created an image and became a hugely popular film star. She would take her own life when she was pregnant and the father-to-be wouldn't marry her.


Both Lupe and Jean died young and died while they were still major film stars.  By contrast, Charlie Chaplin was 'run out of the country' at the height of his fame. 'Run out of the country'?  A British citizen, the US government waited until he was out of the country to announce that he could not return.  He ended up making a life in Europe.  In 1972, he was invited to the Academy Awards and returned to the US to accept an honorary Oscar. Five years later he was dead.


Each of the sketches goes over some of their big hits and their personal lives and scandals.  


It was an interesting book and I recommend it highly.







What People Are Streaming

Saturday night, these were some of the streamers 

 

NETFLIX

Films

1) MADAM X (Dakota Johnson)

2) MOTHER OF THE BRIDE (Brooke Shields)

3) UPGRADE (Logan Marshall-Green)

4) THELMA THE UNICORN (Brittany Howard)

5) DUMB AND DUMBER TO (Jim Carrey)

6) SHREK (Mike Myers)

7) THE SUPER MARIO BROS. MOVIE (Fred Armisen)

8) SHREK FOREVER AFTER THE FINAL CHAPTER (Cameron Diaz)

9) MADAGASCAR ESCAPE 2 AFRICA (Chris Rock)

10) WAR DOGS (Jonah Hill)

TV shows

1) BRIDGERTON

2) ASHLEY MADISON: SEX, LIES & SCANDAL

3) KEVIN HART: MARK TWAIN PRIZE

4) THE ROAST OF TOM BRADY

5) BABY REINDEER

6) BODKIN

7) A MAN IN FULL

8) KATT WILLIAMS WOKE FOKE 

9) COOKING UP MURDER: UNCOVERING THE STORY OF CESAR ROMAN

10) REBA


PEACOCK

Films

1) LIFE OF THE PARTY (Melissa McCarthy)

2) THE AMERICAN SOCIETY OF MAGICAL NEGROES (Nicole Byer)

3) NIGHT SWIM (Amelie Hoeferle)

4) THE 40 YEAR-OLD Virgin (Steve Carell)

5) 10 THINGS I HATE ABOUT YOU YOU (Julia Stiles)

6) THE FAST AND THE FURIOUS (Paul Walker)

7) COUPLES RETREAT (Jason Bateman)

8) NO TIME TO DIE (Daniel Craig)

9) WHY DID I GET MARRIED (Janet Jackson)

10) THE POSSESSION (Kyra Sedgwick)


TV

1) LAW & ORDER SPECIAL VICTIMS UNIT

2) CHICAGO P.D.

3) CHICAGO FIRE

4) SUMMER HOUSE

5) CHICAGO MED

6) VADNERPUMP RULES

7) LAW & ORDER

8) THE REAL HOUSEWIVES OF NEW JERSEY

9) DAYS OF OUR LIVES

10) LAW & ORDER: ORGANIZED CRIME


PARAMOUNT+

Films

1) JACK REACHER NEVER GO BACK (Tom Cruise)

2) BOB MARLEY: ONE LOVE (Kingsley Ben-Adir)

3) TRANSFORMERS: RISE OF THE BEASTS (Anthony Ramos)

4) JACK REACHER (Tom Cruise)

5) TOP GUN MAVERICK (Tom Cruise)

6) PAW PATROL MIGHTY MOVIE (Mckenna Grace)

7) PAW PATROL THE MOVIE (Tyler Perry)

8) MEAN GIRLS (LINDSAY LOHAM)

9) BAY WATCH (Zac Ephron)

10) TRANSFORMER AGE OF EXTINCTION (Mark Wahlberg)


TV

1) YOUNG SHELDON

2) NCIS

3) RUPAUL'S DRAG RACE *ALL STARS**

4) THE CHI

5) SPONGE BOB SQUARE PANTS

6) BLUE BLOODS

7) STAR TREK DISCOVERY 

8) TRACKER

9) FIRE COUNTRY

10) CRIMINAL MINDS EVOLUTION


STARZ

Films & TV

1) BMF: BLACK MAFIA FAMILY

2) MARY & GEORGE

3) THE HUNGER GAMES: THE BALLS OF SONGBIRDS AND SNAKES

4) MAJOR PAYNE

5) ONLY CHILD

6) OUTLAW JOHNNY BLACK

7) EXPEND4BLES

8) POWER BOOK II: GHOST

9) OUTLANDER

10) SAW X (Tobin Bell) 


MGM+

Films & TV

1) THE BEEKEEPER (Jason Statham)

2) FROM

3) BILLY THE KID 

4) BOB MARLEY: ONE LOVE (Kingsley Ben-Adir)

5) THE BOYS IN THE BOAT (Callum Turner) 

6) BEACON 23

7) AMERICAN FICTION (Jeffrey Wright)

8) THE WINTER KING

9) MEANS GIRLS (Angourie Rice)

10) I, ROBOT (Chi McBride)


AMAZON PRIME

Top 10 purchases in the US

1) GODZILLA X KONG: THE NEW EMPIRE (Kaylee Hottle)

2) GHOSTBUSTERS: FROZEN EMPIRE (Mckenna Grace)

3) DUNE PART TWO (Zendaya)

4) THE BEEKEEPER (Jason Statham)

5) TROLLS BAND TOGETHER (Anna Kendrick)

6) THE MINISTRY OF UNGENTLEMANLY WARFARE (Henry Cavill)

7) MIGRATION (Awkwafina)

8) CHALLENGERS (Zendaya)

9) IMAGINARY (DeWanda Wise)

10) ABIGAIL (Melissa Barrera)


THIRD ESTATE SUNDAY REVIEW 

 

What we streamed last week.

Film

1)  CACTUS FLOWER (Goldie Hawn)

2) ISLAND OF THE LOST SOULS (Bela Lugosi)

3) SPECTRE (Daniel Craig) 

4) MASK (Cher)

5) MANHATTAN MURDER MYSTERY (Diane Keaton)

6) THE WASH (Snoop Dog)

7) THE BEEKEEPER (Jason Statham)

8) MURDERERS' ROW (Dean Martin, Ann-Margret)

9) MADAM X (Dakota Johnson)

10) THE MAN (Samuel L. Jackson)


TV

1) ELSBETH (PARAMOUNT+)

2) THE NEIGHBORHOOD (PARAMOUNT+)

3) SO HELP ME TODD (PARAMOUNT+)

4) THE TOURIST (NETFLIX)

5) SUPER FUN NIGHT (FREEVEE/AMAZON)

6) THE CAROL BURNETT SHOW (PLUTO, SHOUT TV)

7) X-MEN '97 (DISNEY+)

8) AMERICAN DAD (HULU)

9) WILL TRENT (HULU)

10) MARY & GEORGE (STARZ)




Book list

books

 

1) "J Randy Taraborrelli's awful Beyonce book" -- Ann reviews a book on Beyonce.

 

2)  "Sheila Weller's Carrie Fisher: A Life On The Edge" -- Marcia reviews a puff piece bio.

 

3)   "Sheet Pan Fajita Shrimp in the Kitchen" -- Trina reviews a cookbook.

 

4) "Container Gardening (book review), Idiot of the Week, and Kylie Minogue performed at the Brit Awards" -- Mike covers a book on container gardening. 


5) "Type II Diabetes (books)" -- Stan reviews four books on diabetes.


6) "faye dunaway" -- Rebecca reviews a biography of Faye Dunaway.  

 

7)  "THE FIVE-INGREDIENT COOKBOOK FOR MEN" -- Mike reviews a cookbook. 

 

 

8)  "SILENT SISTERS: PROFILES OF THE SHORT LIVES OF KAREN CARPENTER, PATSY CLINE, CASS ELLIOT, RUBY ELZY, JANIS JOPLIN AND SELENA" -- Ty reviews a sketch book.

 

9) "THE LESSONS OF MAMA TEMBO (Dona)" -- Dona reviews a children's book.

 

10) "Michael Schulman's OSCAR WARS: A HISTORY OF HOLLYWOOD IN GOLD, SWEAT AND TEARS" -- Stan's book review. 

 

11) "Not Your China Doll: The Wild and Shimmering Life ..." -- Ann reviews a bad book about an early film star. 


12) "MY MAMA, CASS" -- Kat reviews a book by the daughter of Cass Elliot.  


13) "Media: The stupid return to target Target and a man writes a really dull, boring book" -- Ava and C.I. review A. Ashley Hoff's  WITH LOVE, MOMMIE DEAREST: THE MAKING OF AN UNINTENTIONAL CAMP CLASSIC.

 

14)  "THE DARK SIDE OF HOLLYWOOD (Ty)" -- Ty reviews a book about Charlie Chaplin, Lupe Velez and Jean Harlow.

 

 

 

 

2024 passings

ceme

 

 

1) "bad news (settlers shot a child in the back and adan canto has died)" -- Rebecca covers the passing of THE CLEANING LADY and DESIGNATED SURVIVOR star.

 

 2 and 3) "David Soul and Glynis Johns have passed" -- two passings -- one you knew from STARSKY & HUTCH, the other you knew from MARY POPPINS.


4) "Mary Weiss, The Leader of the Genre?" -- Elaine notes the passing of the leader of The Shangri-Las. 


5) "The death of Norman Jewison and the death of Taraji P. Henson's career" -- Stan notes the passing of film director Norman Jewison.

 

 6) "Melanie: Queen of the Music festivals ," "Thank you to Melanie (Jess)," "Jon Stewart to return to the desk," "Melanie, REACHER, young voters," "When are they going to arrest Kari Lake?," "We lose Melanie and Dexter King but are still stuck with Jonathan Turley?," "my top five melanie albums," "Ugly Chaya Chachi Ratchik," "Where's Florida's "Don't Say Southern Baptist" law?," and "Melanie, Mary Weiss, Green Day" -- remembering singer-songwriter Melanie.


7) "Norman Jewison and Melanie" -- Ruth notes Melanie and director Norman Jewison's passing. 


8) "Chita Rivera" -- a trailblazer's life is noted by Elaine.  


9) "Carl Weathers" -- Stan covers the actor and the athlete's passing.

 

10) "Richard Lewis" --  Ruth notes the passing of a stand up comic and actor.

 

11)  "Eric Carmen" -- Kat notes the passing of a singer-songwriter.

 

12)  "Louis Gossett Jr." -- Stan notes a passing of a breakthrough and Academy Award winning actor.

 

13) "I do Barbara Rush" -- Betty notes a passing of a golden age actress.

 

14) "Joe Flaherty" -- Stan notes a passing of a comic actor. 


15) "Robert MacNeil" -- Ruth notes a passing of a news anchor.

 

 16)  "meg bennett" -- Rebecca notes that passing of an actress and writer.

 

17) "David Sanborn" -- Kat notes the passing of a saxophone legend.

 

1)8 "Dabney Coleman" -- Stan notes a character actor who became a star.

 

 

Video of the week

“Resist the Normalization of Evil”: Israeli Reporter Amira Hass on Palestine and Journalism

 

 

AMY GOODMAN: This is Democracy Now!, democracynow.org, The War and Peace Report. I’m Amy Goodman.

Israel is intensifying its bombardment of the Jabaliya refugee camp in northern Gaza, destroying dozens of residential buildings in heavy airstrikes overnight and pushing residents to flee to other parts of the city. This comes as Israel is vowing to escalate its ground attack in the southernmost city of Rafah, with Israeli Defense Minister Yoav Gallant saying Thursday additional troops would enter Rafah and that military operations will intensify in the city. Israeli Prime Minister Benjamin Netanyahu also said Thursday, quote, “The battle in Rafah is critical,” unquote.

One-point-four million Palestinians — over half of Gaza’s population — had been displaced to Rafah seeking shelter. Now more than 600,000 have fled Rafah over the past week and a half since Israel launched its ground offensive there. Since then, no food, fuel or other aid has entered the two main border crossings in southern Gaza, further exacerbating the humanitarian crisis. Some 1.1 million Palestinians are on the brink of starvation, according to the U.N., while a full-blown famine is taking place in the north, this confirmed by the World Food Programme.

The developments come as the International Court of Justice has wrapped up two days of hearings in The Hague after South Africa’s request last week for emergency measures to halt Israel’s assault on Rafah. It marked the third time the U.N.'s top court held hearings on Gaza since South Africa filed a case in December accusing Israel of committing genocide. On Thursday, South Africa's ambassador to the Netherlands, Vusimuzi Madonsela, urged the court to order Israel to “totally and unconditionally withdraw” from the Gaza Strip.

VUSIMUZI MADONSELA: When we last appeared before this court to halt this genocidal process, to preserve Palestine and its people, instead, Israel’s genocide has continued apace and has just reached a new and horrific stage. Israel has sought to hide its crimes through the weaponization of international humanitarian law. It pretends that the civilians it ruthlessly kills, through its 2,000-pound bombs, through its targeted airstrikes, through its artificial intelligence systems, through its executions, are human shields. This whitewashing of Israel’s genocide misses the key and fundamental element, that of the massive and still mounting evidence of Israel’s genocidal intent.

AMY GOODMAN: Israel presented its defense at the World Court today and denied it’s carrying out a genocide in Gaza. This is the head of the Israeli delegation to the court, Gilad Noam.

GILAD NOAM: South Africa presents the court yet again, for the fourth time within the scope of less than five months, with a picture that is completely divorced from the facts and circumstances. Israel is engaged in a difficult and tragic armed conflict. South Africa ignores this factual context, which is essential in order to comprehend the situation, and also ignores the applicable legal framework of international humanitarian law. It makes a mockery of the heinous charge of genocide.

AMY GOODMAN: The International Court of Justice today ordered representatives for Israel to submit more information about humanitarian conditions in its so-called evacuation zones in Gaza. This comes as foreign ministers from 13 countries have signed onto a letter warning Israel to halt its ground operations in Rafah and to get more aid to Palestinians. The letter is signed by all G7 members minus the United States.

For more, we’re joined by longtime Israeli journalist Amira Hass. Born in 1956 in Jerusalem, her parents Holocaust survivors, she’s the Haaretz correspondent for the Occupied Palestinian Territories, based in Ramallah. She’s the only Israeli Jewish journalist to have spent 30 years living in and reporting from Gaza and the West Bank. Her books include Drinking the Sea at Gaza: Days and Nights in a Land Under Siege. Amira Hass is the recipient of the 2024 Columbia Journalism Award. And on Wednesday, she addressed the graduating class of the Columbia Journalism School here in New York. She now joins us in our New York studio.

Amira, welcome to Democracy Now!

AMIRA HASS: Thank you, Amy.

AMY GOODMAN: Congratulations on your award, but more importantly on your reporting. You are so unusual in Israel as the only Israeli Jewish journalist who lived in the Occupied Territories for the last 30 years. As you gave your address to the Columbia Journalism School, a number of its students threatened by New York police to even step outside the school when they were trying to cover the Gaza Solidarity Encampment outside, as police moved in, and, ultimately, I think, the number of arrests on campus numbered more than 200. Can you talk about the coming together of the issues that you cover, and what you feel it’s so important that journalists should understand about their role in society?

AMIRA HASS: As I said in my address to the students, it is — if I want to sum it up not in a professional way or like a teacher-like way, is to resist the normalization of evil and of injustice, because we are so used to so — there is so much injustice in this world, not in — everywhere. And we have to use our — the unwritten social contract between us and citizens the world over to scrutinize, to monitor, to challenge power, centers of power, the abusive power. Any power can be abusive or is abusive, only we have the power to at least try and restrain it. I think this is — this should be the role — not the only role, but this should be a main role of journalists, to restrain power, wherever it is being manifested.

AMY GOODMAN: Ever the journalist, in your J school address, you quoted a friend in Gaza. This is particularly important as —

AMIRA HASS: Yeah.

AMY GOODMAN: — what happened just feet from where the school is. If you can tell us who he is —

AMIRA HASS: Yeah.

AMY GOODMAN: — and what he said?

AMIRA HASS: Yeah. Just a few — two weeks before the address, I received a WhatsApp from a friend called Bassam Nasser. I met him in the early '90s when he was still a student. And we haven't been in touch for many years. He’s a father of four. He’s heading a aid institution or center in Gaza. He was displaced, like so many others, from Gaza to Rafah to save his life. His house, I know, is in ruins now in Gaza. And now he had to flee again with his family from — and the institution, from Rafah to Deir al-Balah in the center. And he sent me a very — he, from time to time, writes something on WhatsApp in English, and I guess he shares it with some others, and he shares his thoughts and feelings. And he shared with me something concerning the demonstrations and protests in American campuses. And I thought, of course, fit to bring it to the — to read it. So I can read it now. Sorry. And this is from the talk and what I — the quote that I brought on Wednesday to the students.

“A glimmer of hope emerges from university students demonstrating the enduring presence of humanity. Panicked, hypocritical politicians swiftly resort to force in order to quell the movement, fearing its global expansion. Repression is enacted to stifle voices challenging the status quo. Police and National Guards are deployed, arresting students who were expelled just hours earlier for speaking out against the violence in Palestine. From Gaza to New York and other major cities worldwide, I want to express deep gratitude for these voices. While you may not be able to save every child in Gaza or restore our shattered lives and dreams, and your efforts won’t prevent the next devastating airstrike that will wipe out our entire family, on behalf of every Palestinian, I want to express heartfelt appreciation for raising awareness to our plight.” And I know he’s not the only one. I mean, I know that if there was some kind of, really, a ray of hope in people’s life in — people’s hell — it’s not life — in the last month, are those demonstrations and protests.

AMY GOODMAN: Now, I wanted to go to someone else talking about those protests. You gave your graduation address on Wednesday at the Columbia Journalism School. The president, Minouche Shafik, had canceled the main graduation ceremony because of the protests. But yesterday, faculty, to say the least, completely exhausted, organized a People’s Graduation. Columbia students and faculty celebrated an alternative People’s Graduation as they gathered for a ceremony just nearby at the Cathedral of St. John the Divine, with many students wearing their blue graduation gowns. On the stage with the professors was the Reverend Herbert Daughtry, the New York civil rights leader who was an early mentor to now-Mayor Eric Adams, who’s claimed the protests at Columbia were, quote, “coopted by professional outside agitators.” But among the speakers who addressed the students was the poet Fady Joudah, who read his poem, “Dedication,” about Palestinians killed by Israel; the Palestinian American lawyer and human rights activist Noura Erakat; and the award-winning journalist Mona Chalabi, who has rejected her 2023 Pulitzer Prize and has been highly critical of Gaza coverage by mainstream U.S. media outlets. In her address, she paid tribute to the student journalists in the audience who covered the Gaza encampment, often while facing arrest themselves.

MONA CHALABI: Hi, habibis. I’m just going to talk to you for two minutes, because I have the huge honor of acknowledging my fellow journalists in the room. So, as many of you know, our institutions have failed us these past seven months, and long before that. Writers and editors at some of the most respected newsrooms have told lies about what is happening in Gaza. They have said that death threats falling from the skies are evacuation orders. They have described forced displacement as migration. They have issued warnings to their staff, telling them not to use words like “ethnic cleansing” or “genocide.” In short, they’ve used their reporting to minimize the suffering in Gaza and maintain a status quo. And they’ve had that reporting honored by the Pulitzers. They’ve even sought to —

AUDIENCE: Shame!

MONA CHALABI: They’ve even sought to discredit or ignore Palestinian journalists, like Hind, who face death every day.

So I shouldn’t have been surprised when I heard what happened last month. A reporter at The New York Times was told that something seemed to be happening at Columbia University. Students appeared to have claimed a lawn as theirs. So, like any breaking news story, a select channel had been created for the journalists to discuss details and assign stories. This is what they do at The New York Times. When this reporter joined the select channel, they were surprised to find that it had been titled “Antisemitism on Campus.” They had decided what the story was before they even took a train uptown.

AUDIENCE: Shame!

MONA CHALABI: Meanwhile, journalists on campus have had a very different perspective. You had begun reporting before a single tent was assembled. You have not only witnessed the encampments, you listened to the chants, you read the signs, and you spoke to the organizers. You did the work, and you did it so well that journalists like me off campus turned to your words, your Instagram accounts, and we listened to your radio stations if we wanted the truth.

And you did that truth telling while cops harassed, assaulted and arrested you and your fellow students. And you did it all while trying to graduate and to grieve. That is true for anti-Zionist Jewish students who were having their faith questioned by those who want them to fall silent. It’s true for students whose parents look like the mothers and fathers being killed every day. And it is especially true for the Palestinian students who continue to report the facts while navigating unbearable grief. I am so proud to call you my colleagues. Would the journalists in the room please stand?

AMY GOODMAN: That’s the award-winning journalist Mona Chalabi, who just won the 2023 Pulitzer Prize, though she rejected it. At the award ceremony, Mona called out fellow journalists for their unwillingness to say the word “Palestine.” She donated her $15,000 prize money to the Palestinian Journalists Syndicate to help fight what she talked about as the asymmetry of information that elevates Israeli voices over Palestinian ones in the mainstream media. She was addressing the People’s Graduation yesterday at St. John the Divine for the Columbia and Barnard students.

Amira Hass, as you listen to Mona and you think about also the Palestinian journalists who have died in Gaza, the astounding number of journalists who have died —

AMIRA HASS: Who have been killed.

AMY GOODMAN: Who have been killed.

AMIRA HASS: Yeah.

AMY GOODMAN: Talk about that, then. And do you feel that they were directly targeted, so often wearing the press vests and the helmets?

AMIRA HASS: Yeah.

AMY GOODMAN: I remember one Palestinian journalist, as he heard about his dear friend just having been killed, ripped off his press and helmet and said, “Why are we wearing these? They just make us a target.”

AMIRA HASS: Yeah. I guess, you know, one part in me wants to think that this is not true, I mean, that they were killed because they are in places which are dangerous and because they circulate a lot, I mean, move around in times when people try not to move around. I think there is what we call a finger — I think, a fingerprint targeting or profiling, because anybody who uses a drone, even for filming, for photographing, is considered by the people behind the Israeli assaulting drones, or Predator drones, as somebody who is part of the fighting units, so they kill them automatically without checking if they are only taking photos. So, I think there is a variety of excuses or explanation that Israel would give. But certainly, in some cases, they were connecting journalists to the 7th of October or to other activities completely not as journalists and wanting to take revenge of them. But this has to be checked, and I think it is being checked by several venues, each one case.

But certainly, when there are so many people, so many journalists killed, it shows that there is a pattern. And our role is to discover the pattern. But there are patterns of other things. There are patterns of whole families who are being killed, so 40, 30, 35. So, you can say that you are targeting one of the family, which means that you allow the killing of — let’s say that this one person is very dangerous to the security of Israel. Then it means that you allow yourself to kill 30 people, 40 people, 25 people, including children, including babies, for one person. So this is a pattern. We can learn about it from the reality. We don’t need to have secret documents for it. But it was so. There is a very important investigation by Yuval Abraham of +972, who did talk to intelligence, soldiers in the intelligence, and proved that there is an Israeli OK to kill so-and-so many for one person.

AMY GOODMAN: And we interviewed Yuval —

AMIRA HASS: Yeah.

AMY GOODMAN: — on Democracy Now! talking about the AI programs Lavender and Where’s Daddy?

AMIRA HASS: Yes, yeah, yeah.

AMY GOODMAN: So, you have the killing of journalists and then the banning of journalists. And I wanted to go for a moment — I think it was two days after World Press Freedom Day that Israel banned Al Jazeera inside —

AMIRA HASS: Israel.

AMY GOODMAN: — the country, police officers raiding the network’s Jerusalem bureau, seizing broadcast equipment. Over the past seven months, Al Jazeera, one of the only international outlets with reporters on the ground inside Gaza — a few of whom were killed. This is a prerecorded video message by Al Jazeera’s Imran Khan from East Jerusalem.

IMRAN KHAN: If you’re watching this prerecorded report, then Al Jazeera has been banned in the territory of Israel. On April the 1st, the Knesset, the Israeli parliament, passed a law that allowed the prime minister to ban Al Jazeera. He’s now enacted that law.

Let me just take you through some of the definitions within the law. They’ve banned our website, including anything that has the option of entering or accessing the website, even passwords that are needed, whether they’re paid or not, and whether it’s stored on Israeli servers or outside of Israel. The website is now inaccessible. They’re also banning any device used for providing content. That includes my mobile phone. If I use that to do any kind of news gathering, then the Israelis can simply confiscate it. Our internet access provider, the guy that simply hosts AlJazeera.net, is also in danger of being fined if they host the website. The Al Jazeera TV channel, completely banned. Transmission by any kind of content provider is also banned, and holding offices or operating them in the territory of Israel by the channel. Also, once again, any devices used to provide content for the channel can be taken away by the Israelis.

It’s a wide-ranging ban. We don’t know how long it will be in place for, but it does cover this territory of the state of Israel.

Imran Khan, Al Jazeera, occupied East Jerusalem.

AMY GOODMAN: And that was his last report from occupied East Jerusalem. Now Al Jazeera reporters say, when they’re reporting from, for example, Amman, “We are banned from Israel.” But interestingly, Amira Hass, you don’t have the same thing happening with CNN and MSNBC. No, they’re not banned from reporting in Israel, but they are not allowed by Israel to go into Gaza. And each time they have a report outside of Gaza, they don’t say, “And we want to remind you, we are not on the ground in Gaza because the Israeli government has prevented that.”

AMIRA HASS: I cannot — I don’t watch them when I’m in Ramallah. But I want to say that when it comes to the Israeli public, it doesn’t matter if Al Jazeera are inside Israel or not inside Israel. The general Israeli public does not want to know about what’s happening in Gaza. And the Israeli media does not show anything. I mean, they show very, very, very few images of the destruction. They give very little information and footage of the death, of the wounded people. I mean, there is no relation between what is happening and what is shown on Al Jazeera and what the Israeli media shows.

But it is not — it is not a dictate from above. It is not state censorship, unlike with Al Jazeera. It is a decision of most of the Israeli venues, most of the Israeli media venues, especially the TV, of course, not to show those horrible scenes, that might give some sense to some Israelis that this is, not morally, but this is — logically, cannot produce — cannot produce a change in Palestinian attitudes or a change for accepting Israel or accepting Israeli right to exist, etc., etc., for eight months it launches such an onslaught of revenge and supremacy against them. But the Israeli public is not looking for it, is not searching for it, in general. I mean, of course there are exceptions, like the Israeli left wing, Israeli activists, Israeli human rights activists, political leftist activists. Of course, there are exceptions, so it’s not the entire society. And, of course, there are the Palestinians who are Israeli citizens. But the banning of Al Jazeera is not the reason why Israelis do not see — do not see the reality in Gaza. And this is not the reason. This is the choice not to know.

AMY GOODMAN: Interestingly, hostage families — you don’t even see in the U.S. media hostage families saying, “End this war.” You certainly see them talking about the horror of —

AMIRA HASS: Yeah.

AMY GOODMAN: — their loved ones being held in Gaza. But the second part of it, for a number of these hostage families, are “End the war now.”

AMIRA HASS: Yeah, number, not all, but number, yes, of course. But this is the American media. I mean, it’s not — we do know that there are families among the hostage families that do speak differently than the choir.

AMY GOODMAN: I want to ask you about the Nakba, about what happened in 1948 and what’s happening today, when we come back from break. We’re speaking with longtime Israeli journalist Amira Hass, Haaretz correspondent for the Occupied Palestinian Territories. She’s based in Ramallah. And she lived in Gaza for three years, wrote a book called Drinking the Sea at Gaza: Days and Nights in a Land Under Siege. She’s the only Israeli journalist to have lived in the Occupied Territories for decades. Stay with us.

[break]

AMY GOODMAN: Composer and pianist Vijay Iyer performing “Kite” during the People’s Graduation Thursday at the Cathedral of St. John the Divine. He dedicated the song to the Palestinian writer and poet Refaat Alareer, who was killed in December by an Israeli airstrike along with his brother, sister and four of his nieces, children.

This is Democracy Now!, democracynow.org, The War and Peace Report. I’m Amy Goodman, as we continue our conversation with the longtime Israeli journalist Amira Hass, the Haaretz correspondent for the Occupied Palestinian Territories. She’s now based in Ramallah, the only Israeli Jewish journalist to have spent 30 years in and reporting from Gaza and the West Bank. Among her books, Drinking the Sea at Gaza: Days and Nights in a Land Under Siege, and editing her mother’s memoir from Bergen-Belsen, from the concentration camp. She is the daughter of Holocaust survivors.

Talk about what happened 76 years ago this week, May 15th, Amira, and talk about what’s happening today.

AMIRA HASS: I’ll start from with today, because I think that we — look, there is a country with two peoples, Palestinians and Jews. And we can have a long discussion, historiographical discussion, and debate about how it came about that there are two peoples in this country and why in 1948 there was a state for Jews established, while the U.N. resolution about a state for Palestinians — Arabs, as they were called — was not established. It doesn’t change the fact that there are two peoples. And it doesn’t change the fact that people want to live in their homeland. It doesn’t change the fact that there are hundreds of thousands of refugees, Palestinian refugees, who were — or hundreds of thousands of Palestinians who were chased out of the country, of their homeland, in 1948, and that, by now, with their children and grandchildren, there are several millions, and they see this country as their country, as their homeland. And it doesn’t change the fact that there are Israeli Jews who see Israel and the country as their country.

And there is a decision that has to be made. Do they want to live, do they want their grandchildren to live, and live well, in that country, in justice? Or do they want to send their grandchildren and children for wars forever, that will force some people, who have the money, who have the talents, who have the contacts, to emigrate, and for others to remain and to live in destitute and in hunger and in ignorance for the rest of their lives and their — I don’t know — for the end of the generations, or until the world expires? So, this is why we feel that we still live the Nakba and the outcomes of the Nakba, because there is no —

AMY GOODMAN: The Nakba, Arabic for “catastrophe.”

AMIRA HASS: For “catastrophe” — because there is no acknowledgment that you cannot live in this unbearable injustice, that one people has the rights and one people controls and dictates the life of the other people in the land. The thing is that we have to acknowledge there are two peoples in the land, and peoples have rights. And right now we deprive the Palestinians of their very basic rights, not only the basic right of life, as we see going on in Gaza right now, but on the normal days of occupation, we deprive them of water, freedom of movement, land, housing rights, planning, travel, living with their families, choosing their university, developing their economy, prospering, investing, all these things. At any moment, Israeli soldiers can confiscate millions of dollars from Palestinians for one pretext or another. Israeli settlers carry out Israeli policies, but in much more zeal, and confiscate land, take over land. I mean, Palestinians’ life is never — they are never safe. They never live in security, for more than 75 years, in both sides of the Green Line, both in Israel and the territory occupied in ’67.

So, there has to be a decision by Israeli people: Do we want to live for — we came — Israel was established so that Jews will feel secure and live normally. This is not normal life. They pretended that this is normal life, that we can occupy another people and feel normal. No, on the 7th of October, with all the atrocities and the enormous suffering that families and the casualties and the victims on 7th of October are living through, all this suffering and the, really, trauma, terrible trauma and cruelty, but this was a kind of a very expected answer by Hamas and by Palestinians to yearslong atrocities perpetuated by Israel and perpetrated by Israel.

And the main thing is the refusal, refusal to accept and to acknowledge the national rights of Palestinians for statehood. They were ready for it in the '90s, I know. I know that the Israelis try to switch everything around and say that they sabotaged the Oslo agreement. Not correct. And this is one of the things that I followed very closely, how Israel did everything, from the beginning, under the guise of a peace process, did everything possible to thwart the establishment of a Palestinian side alongside Israel. And there is a — you know, we go back all the time to this, because all the time Israelis say that it's the opposite. But they completely avoid all the evidence.

So, Israel did — what Israel did during the last 30 years is to prove to the world and to the Palestinians that the Palestinians were right from the beginning of the '30s and the ’40s, when they said that Israel is a colonial entity or a settler-colonial entity. Israel had the chance in 1993 to stop its settler-colonial activity in the West Bank and Gaza and to say, “OK, we don't go back to '48. Let's start for now and build a different, a new phase, a new historical phase.” It did the opposite. It continued with its bans on Palestinian construction, on Palestinian development. It disconnected Palestinians from each other, disconnected Gaza from the West Bank, started to fragment more and more the West Bank by roads that are meant only for Jews. And this is in the '90s. This is in the ’90s. Rabin said himself he did not want — he was not opting for a state. So this is the question of Israeli settler colonialism. It's Israel that proved that it’s settler-colonial.

And we live with it now with all of this abnormalcy. Israeli Jews wanted to live normally, happily. You go to Tel Aviv, you think you are in New York or you’re in London — and 40, 50 kilometers away, Palestinians live in cages, in cages disconnected from each other, and everything is dictated by Israel — the quantity of water. In my place, in my home in al-Bireh, in summer, we have — the water quantities are rationed, because there is not enough water. But when you go to a nearby settlement, it’s lush. It’s green in so much water they have. Israeli ranchers take over by violence, take over hundreds of thousands or tens of thousands of dunams, something that built settlements could not do. And they do it by violence and by the assistance and silence or indifference or encouragement of the Israeli authorities — the police, the army, the prosecution, everybody.

So, this is — when Palestinians say that the Nakba is ongoing, they don’t only mean — they mean Gaza, of course. And for many people, as I know, they feel that what’s the carnage in Gaza now is much worse than they experienced in 1948. But it’s also the — Israel took the Palestinian life and liberty and freedom as hostage for the past 70 years, 75 years, all over, in many forms. Inside Israel, Palestinians do not dare to speak out, because then they will be — if they just say a word, like if they say the word ”shahid,” which is “martyr,” and they mourn the deaths of so many Palestinians in Gaza, they might be taken. They might be arrested for incitement. So —

AMY GOODMAN: If they use the word “martyr”?

AMIRA HASS: Yeah, like on Facebook. I don’t — in Facebook, you see that they — or “martyr” or something like this. I mean, it’s just an example of how people are afraid to use words that are very normal. Even a sentence from the Qur’an can be taken as a proof that they are — that they support Hamas. So —

AMY GOODMAN: As you talk about Gaza and the West Bank, let’s talk more about the West Bank. Thousands of people have been arrested. Hundreds have been killed since October 7th. You talk about what you call the Smotrich plan. Bezalel Smotrich, now the minister of finance since 2022.

AMIRA HASS: Yeah, and he is a minister also in the Ministry of Defense, and he’s responsible on the settlements, actually, on the development of the settlements of the West Bank.

AMY GOODMAN: Both he and Ben-Gvir are settlers.

AMIRA HASS: Yeah, yeah, yeah, yeah. He published in 2017 something called the Decisive Plan, which actually says that the Palestinians have to accept that they will never have a state, that we will never be equal citizens in this country, and they can enjoy their individual rights. If they don’t want, they can go, they can emigrate, which is, of course, the preferable option for him. And then, if they refuse both and they resist — sometimes he says “violently resist,” sometimes he says “resist” — they will — the army will know, or the security apparatus will know how to deal with it. And it was, in one way or the other, interpreted as, “OK, they will be killed.” He rejected when people — people assumed that he meant that civilians will be killed. He rejected this.

But anyway, we see now that what is happening is the implementation of the Decisive Plan. But it shows that, all over, Palestinians are targeted for any — as a message that if you want to live in peace, I mean, normally, or seemingly or quasi-normally, you have to be silent. You shouldn’t say anything. You certainly should not demonstrate. You certainly shouldn’t take arms. You certainly shouldn’t convene, do something to show support. Even defend yourself, protect yourself from settlers’ violence can cause you an arrest.

So, this message — and Smotrich would not have succeeded to such an extent if the state has not prepared the ground and has not really been in the same position for the last 20 years at least. So, it’s not that Smotrich is such a genius that he can — or so powerful that he can impose his position on the rest of the government. In a way, he is, because, I mean, he knows where Netanyahu is vulnerable. He knows how much also the Orthodox Jews want this government to continue. But the fact that, in practice, all Israeli authorities are part of the repression of the Palestinians, in so many ways, and in such a way that is so similar to Smotrich’s plans, shows that it has been in the DNA of the system of this deep state for so many years.

AMY GOODMAN: As we wrap up this discussion, where do you see what’s happening right now? Just as we sat down, Israel finished its defense for the emergency appeal by South Africa to prevent it from a full-scale ground offensive in Rafah, Israel insisting that aid is coming through with ease at all the entry points, and South Africa saying they must be stopped. How do you see this ending?

AMIRA HASS: Right now I hope that the judges will move, because the way that Israel has been able for almost six months to play and to drag it into — and how the Western countries allow this to continue without putting leverage, that they have, on Israel in order to stop the carnage and the famine and the starvation, and the deliberate starvation, our hopes now are with the judges, that they will see that Israel is lying.

AMY GOODMAN: And what about with the United States? I mean, you have President Biden now announcing $1 billion of military weapons in the pipeline for Israel, including $700 million for tank ammunition, $500 million in tactical vehicles, $60 million in mortar rounds. The significance of what position the U.S. takes and what Biden is doing?

AMIRA HASS: He supports Israel to continue the war. I mean, I see no other explanation to this. I mean, all his words that he’s worried about Rafah or famine or whatever, so it’s such hypocrisy that I feel almost speechless. You think, on the one hand, they are sending aid, or they say that they are sending aid, but it takes so long, and it is so little. And on the other hand, they encourage Israel to continue with the war against Gaza, where we see that already Israel is defeated. I mean, it’s defeated. If such a huge military power is still fighting Hamas after eight months, it doesn’t give anything good to the Israelis, I mean, except of some groups that want it to continue. But —

AMY GOODMAN: Five seconds.

AMIRA HASS: Yeah. But for the majority of Israelis, it’s clear that the majority of Israelis understand, even though they support the war, on the one hand, they understand it’s against them, too.

AMY GOODMAN: Longtime Israeli journalist and author Amira Hass, Haaretz correspondent for the Occupied Palestinian Territories. I’m Amy Goodman. Thanks for joining us.



 

 

 

 

 

This edition's playlist

diana cover 2

 

 

 

1) Diana Ross' THANK YOU.

 

2) Beyonce's COWBOY CARTER.

 

3) Ben Harper's BOTH SIDES OF THE GUN.

 

4)  Diana Ross' SWEPT AWAY.

 

5) Joni Mitchell's JONI MITCHELL ARCHIVES -- VOL. 3: THE ASYLUM YEARS (1972 - 1975).

 

6) The Mamas and the Papas' PEOPLE LIKE US.

 

7) Cass Elliot's BUBBLE GUM, LEMONADE AND . . . SOMETHING FOR MAMA.

 

8) Sam Smith's IN THE LONELY HOUR DROWNING SHADOW EDITION.

 

9) Green Day's  'SAVIORS'

 

10) Harry Styles' HARRY'S HOUSE.

 

 

 

 

 

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