Attorney General Eric Holder was at Northwestern University Law School yesterday explaining President Barack Obama’s claimed authority to kill any American if he unilaterally determines them to be a threat to the nation. The choice of a law school was a curious place for discussion of authoritarian powers. Obama has replaced the constitutional protections afforded to citizens with a “trust me” pledge that Holder repeated yesterday at Northwestern. The good news is that Holder promised not to hunt citizens for sport.
-- Jonathan Turley "Holder Promises To Kill Citizens With Care."
Sunday, March 11, 2012
Truest statement of the week II
U.S. Attorney General Eric Holder this week attempted to explain how the U.S. Constitution allows the American president to be a law unto himself – to be judge, jury and executioner. Those are the powers that President Obama claims are inherent in his office: the right to kill at will, based on evidence only he is fit to examine and assess. This is a system of law without courts, without evidence that either the public or the condemned person has a right to see, or to contest. One man, with the power of life and death over any inhabitant of the planet, including citizens of the United States.
They used to call such people kings. But even the English kings of old – at least since the signing of the Magna Carta 800 years ago – were compelled to recognize the principle that free men could only be punished based on the law of the land. The United States Constitution is rooted in the principle of due process of law, with the courts as final arbiters of whether the law has been served.
With the passage of preventive detention without trail or charge, and President Obama’s claim to have sole power to target any human being for death, the rule of law has been eviscerated, abolished by presidential decree and congressional acquiescence. A pillar of civilization has been toppled, but most people in the United States appear not to have noticed.
-- Glen Ford, "Eric Holder Tortures The Constitution" (Black Agenda Report -- link is text and audio).
They used to call such people kings. But even the English kings of old – at least since the signing of the Magna Carta 800 years ago – were compelled to recognize the principle that free men could only be punished based on the law of the land. The United States Constitution is rooted in the principle of due process of law, with the courts as final arbiters of whether the law has been served.
With the passage of preventive detention without trail or charge, and President Obama’s claim to have sole power to target any human being for death, the rule of law has been eviscerated, abolished by presidential decree and congressional acquiescence. A pillar of civilization has been toppled, but most people in the United States appear not to have noticed.
-- Glen Ford, "Eric Holder Tortures The Constitution" (Black Agenda Report -- link is text and audio).
A note to our readers
Hey --
Another Sunday.
First up, we thank all who participated this edition which includes Dallas and the following:
The Third Estate Sunday Review's Jim, Dona, Ty, Jess and Ava,
Rebecca of Sex and Politics and Screeds and Attitude,
Betty of Thomas Friedman Is a Great Man,
C.I. of The Common Ills and The Third Estate Sunday Review,
Kat of Kat's Korner (of The Common Ills),
Mike of Mikey Likes It!,
Elaine of Like Maria Said Paz),
Cedric of Cedric's Big Mix,
Ruth of Ruth's Report,
Wally of The Daily Jot,
Trina of Trina's Kitchen,
Marcia of SICKOFITRDLZ,
Stan of Oh Boy It Never Ends,
Isaiah of The World Today Just Nuts,
and Ann of Ann's Mega Dub.
What did we come up with?
Jonathan Turley gets this one.
And Glen Ford, both on the same subject.
We had a larger editorial on this topic. We decide it was too long and clipped it to leave the US out; however, we do feel the US government is responsible for this and may tackle that next week.
Ava and C.I. tackle the 'defenders' who attack when a dogpile exists but say nothing otherwise -- even when rape is repeatedly turned into a joke and sold as a form of love -- yes, Tina Fey and 30 Rock, they're gunning for you.
We haven't done a comic survey piece in awhile. And on the issue of the illustrations this week, we were going for a pastel type effect. We may not have pulled it off but that's the common thread for all the illustrations.
We go back to the kitchen to explore a macaraoni & cheese pizza.
A new piece we've often talked about. We offer a look at the week's funny. You may say, "I get that already." To a degree you do. If a man says something funny, you get it on the Sunday chat & chews and in Entertainment Weekly.
An update on Lynne Steweart.
Michael Ratner and Heidi Boghosian discuss secret grand jury indictments.
A repost from Workers World.
A video post on education.
A press release from the House Veterans Affairs Committee. If you expected a piece on Congress this week, you're out of luck. C.I. was not in the mood for Congress having reported on hearings in 4 snapshots last week.
Mike and the gang wrote this and we thank them for it.
That's it for this week.
Peace.
-- Jim, Dona, Ty, Jess, Ava and C.I.
Another Sunday.
First up, we thank all who participated this edition which includes Dallas and the following:
The Third Estate Sunday Review's Jim, Dona, Ty, Jess and Ava,
Rebecca of Sex and Politics and Screeds and Attitude,
Betty of Thomas Friedman Is a Great Man,
C.I. of The Common Ills and The Third Estate Sunday Review,
Kat of Kat's Korner (of The Common Ills),
Mike of Mikey Likes It!,
Elaine of Like Maria Said Paz),
Cedric of Cedric's Big Mix,
Ruth of Ruth's Report,
Wally of The Daily Jot,
Trina of Trina's Kitchen,
Marcia of SICKOFITRDLZ,
Stan of Oh Boy It Never Ends,
Isaiah of The World Today Just Nuts,
and Ann of Ann's Mega Dub.
What did we come up with?
Jonathan Turley gets this one.
And Glen Ford, both on the same subject.
We had a larger editorial on this topic. We decide it was too long and clipped it to leave the US out; however, we do feel the US government is responsible for this and may tackle that next week.
Ava and C.I. tackle the 'defenders' who attack when a dogpile exists but say nothing otherwise -- even when rape is repeatedly turned into a joke and sold as a form of love -- yes, Tina Fey and 30 Rock, they're gunning for you.
We haven't done a comic survey piece in awhile. And on the issue of the illustrations this week, we were going for a pastel type effect. We may not have pulled it off but that's the common thread for all the illustrations.
We go back to the kitchen to explore a macaraoni & cheese pizza.
A new piece we've often talked about. We offer a look at the week's funny. You may say, "I get that already." To a degree you do. If a man says something funny, you get it on the Sunday chat & chews and in Entertainment Weekly.
An update on Lynne Steweart.
Michael Ratner and Heidi Boghosian discuss secret grand jury indictments.
A repost from Workers World.
A video post on education.
A press release from the House Veterans Affairs Committee. If you expected a piece on Congress this week, you're out of luck. C.I. was not in the mood for Congress having reported on hearings in 4 snapshots last week.
Mike and the gang wrote this and we thank them for it.
That's it for this week.
Peace.
-- Jim, Dona, Ty, Jess, Ava and C.I.
Editorial: Leave the Emo youth alone
Today the Associated Press reports on the targeting of Iraq's Emo youths. Alice Fordham (Washington Post) reports, "Lists threatening named people with death unless they change their attitude circulated anonymously late last week in Baghdad. Prominent clerics, as well as at least one police official, have condemned the emo -- short for emotional -- craze for its gloomy music and macabre look, which includes tight clothes and styled hair. The trend began in the 1980s in the West but has only recently become popular in the Arab world."
If you followed the story last week, you most likely followed it with horror. Especially horror at the US government which never once had a comment on it and on the reporters who cover the State Department and the White House but never bothered to ask about it. Not even when Barack Obama was lecturing the country on what he wanted his girls to do someday -- those girls that no one else is ever supposed to speak of.
If you need background on the developments, you can refer to the following:
There was more than enough to cover last week and Iraqi news outlets were covering it: Al Mada, Dar Addustour, Alsumaria TV and more. The LGBT press was covering it last week as well. But for big media to cover it, it took Ahmed Rahseed and Mohammed Ameer (Reuters) to report on Saturday, "At least 14 youths have been stoned to death in Baghdad in the past three weeks in what appears to be a campaign by Shi'ite militants against youths wearing Western-style "emo" clothes and haircuts, security and hospital sources say. Militants in Shi'ite neighborhoods where the stonings have taken place circulated lists on Saturday naming more youths targeted to be killed if they do not change the way they dress."
And though, as the week drew to a close, the government of Iraq realized this was a problem for their image, at the start of the week, they had no such concerns and the police and the Ministry of the Interior and the Ministry of Education were happy to share how they targeted Iraqi youth.
Some reality: As long as this crap takes place, Iraq's never going to progress. What you have are thuggish theocrats who want everyone to act and think the same. That would be conformity. As Ralph Waldo Emerson observed, conformity is "the hobglobbin of little minds." Conformity gives you an Iraq solely dependent upon the whims of the oil industry.
Expanded minds allows Iraqis to look at the landscape and determine other areas that Iraq can make money from, other ways to leave an impact.
They might be able to make money off a thriving music scene. Iraq's been developing a heavy metal music scene (which is currently under verbal attack by theocrats) and the Emo scene could become even more productive and important because Emo is better suited for Iraq. And with neighbors like Egypt attacking Emo, allowing Iraq to own the genre could create a firm base for a regional music business.
Can you imagine America without the hippies?
They influenced the music, they influenced the literature, they influenced the films, the culture, the society. To this day, Madison Avenue uses that period to try to sell products.
Their clothes were considered 'funny' and, yes, 'depraved' at the beginning.
Take Sonny & Cher. Consider them the original Emos. Kicked out of hotels due to the way they dressed, asked to, in fact, leave the eatery they frequented because their look was 'freaking out' some of the other patrons (actually, some bullies were starting trouble -- bullies exist around the world), they weren't trying to dismantle the world or society, they were just trying to find their way.
I got flowers in the spring I got you to wear my ring
And when I'm sad, you're a clown
And if I get scared, you're always around
So let them say your hair's too long
'Cause I don't care, with you I can't go wrong
Then put your little hand in mine
There ain't no hill or mountain we can't climb
-- "I Got You Babe," written by Sonny Bono, Sonny and Cher's 1965 number one hit
Smart people in Iraq would realize that what's taking place is a culturally significant moment. Iraqis are attempting to explore their place in their country, the region and the world. This is something that should be encouraged and applauded. If Iraq wants to return to being a cultural leader (they were once the cradle of civilization), they'll grasp how significant this moment is and allow it to flower.
If you followed the story last week, you most likely followed it with horror. Especially horror at the US government which never once had a comment on it and on the reporters who cover the State Department and the White House but never bothered to ask about it. Not even when Barack Obama was lecturing the country on what he wanted his girls to do someday -- those girls that no one else is ever supposed to speak of.
If you need background on the developments, you can refer to the following:
- Targeting Iraqi youth
- Iraq snapshot
- Interior Ministry rushes to change Emo Youth story...
- Iraq snapshot
- Iraq snapshot
- At least 56 Iraqi Emo youths have been killed
- Iraq's LGBT community remains targeted, US familie...
- Iraq snapshot
- Nothing ever changes
- Iraq snapshot
- Emo kids in Iraq targeted for death
There was more than enough to cover last week and Iraqi news outlets were covering it: Al Mada, Dar Addustour, Alsumaria TV and more. The LGBT press was covering it last week as well. But for big media to cover it, it took Ahmed Rahseed and Mohammed Ameer (Reuters) to report on Saturday, "At least 14 youths have been stoned to death in Baghdad in the past three weeks in what appears to be a campaign by Shi'ite militants against youths wearing Western-style "emo" clothes and haircuts, security and hospital sources say. Militants in Shi'ite neighborhoods where the stonings have taken place circulated lists on Saturday naming more youths targeted to be killed if they do not change the way they dress."
And though, as the week drew to a close, the government of Iraq realized this was a problem for their image, at the start of the week, they had no such concerns and the police and the Ministry of the Interior and the Ministry of Education were happy to share how they targeted Iraqi youth.
Some reality: As long as this crap takes place, Iraq's never going to progress. What you have are thuggish theocrats who want everyone to act and think the same. That would be conformity. As Ralph Waldo Emerson observed, conformity is "the hobglobbin of little minds." Conformity gives you an Iraq solely dependent upon the whims of the oil industry.
Expanded minds allows Iraqis to look at the landscape and determine other areas that Iraq can make money from, other ways to leave an impact.
They might be able to make money off a thriving music scene. Iraq's been developing a heavy metal music scene (which is currently under verbal attack by theocrats) and the Emo scene could become even more productive and important because Emo is better suited for Iraq. And with neighbors like Egypt attacking Emo, allowing Iraq to own the genre could create a firm base for a regional music business.
Can you imagine America without the hippies?
They influenced the music, they influenced the literature, they influenced the films, the culture, the society. To this day, Madison Avenue uses that period to try to sell products.
Their clothes were considered 'funny' and, yes, 'depraved' at the beginning.
Take Sonny & Cher. Consider them the original Emos. Kicked out of hotels due to the way they dressed, asked to, in fact, leave the eatery they frequented because their look was 'freaking out' some of the other patrons (actually, some bullies were starting trouble -- bullies exist around the world), they weren't trying to dismantle the world or society, they were just trying to find their way.
I got flowers in the spring I got you to wear my ring
And when I'm sad, you're a clown
And if I get scared, you're always around
So let them say your hair's too long
'Cause I don't care, with you I can't go wrong
Then put your little hand in mine
There ain't no hill or mountain we can't climb
-- "I Got You Babe," written by Sonny Bono, Sonny and Cher's 1965 number one hit
Smart people in Iraq would realize that what's taking place is a culturally significant moment. Iraqis are attempting to explore their place in their country, the region and the world. This is something that should be encouraged and applauded. If Iraq wants to return to being a cultural leader (they were once the cradle of civilization), they'll grasp how significant this moment is and allow it to flower.
TV: Exploring offensive
If you wanted to find the most offensive network, we think the easy choice would be NBC. No, we're not referring to Brian Williams attempting to sing along with "Super Freak" on Late Night with Jimmy Fallon last Monday. That was certainly scary, but we're not willing to call it offensive.
We think about that a lot, "offensive." In part because we saw a silly not-to-be-taken-seriously sitcom named Work It and didn't join in with NOW, GLAAD and other 'critics' in screaming our heads off about what an insult it was to transgendered people or transvestites. We didn't sing in that chorus mainly because there were no transgendered or transvestites characters on the TV show. Unlike NOW, for example, we didn't worry that the audience might confuse two straight men dressing up as women to hold down jobs with two transvestites or two transsexuals. We were focused on serious issues -- like NPR's exclusion of women when they provide live news (primary) coverage.
A few weeks later, we revisited the terrain to note that GLAAD had been happy to call out Work It (which hadn't exhibited homophobia) but refused to call out Tina Fey's longstanding homophobia on 30 Rock (which at that point had just included making homophobes lovable). GLAAD is useless. Every studio in California knows, if they come after you, make a donation and they go away.
They're seen as less of a political organization and more of a shake-down firm. So if, for example, you've got a Mel Gibson film shooting and your membership is angry about Mel's homophobia, you call up the studio pretending to be outraged, they offer some of your leadership intern positions on Mel's movie and instantly you're vouching for Mel's kind heart to the media.
NOW, however, is something we took seriously until 2008. We'd like to take it seriously again. But they make it so hard. Since their 'media criticism' of Work It (nothing written gave any indication that they ever watched an episode of the show), they've offered only one other media criticism: They roused themselves to call out Rush Limbaugh for calling a woman a slut. Sorry, gals, that's really not media criticism.
Media criticism would be calling out efforts to portray a teacher sleeping with a middle school student as an acceptable, first-step in a long-running and loving relationship.
Now we're feminists and we offer a feminist view. Not "the feminist view." Because there are many opinions and stances and frameworks in feminism. But we kind of thought everyone was in agreement that statutory rape of a 12-year-old child was wrong and that you didn't try to redeem the rapist.
TV has often pretended rape was just another part of courtship. Most infamously, in 1979 on General Hospital, Luke (Anthony Geary) raped Laura (Genie Francis) and, shortly after, they became the soap opera super couple Luke & Laura. In real time, Leslie Charleson (who played Monica) spoke out publicly against the love storyline and the romanticizing of rape. Her 'reward' for standing up? Then-producer Gloria Monty shoved Charleson's character into the background as retaliation. No women's group rushed to support Charleson. Which might explain why the show would wait until 1998 before it would try to get honest about the rape.
30 Rock has offered nothing but one-dimensional and stereotypical gay characters while using homophobia as a joke (and, yes, the term "gay" as a punchline). It's history on rape is no better. Melissa McEwan (Shakespeare's Sister) called out 30 Rock's season five debut noting it portraying rape as a laughing matter -- not once, not twice, but three times. We only caught one in real time (she's correct, it was three) but we did and do hold Tina Fey accountable for writing the episode. She's actually accountable for all the episodes whether she writes them or not. She can -- and has -- killed storylines, scenes and jokes. She's the creator, the star and an executive producer of the show.
Apparently she and many others were so giddy at the prospect of faded celebrity Susan Sarandon appearing on the show that they didn't think about the storyline they'd created for her? Or maybe they just didn't care?
By the way, did you ever hear the one about a roll of film? Child of a famous actress. A roll of film with the child on it. A roll of film the drugstore returned to a couple because the store would have to call the authorities if they developed it? Gore Vidal thought he was being coy when he worked it into an essay as a blind item but everyone knew exactly who he was writing about.
Tracey Wigfield wrote season five's "Queen of Jordan" where Sue plays Frank's former teacher Lynn Onkman, just released from prison. Why did she go to prison? Because she, an adult, slept with a middle school student (Frank).
Entertainment Weekly gushed, "Susan Sarandon guested as Lynn Onkman (Former Educator, Sex Offender). In this Mary Kay Letourneau-style story, Onkman fell in love with Frank R. during a scoliosis test. And the rest, as they say, ishistory a felony. When Lynn realized Frank was still the eighth grade boy she fell in love with, she began to rethink her feelings. Cue Frank R. dropping all of his toys into a deep fryer. Now that’s true love."
No, that's truly sick. And considering that females are more likely than males to be the victims of asault, it's very sad that any actress would go along with that storyline or that it would come from a show where the creative 'genius' was a woman.
Having gotten away with it once, you might have thought 30 Rock would avoid revisiting the offensive storyline again but that would be crediting Tina Fey with far more taste than she has. Which is why, March 1st, Sue returned to 30 Rock in "Alexis Goodlooking and the Case of the Missing Whisky" (written by John Riggi). Lynn was back and, it turns out, in a hot and heavy relationship with Frank that had been going on since her previous appearance. When called (rightly) a "pedophile," Lynn explains, "We prefer the term adult-a-phobe." CNN chose to use a photo of Frank and Lynn on bed together with the headline "30 Rock: A love like meatballs" for a lengthy post (by Mary Cella) that never addressed the issue of selling rape as love.
So there you have it, 30 Rock providing viewers with the message that victims fall in love with their rapists and that rapists love their victims. And adult teacher Lynn deciding to sleep with 12-year-old Frank? Perfectly normal. You sort of picture prison visits with sex offenders resulting in the imprisoned citing episodes of 30 Rock to explain just how 'misunderstood' they are. Maybe they too can be interviewed by Matt Bai and have a sympathetic portrayal in The New York Times Sunday Magazine?
What they haven't been, what they won't be, is called out by NOW.
NOW did call out Rush Limbaugh. And reading that 'alert,' we found ourselves agreeing with Margaret Kimberley (Black Agenda Report):
Rush Limbaugh, a man who would have to have been invented if he didn’t exist, called law student Sandra Fluke, a “slut” and a “whore” after she testified in favor of religious institutions being required to include contraception in their health care plans. The liberals then lost their collective minds. There was no limit to their ire. One would have thought that Rush Limbaugh was killing Afghan children with drones, or torturing black Libyans, or planning to attack Iran. Of course, Limbaugh has absolutely no power to do any of those things. He is a celebrity, a media personality who advocates the right wing point of view. He is a sexist and a racist, but he has no power to take anyone’s life. That is Barack Obama‘s job.
Obama, like all American presidents, is among the slickest politicians of all time, but he is certainly no fool. He knew that Limbaugh handed him a political gift and he ran with it. Obama personally telephoned the aggrieved young woman while his liberal sycophants demanded that advertisers drop Limbaugh’s program
And reading Elaine's post Friday applauding Fox News' Greta Van Susteren for calling out the vile, misogynist and cruel Louis CK, we were reminded yet again how NOW fails repeatedly. That Louis CK thinks it's okay to call special needs children vile names doesn't surprise us in the least. We've called him out repeatedly here. And we've noticed that NOW never said a damn word about any of his sexist comments. They were silent on Mad Men, they're silent on 30 Rock . . .
If you strike NOW as a show considered 'cool,' don't worry about a thing, they certainly won't call you out. But feminism is not partisanship, feminism is not whoring for a political party. When we reflect on how NOW's applied media 'criticism,' we think we've found the heart of that which is truly offensive.
We think about that a lot, "offensive." In part because we saw a silly not-to-be-taken-seriously sitcom named Work It and didn't join in with NOW, GLAAD and other 'critics' in screaming our heads off about what an insult it was to transgendered people or transvestites. We didn't sing in that chorus mainly because there were no transgendered or transvestites characters on the TV show. Unlike NOW, for example, we didn't worry that the audience might confuse two straight men dressing up as women to hold down jobs with two transvestites or two transsexuals. We were focused on serious issues -- like NPR's exclusion of women when they provide live news (primary) coverage.
A few weeks later, we revisited the terrain to note that GLAAD had been happy to call out Work It (which hadn't exhibited homophobia) but refused to call out Tina Fey's longstanding homophobia on 30 Rock (which at that point had just included making homophobes lovable). GLAAD is useless. Every studio in California knows, if they come after you, make a donation and they go away.
They're seen as less of a political organization and more of a shake-down firm. So if, for example, you've got a Mel Gibson film shooting and your membership is angry about Mel's homophobia, you call up the studio pretending to be outraged, they offer some of your leadership intern positions on Mel's movie and instantly you're vouching for Mel's kind heart to the media.
NOW, however, is something we took seriously until 2008. We'd like to take it seriously again. But they make it so hard. Since their 'media criticism' of Work It (nothing written gave any indication that they ever watched an episode of the show), they've offered only one other media criticism: They roused themselves to call out Rush Limbaugh for calling a woman a slut. Sorry, gals, that's really not media criticism.
Media criticism would be calling out efforts to portray a teacher sleeping with a middle school student as an acceptable, first-step in a long-running and loving relationship.
Now we're feminists and we offer a feminist view. Not "the feminist view." Because there are many opinions and stances and frameworks in feminism. But we kind of thought everyone was in agreement that statutory rape of a 12-year-old child was wrong and that you didn't try to redeem the rapist.
TV has often pretended rape was just another part of courtship. Most infamously, in 1979 on General Hospital, Luke (Anthony Geary) raped Laura (Genie Francis) and, shortly after, they became the soap opera super couple Luke & Laura. In real time, Leslie Charleson (who played Monica) spoke out publicly against the love storyline and the romanticizing of rape. Her 'reward' for standing up? Then-producer Gloria Monty shoved Charleson's character into the background as retaliation. No women's group rushed to support Charleson. Which might explain why the show would wait until 1998 before it would try to get honest about the rape.
30 Rock has offered nothing but one-dimensional and stereotypical gay characters while using homophobia as a joke (and, yes, the term "gay" as a punchline). It's history on rape is no better. Melissa McEwan (Shakespeare's Sister) called out 30 Rock's season five debut noting it portraying rape as a laughing matter -- not once, not twice, but three times. We only caught one in real time (she's correct, it was three) but we did and do hold Tina Fey accountable for writing the episode. She's actually accountable for all the episodes whether she writes them or not. She can -- and has -- killed storylines, scenes and jokes. She's the creator, the star and an executive producer of the show.
Apparently she and many others were so giddy at the prospect of faded celebrity Susan Sarandon appearing on the show that they didn't think about the storyline they'd created for her? Or maybe they just didn't care?
By the way, did you ever hear the one about a roll of film? Child of a famous actress. A roll of film with the child on it. A roll of film the drugstore returned to a couple because the store would have to call the authorities if they developed it? Gore Vidal thought he was being coy when he worked it into an essay as a blind item but everyone knew exactly who he was writing about.
Tracey Wigfield wrote season five's "Queen of Jordan" where Sue plays Frank's former teacher Lynn Onkman, just released from prison. Why did she go to prison? Because she, an adult, slept with a middle school student (Frank).
Entertainment Weekly gushed, "Susan Sarandon guested as Lynn Onkman (Former Educator, Sex Offender). In this Mary Kay Letourneau-style story, Onkman fell in love with Frank R. during a scoliosis test. And the rest, as they say, is
No, that's truly sick. And considering that females are more likely than males to be the victims of asault, it's very sad that any actress would go along with that storyline or that it would come from a show where the creative 'genius' was a woman.
Having gotten away with it once, you might have thought 30 Rock would avoid revisiting the offensive storyline again but that would be crediting Tina Fey with far more taste than she has. Which is why, March 1st, Sue returned to 30 Rock in "Alexis Goodlooking and the Case of the Missing Whisky" (written by John Riggi). Lynn was back and, it turns out, in a hot and heavy relationship with Frank that had been going on since her previous appearance. When called (rightly) a "pedophile," Lynn explains, "We prefer the term adult-a-phobe." CNN chose to use a photo of Frank and Lynn on bed together with the headline "30 Rock: A love like meatballs" for a lengthy post (by Mary Cella) that never addressed the issue of selling rape as love.
So there you have it, 30 Rock providing viewers with the message that victims fall in love with their rapists and that rapists love their victims. And adult teacher Lynn deciding to sleep with 12-year-old Frank? Perfectly normal. You sort of picture prison visits with sex offenders resulting in the imprisoned citing episodes of 30 Rock to explain just how 'misunderstood' they are. Maybe they too can be interviewed by Matt Bai and have a sympathetic portrayal in The New York Times Sunday Magazine?
What they haven't been, what they won't be, is called out by NOW.
NOW did call out Rush Limbaugh. And reading that 'alert,' we found ourselves agreeing with Margaret Kimberley (Black Agenda Report):
Rush Limbaugh, a man who would have to have been invented if he didn’t exist, called law student Sandra Fluke, a “slut” and a “whore” after she testified in favor of religious institutions being required to include contraception in their health care plans. The liberals then lost their collective minds. There was no limit to their ire. One would have thought that Rush Limbaugh was killing Afghan children with drones, or torturing black Libyans, or planning to attack Iran. Of course, Limbaugh has absolutely no power to do any of those things. He is a celebrity, a media personality who advocates the right wing point of view. He is a sexist and a racist, but he has no power to take anyone’s life. That is Barack Obama‘s job.
Obama, like all American presidents, is among the slickest politicians of all time, but he is certainly no fool. He knew that Limbaugh handed him a political gift and he ran with it. Obama personally telephoned the aggrieved young woman while his liberal sycophants demanded that advertisers drop Limbaugh’s program
And reading Elaine's post Friday applauding Fox News' Greta Van Susteren for calling out the vile, misogynist and cruel Louis CK, we were reminded yet again how NOW fails repeatedly. That Louis CK thinks it's okay to call special needs children vile names doesn't surprise us in the least. We've called him out repeatedly here. And we've noticed that NOW never said a damn word about any of his sexist comments. They were silent on Mad Men, they're silent on 30 Rock . . .
If you strike NOW as a show considered 'cool,' don't worry about a thing, they certainly won't call you out. But feminism is not partisanship, feminism is not whoring for a political party. When we reflect on how NOW's applied media 'criticism,' we think we've found the heart of that which is truly offensive.
Who's cartoony? Who's pulling it off?
This month's comics includes a one-shot from Marvel, Avengers Origins: Scarlet Witch & Quicksilver. It's worth again noting that Scarlet Witch, one of the most popular and long running members of the supergroup The Avengers will not make it onscreen in the film this summer. Our biggest question was what did Scarlet Witch ever do to Mirco Pierfederici to make him draw her so boxy.
Another question would be: What did gay people ever do to Enrique Carrion? Carrion likes to note that he's the only Black comic writer at a major comic house currently (none at Marvel, none at Dark Knight and none at DC) and that he's also Latino. He thinks he offers diversity in Vescell (Image Comics) and we'd be more likely to agree with him if it weren't so T&A and so homophobic. T&A? We're not talking clevage -- these are comics, after all. We're talking three shots of nude breasts with nipples and we're wondering why the hell we needed to see a fairy in a bathtub to begin with?
That's an actual fairy with wings. There's also full-on flamer and human Lee who is referred to as a "fairy" by hero Maruicio, Lee or is his cyborg male lover is referred to as "butt-buddy" by the winged fairy Short Wings and more. Of course, Batan also calls Lee "ruby red slippers" but that one might be understandable since Lee is wearing ruby red high heels. Which are displayed most obviously when Lee does a high kick dance step in his apartment. He makes reference to The Wizard of Oz, as well. And calls cyborg Batan "Tin Man." Which Batan hates. Batan is indifferent and distant to Lee throughout. So apparently there was self-loathing involved when the blond, human Lee picked out a 'muscular' robot who would only be happy when Lee was going down on him. Though Lee gives the robot blow jobs, we never see any reciprication.
It's obvious Enrique Carrion is highly familiar with stereotypes but has he ever spoken to an actual gay man? There's no indication he has and there's something deeply disturbing about a writer who is forever preaching the need for diversity also resorting to homophobic stereotypes and language.
Fortunately, Kate Kane is nobody's stereotype. Batwoman has quickly become one of our favorite comic titles. In issue five, Batwoman appears to have vanquished the Weeping Woman but the missing children are still not found and something or someone named Medusa is now said to have them. Meanwhile she's given an offer she can't refuse: Join D.E.O. Yes, it's a mistake, even Batman shows up to tell her that. But the alternative? They'll go after her father and court martial him. In issue six, we find out that she at least got a new (bullet proof) costume out of it.
On the plus side, this title by Rashida Jones, Christina Weir, Nunzuio DeFillipis and Chris Johnson has a cinematic feel. As we tried to remember what happened last time, we were struck by how the previous issue played out in our minds not as static panels but as live action film (there are plans to turn the title into a movie).
Another question would be: What did gay people ever do to Enrique Carrion? Carrion likes to note that he's the only Black comic writer at a major comic house currently (none at Marvel, none at Dark Knight and none at DC) and that he's also Latino. He thinks he offers diversity in Vescell (Image Comics) and we'd be more likely to agree with him if it weren't so T&A and so homophobic. T&A? We're not talking clevage -- these are comics, after all. We're talking three shots of nude breasts with nipples and we're wondering why the hell we needed to see a fairy in a bathtub to begin with?
That's an actual fairy with wings. There's also full-on flamer and human Lee who is referred to as a "fairy" by hero Maruicio, Lee or is his cyborg male lover is referred to as "butt-buddy" by the winged fairy Short Wings and more. Of course, Batan also calls Lee "ruby red slippers" but that one might be understandable since Lee is wearing ruby red high heels. Which are displayed most obviously when Lee does a high kick dance step in his apartment. He makes reference to The Wizard of Oz, as well. And calls cyborg Batan "Tin Man." Which Batan hates. Batan is indifferent and distant to Lee throughout. So apparently there was self-loathing involved when the blond, human Lee picked out a 'muscular' robot who would only be happy when Lee was going down on him. Though Lee gives the robot blow jobs, we never see any reciprication.
It's obvious Enrique Carrion is highly familiar with stereotypes but has he ever spoken to an actual gay man? There's no indication he has and there's something deeply disturbing about a writer who is forever preaching the need for diversity also resorting to homophobic stereotypes and language.
Fortunately, Kate Kane is nobody's stereotype. Batwoman has quickly become one of our favorite comic titles. In issue five, Batwoman appears to have vanquished the Weeping Woman but the missing children are still not found and something or someone named Medusa is now said to have them. Meanwhile she's given an offer she can't refuse: Join D.E.O. Yes, it's a mistake, even Batman shows up to tell her that. But the alternative? They'll go after her father and court martial him. In issue six, we find out that she at least got a new (bullet proof) costume out of it.
In her kitchen, she is surprised to find Director Bones and Agent Cameron Chase waiting for her there. Kate attempts to attack Agent Chase, but the Director jumps between them as Chase reveals that they already know that she is Batwoman. They inform her tha her cousin Bette gave up the information while she was near death (Bette was attacked by a Medusa henchman with a hooked hand). Director Bones explains that due to Chase's actions, Bette's life was saved, and they will take her to her if she agrees to make a deal.
They offer her a job with the DEO. Coincidentally, they want her to dismantle the organization known as Medusa. As an additional bonus, Director Bones informs her that unless she takes the offer, her father will be put in prison for stealing military hardware, funding a vigilante, and covering up a terrorist act in order to hide his own illegal activities. If she agrees to take the job, Jacob Kane will be left alone.
Resigned, Kate accepts the offer. She visits Bette in the hospital, and tells her unconscious cousin that she has turned down Batman's offer to join Batman Incorporated. Batman had, until that point, been stealthily hiding in the room already. He steps out of the shadows and warns that working with the DEO will be a mistake that will eventually put her at odds with him. Kate responds that she is just using them to get the children back, and that she knows which lines must not be crossed. Before leaving, Batman warns that Director Bones will challenge that knowledge at every opportunity, and eventually, she will be forced to make an impossible decision.
Later, Batwoman visits the parents of one of the missing children and promises that while the Weeping Woman is gone, she will find the missing children at any cost. It turns out, a man named Marco behind things explains to his partner, that the Weeping Woman was only one part of the plan. The goal is to harness superstitions to allow them to control Gotham City. While Jacob Kane stays at the hospital with Bette, Maggie and Kate get closer until Maggie comments on the fact that Kate mentioned her father for the first time. She also notes a bad bruise on Kate's shoulder (from fighting Medusa henchman while patrolling the night as Batwoman). Kate doesn't like personal questions. You'll love the work J.H. Williams III, W. Haden Blackman, Amy Reeder, Richard Friend and Rob Hunter are doing with this title.
From Batwoman to Batgirl, Barbara Gordon spent over two decades paralyzed. But that was before DC launched their "THE NEW 52!" line. Gail Simone's steering the relaunch with Adrian Syaf and Vincente Cifuentes doing pencil and ink. Barbara was still shot by the Joker in the spine; however, she's now had spinal surgery and, after a year to recover, is back as Batgirl. While being shot from behind in the back has left her insecure about her crime fighting worth, it's also given her an empathy that Barbara never had before. When Bruce Wayne (and others) are mentally controlled by a new super villain, Barbara solves it in part due to her own recent experience. It would be really great if this was a consistent trait for the character. (Conversely, we'd be just find without Barbara's mother popping in.)
After discovering the villain Gretal started out as reporter Lisly Bonner who was shot and left for dead by crime Boss Whittaker, Batgirl tries to reach out to her as she Gretal insists she'll kill before anyone kills her. Batgirl tells her, "You don't have to die at all. Look, a bad man turned your life inside out. I know what that's about. He's dead. His crime family, it's all gone now. You saw to that. Let that be the end of this life for you." As Batgirl attempts to reason with her, Batman grabs Gretal from behind and soon she's falling to her death before Batgirl rescues her at the last minute. And as you absorb the ending, grasp that "NEXT: THE JOKE REVISTED!" indicates it may be time for a Batgirl versus Joker rematch.
BOOM! comics has brought together two longtime favorites in Grant Morrison and Ian Gibson's Steed and Mrs Peel. Yes, it's John Steed and Emma Peel from the 60s British TV classic The Avengers (played on TV by Patrick McNee and Diana Rigg). Issue one, "Crown & Anchor Part One:" finds the British spies missing for the first five pages which are devoted to a confusing storyline involving Admiral Foggy Fanshawe and a woman named Tara King. For those following the story (or thinking they are), let's toss in the monkey wrench. Diana Rigg left the TV show and they needed a new partner for Steed, Linda Thorson joined the cast as . . . Tara King. Where this title is headed, we have no idea.
Head scratching was our reaction to Wonder Woman issue six and, as we came to the end and discovered the convuluted story was an illusion meant to trick a foe, we quickly added disgust to it. Brian Azzarello, Tony Akins and Dan Green have turned in the worst issue of Wonder Woman since we started covering comics back in 2008. Everything is wrong about this issue -- from a story that's hard to follow (and turns out to be meaningless), to coloring so bad it's like you're watching Hanna-Barbera's Super Friends, to a refusal to draw full panels over and over (by full panels we're referring to no background in many of the panels of the strip -- it's like how The Young and the Restless used to provide one key item -- a plant a table -- as they shot against a black backdrop to save on set costs).
Speaking of soap operas, we last covered Frenemy of the State in February 2011. Picking up the latest issue, it was as if this was the next issue and we were struck by how slowly time moves with this title. Turns out, it is the next issue. We reviewed issue five a year and a month ago, The most recent issue is issue six and was published in December 2011.On the plus side, this title by Rashida Jones, Christina Weir, Nunzuio DeFillipis and Chris Johnson has a cinematic feel. As we tried to remember what happened last time, we were struck by how the previous issue played out in our minds not as static panels but as live action film (there are plans to turn the title into a movie).
From the TESR Test Kitchen
Tony's Pizza has a new flavor: Macaroni & Cheese.
Tony's Pizza, if you're not in the no, is a smaller pizza. It's better than Totinos which has the soggy crust in the microwave and which burns quickly in regular oven. But it's not a high-end brand -- or even Tombstone. It generally retails for two bucks and the only time most of us grab it is when we need a frozen, plain cheese pizza to add anchovies to.
As for Macaroni & Cheese, we've been seeing that on buffets for the last year or so. We believe we first saw one at a CiCi's Pizza in New Jersey (East Rutherford). We've never been tempted because there were so many other choices.
But thrown one in the frozen food section and suddenly we're all on it.
That's a photo of the pizza cooked. We weren't expecting much from this and so we were happily surprised. It tastes like a pizza with mac & cheese on top. It's a good quality pizza -- especially for the price.
There's not a great deal of sauce taste too and the cheese dominates so keep that in mind if you're not a cheese lover. Otherwise, just pop it in the oven (it tastes better out of the oven than out of the microwave oven and the square shape will make it difficult to cook in some microwaves) and then enjoy.
The week in funny
TV had some strong moments last week in the field of funny. We've narrowed down the week's best.
No, I don't wear scrunchies or short-shorts or tube-tops. You know what this means? Somewhere Heather Graham is naked.
-- Whitney (Whitney Cummings) going through a box containing items her boyfriend's ex-girlfriend left behind, Whitney (NBC, Wednesdays)
I thought we were having a successful business relationship! I thought the same thing with Suge Knight and Ira Glass! You guys are all alike!
-- Ava (Maya Rudolph) to Luke (Steven Pasquale) after he tries to come on to her, Up All Night (NBC, Thursdays)
Grayson: Okay, here, Bobby, go like this, purse your lips a little, like. What? It's what we did when I was an underwear model for Montgomery Ward.
Bobby: You just tried to slip that one in there, didn't you?
Grayson: There are two types of underwear models: Front guys and butt guys. I was both.
Travis: He said proudly. Alright, Dad, Grayson in bikini briefs, think about it.
Grayson: It's not a sad thing.
-- Travis (Dan Byrd) is attempting to take photos of his father Bobby (Brian Van Holt) that do not like staged while Grayson (Josh Hopkins) offers advice, Cougar Town (ABC, Tuesdays).
Tom: Damn, those pants look dope! Oh my God, those look great! And I bet they'd look even better on Ben's floor.
Ben: Are you hitting on Leslie for me?
Ann: Wait a second, just turn around.
Leslie: What?
Tom: Oh. It says "nympho" on the butt in silver sparkly letters. Nympho means you're addicted to sex. And since it's on the butt there's other implications as well. So those are a maybe.
-- Leslie (Amy Poehler) shops for a new look as Tom (Aziz Ansari), Ann (Rashida Jones) and Ben (Adam Scott) look on, Parks and Recreations (NBC, Thursdays).
Dee Dee: Stop playing with it and put it in your mouth!
Chelsea: It's not the first time I heard that.
-- A starving Dee Dee (Lauren Lapkus), in the midst of a cleanse, yelling at Chelsea (Laura Prepon) to eat the sandwich she is waiving around, Are You There, Chelsea? (NBC, Wednesdays).
Joy: You know between this and jail and zoo, we certainly sleep together a lot.
Elka: That thought is scarier than this book.
-- frenemies Joy (Jane Leaves) and Elka (Betty White) in bed together, Hot In Cleveland (Wednesdays, TV Land).
I didn't want to do this, but I will. Penny, we are not going out like this -- me crying about Grant, you crying about your stuff -- whatever, I wasn't paying attention. This is our John Hughes film and those guys are clearly the bad guys -- one being little and blond and fit, the other looking like Greg Kinnear. And they are so clearly not Jewish. I don't need to tell you this, Pen. You are the assistant curator to the original John Hughes Museum -- which, for the purpose of this pep talk, I will choose to believe is a real thing and not the first act of an after school special.
-- Max (Adam) to Penny (Casey Wilson) who is on the verge of dropping out of the scavenger hunt, Happy Endings (Wednesdays, ABC)
Judy: You're falling down that Elliot hole.
Fran: It's called acting, Judy. You forget what a good actress I was in college.
Judy: Frannie, I've seen you in West Side Story. And the audience yelled, "Forget Tony! Shoot her!"
-- Judy (Tichina Arnold) attempting to reason with Fran (Fran Drescher), Happily Divorced (TV Land, Wednesdays).
Energy secretary Steven Chu said his goal is to decrease our dependence on foreign oil but not to lower gas prices. When Chu said that, Republicans were like, 'Oh no, Chu, didn't.'"
-- Jimmy Fallon, Late Night with Jimmy Fallon (NBC, late nights)
Alex: It wasn't a real engagement. She was always so needy and clingy and then her grandfather died and I wanted to make her feel better so I panicked and I proposed to her at the funeral.
Whitney: I don't think Zales will be using that story any time soon.
-- Alex (Chris D'Elia) explaining his previous engagement to current girlfriend Whitney (Whitney Cummings), Whitney (NBC, Wednesdays)
Olivia: I had sex three times last night in a Ford Focus and my back is killing me.
Chelsea: Hatchback?
Olivia: No, missionary.
Rick: No, no, no, this is good. While we're on that subject, guys, no one has sex in the bathroom anymore.
Nikki: He's right nobody does have sex in the bathroom.
Chelsea: Don't worry, Rick, we're on it.
Rick: No, no, no. Guys come on, I'm serious. I don't want anyone smoking pot in there either.
Olivia: Well where are we supposed to smoke pot?
Chelsea: I'm not going in the alley. I am a lady.
-- new manager Rick (Jake McDorman) holds a staff meeting with input from Olivia (Ali Wong), Chelsea (Laura Prepon) and Nikki (Natasha Leggero), Are You There, Chelsea? (NBC, Wednesdays).
Max: You got to let the cart pick you. This one's telling me not to pick it. Ew, she's got a sweet ride but something bad happened in here.
Penny: Are you serious right now?
Max: A hate crime. A baby committed a hate crime on another baby. This one. This war horse is born to run.
-- Max (Adam) and Penny (Casey Wilson) selecting a shopping cart for the final leg of the scavenger hunt, Happy Endings (Wednesdays, ABC).
Grayson: See, this was my boxer brief pose [makes a forlorn face]. But if I was modeling racer briefs, I'd just arch my back a little and maybe pop the cheeks like so, boom! Hmm. Miss those days.
Ellie: You and no one else on earth.
Grayson: The male prisoners who keep my fan site active strongly disagree.
-- Grayson (Josh Hopkins) reliving his past glory to the dismay of Ellie (Christa Miller), Cougar Town (Tuesdays, ABC).
-- Travis (Dan Byrd) is attempting to take photos of his father Bobby (Brian Van Holt) that do not like staged while Grayson (Josh Hopkins) offers advice, Cougar Town (ABC, Tuesdays).
Tom: Damn, those pants look dope! Oh my God, those look great! And I bet they'd look even better on Ben's floor.
Ben: Are you hitting on Leslie for me?
Ann: Wait a second, just turn around.
Leslie: What?
Tom: Oh. It says "nympho" on the butt in silver sparkly letters. Nympho means you're addicted to sex. And since it's on the butt there's other implications as well. So those are a maybe.
-- Leslie (Amy Poehler) shops for a new look as Tom (Aziz Ansari), Ann (Rashida Jones) and Ben (Adam Scott) look on, Parks and Recreations (NBC, Thursdays).
Dee Dee: Stop playing with it and put it in your mouth!
Chelsea: It's not the first time I heard that.
-- A starving Dee Dee (Lauren Lapkus), in the midst of a cleanse, yelling at Chelsea (Laura Prepon) to eat the sandwich she is waiving around, Are You There, Chelsea? (NBC, Wednesdays).
Joy: You know between this and jail and zoo, we certainly sleep together a lot.
Elka: That thought is scarier than this book.
-- frenemies Joy (Jane Leaves) and Elka (Betty White) in bed together, Hot In Cleveland (Wednesdays, TV Land).
I didn't want to do this, but I will. Penny, we are not going out like this -- me crying about Grant, you crying about your stuff -- whatever, I wasn't paying attention. This is our John Hughes film and those guys are clearly the bad guys -- one being little and blond and fit, the other looking like Greg Kinnear. And they are so clearly not Jewish. I don't need to tell you this, Pen. You are the assistant curator to the original John Hughes Museum -- which, for the purpose of this pep talk, I will choose to believe is a real thing and not the first act of an after school special.
-- Max (Adam) to Penny (Casey Wilson) who is on the verge of dropping out of the scavenger hunt, Happy Endings (Wednesdays, ABC)
Judy: You're falling down that Elliot hole.
Fran: It's called acting, Judy. You forget what a good actress I was in college.
Judy: Frannie, I've seen you in West Side Story. And the audience yelled, "Forget Tony! Shoot her!"
-- Judy (Tichina Arnold) attempting to reason with Fran (Fran Drescher), Happily Divorced (TV Land, Wednesdays).
Energy secretary Steven Chu said his goal is to decrease our dependence on foreign oil but not to lower gas prices. When Chu said that, Republicans were like, 'Oh no, Chu, didn't.'"
-- Jimmy Fallon, Late Night with Jimmy Fallon (NBC, late nights)
Alex: It wasn't a real engagement. She was always so needy and clingy and then her grandfather died and I wanted to make her feel better so I panicked and I proposed to her at the funeral.
Whitney: I don't think Zales will be using that story any time soon.
-- Alex (Chris D'Elia) explaining his previous engagement to current girlfriend Whitney (Whitney Cummings), Whitney (NBC, Wednesdays)
Olivia: I had sex three times last night in a Ford Focus and my back is killing me.
Chelsea: Hatchback?
Olivia: No, missionary.
Rick: No, no, no, this is good. While we're on that subject, guys, no one has sex in the bathroom anymore.
Nikki: He's right nobody does have sex in the bathroom.
Chelsea: Don't worry, Rick, we're on it.
Rick: No, no, no. Guys come on, I'm serious. I don't want anyone smoking pot in there either.
Olivia: Well where are we supposed to smoke pot?
Chelsea: I'm not going in the alley. I am a lady.
-- new manager Rick (Jake McDorman) holds a staff meeting with input from Olivia (Ali Wong), Chelsea (Laura Prepon) and Nikki (Natasha Leggero), Are You There, Chelsea? (NBC, Wednesdays).
Max: You got to let the cart pick you. This one's telling me not to pick it. Ew, she's got a sweet ride but something bad happened in here.
Penny: Are you serious right now?
Max: A hate crime. A baby committed a hate crime on another baby. This one. This war horse is born to run.
-- Max (Adam) and Penny (Casey Wilson) selecting a shopping cart for the final leg of the scavenger hunt, Happy Endings (Wednesdays, ABC).
Grayson: See, this was my boxer brief pose [makes a forlorn face]. But if I was modeling racer briefs, I'd just arch my back a little and maybe pop the cheeks like so, boom! Hmm. Miss those days.
Ellie: You and no one else on earth.
Grayson: The male prisoners who keep my fan site active strongly disagree.
-- Grayson (Josh Hopkins) reliving his past glory to the dismay of Ellie (Christa Miller), Cougar Town (Tuesdays, ABC).
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