Tuesday, November 06, 2018

TV: Julia downsizes

  
The two biggest film stars of the 90s were Julia Roberts and Tom Cruise.  Tom’s managed to hang on somehow.  He was box office in the 80s, the 90s, the 00s and remains it in the 10s.  This is not a normal run.  He’s outpaced Jimmy Stewart, Rock Hudson and every other big box office name.  Don’t throw out a Robert Redford.  He went long periods without making a film or without hits.  

Tom’s made films every year, over and over.  He frequently threatens to topple over but somehow manages to remain box office.  

 3 JESS


Julia’s the closest female approximation.  1989 finds her hitting big with STEEL MAGNOLIAS.   What follows are hits and misses.  She also wins an Academy Award which puts her one ahead of Tom.  Following her Oscar win, she hits with AMERICA’S SWEETHEARTS, OCEAN’S ELEVEN,  OCEAN’S TWELVE, CHARLOTTE’S WEB, VALENTINE’S DAY, EAT PRAY LOVE, MIRROR MIRROR, SMURFS: THE LOST VILLAGE and WONDER.  That’s nine big box office hits over the last 17 years.   (There have also been smaller hits such as CHARLIE WILSON’S WAR, MONEY MONSTER, etc.)  That’s a star, a box office star, as well.  But it’s not Tom Cruise.


No one has ever pulled off what he has. 


But Julia’s come closest among actresses.


And, let’s stress this, last year’s WONDER was a huge hit (over $300 million in tickets sold).


So she comes to AMAZON not in some desperate bid (the way Meryl Streep did, in fairness, Meryl’s made a career of not being box office) but in an attempt to further her challenges and opportunities.
Cruise can’t lose.  That’s what people were noting of the two stars in 1993.  Julia had taken time off for exhaustion and other things (HOOK had resulted in a lot of bad publicity for her).  Tom was going after this, that and everything.  His characters were about mega success.  Julia?  1993 was when she scaled back expectations.  She better fit the country’s mood while Tom remained tied to the go-go, Reagan eighties (a place he’s more or less remained).  For example, they both did John Grisham films.  In THE FIRM, Tom took on the mob, the government, everyone and won.  As he always does.  Julia did THE PELICAN BRIEF, lost her lover, had to go on the run and managed – with the help of Denzel Washington – to expose a conspiracy. 


THE PELICAN BRIEF is actually a good reference point for her AMAZON series HOMECOMING.  It’s part of her scaling back, playing human characters, not cartoons.  And she’s very effective.  In fact, her performance is quite touching.


She’s playing Heidi Bergman, a woman who stumbled around in life, then got her masters in social work and did the job rounds only to end up at Homecoming Transitional Support.  She’s not just at the place, she’s running it.  She reports to Bobby Cannavale’s Colin.  What does she do?  She counsels veterans.  Veterans with Post-Traumatic Syndrome.  And she tries to help them readjust to civilian life. 


Or she thinks that’s what she’s doing.  It’s not what she’s doing.  When she finds out what’s really taking place she can no longer work there and she’s not going to let them do anything to her patient Watler Cruz (Stephan James).


HOMECOMING has twists and turns and they pay off.  There’s strong acting all around – including Sissy Spacek as Heidi’s mother.  But Julia is the anchor and she’s flawless in the role. 


Will there be a season two?  Who knows but if there is one, let’s hope they have something to say.
NETFLIX has provided the final season of HOUSE OF CARDS and what a disappointment.  The whole season is haunted by Kevin Spacey.  Hopes that Robin Wright would really assert herself were pointless.  That’s not an attack on her (her acting is strong) but, yes, it is an attack on the writing which coasts and ultimately provides very little.


It was a mistake to do a final season.  It was a mistake, let’s be honest, there’s no show without Spacey.


Did Kevin do anything criminal?  Seems like more than enough time has passed to convict him if he did.  Yet he is still not charged with anything. 


What do we actually know?  That Kevin Spacey is a great actor.  If he’s done something illegal, by all means, prosecute him.  But we’ve waited and waited to see that take place and it hasn’t.  So what we’re left with is Kevin Spacey is a great actor.


He’s one who has made passes according to at least 2 people who’ve gone on the record.  He did not attempt to rape them.  His behavior, if it takes place on a set, would need to be addressed due to the need for a safe work environment.  Otherwise, why is he not working?


Rape is a crime.  Assault is a crime.  If that’s taken place, put him on trial.  If there’s nothing to warrant a trial, there’s certainly no reason to shun him. 


You can argue that Spacey set himself up for a backlash of some form.  When he was playing or ‘playing’ with NSYNC back in the day, everyone had already figured out he was gay.  He refused to step out of the closet even though it wouldn’t have harmed his career.  His career was built on strong acting, not fantasies.  So when he came out – finally – after allegations were made against him, you were dealing with (a) the fact that people were ticked off he was in the closet and (b) ticked off that when he was accused of kissing a boy (not an adult) all the sudden he wants to announce he’s not straight. 


Spacey generated a lot of anger on by hiding in the closet.  


That said, there are still no legal charges against him and no one’s brought him into a court of law.  He remains a great actor.  If there’s a reason for him to be on trial, we’ll gladly join the chorus calling for him to be put on trial.  But it’s been a long, long time now and he’s still not been arrested or charged with anything – let alone been found guilty in any court of law.


HOUSE OF CARDS really needed him for the last season.  They really needed him.  And without him, there really wasn't a point to doing another season.



  

10 shows that need to stop production

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Immediately.  They've had their shot.  And then some.  Audiences aren't responding.  It's time to pull the plug.  For good.

1) SUPERSTORE.

Each year, less and less people watch.  And not that many ever watched to begin with.  NBC has a lot of marbled fat on Thursday nights and this is the part that most needs trimming.

2) MARVEL AGENTS OF SHIELD.

Clark Gregg's mincing has never pulled in viewers.  But actors that do pull in viewers are sent packing:  Brett Dalton, Nick Blood, Adrianne Palicki, Luke Mitchell, Blair Underwood, Gabriel Luna, Ruth Negga, Dichen Lachman . . .   Through it all, viewers were stuck with our modern day Edward Everett Horton -- whether they liked it or not and, judging by the ratings, they did not.

3) BLACK-ISH.

We would have thought the show had staying power.  But then came season four and the . . . desire . . . to do . . . drama.  Not since MAD ABOUT YOU has a sitcom gone so bad trying to be so real.   The show started with over eleven million viewers and now has to scrap and pray for four million.  It's time to close shop.

4) MADAM SECRETARY.

This CBS yawnedy is in season five.  It started off with 15 million viewers and now gets about a third of that.  Season one found it ranked the ten most watched broadcast program on prime time.  By last season?  It had fallen to the 37th most watched program.  This season will be even lower.  It's not THE GOOD WIFE and never has been.  It's just imperialism in a pair of panties.

5) THE ROOKIE.

Easily the worst hour long show of fall 2018.

6) GOD FRIENDED ME.

Easily the second worst hour long show of fall 2018.

7) THE KIDS ARE ALRIGHT.

Easily the worst new sitcom on any network.

8) THE CONNERS.

We'd have ranked this much higher on the list were it not for the fact that the loss of viewers each week pretty much guarantees that any sane person in charge of network will cancel this show quickly.

9)  ALL AMERICAN.

Airing after THE CW's biggest hit, RIVERDALE, this football show can't hold onto even half of RIVERDALE's viewers.  Time to axe it and bring on something else before it starts harming RIVERDALE's ratings.

10) I FEEL BAD.

It should have been the first cancellation of the season.  It's that bad.








10 best pop hits of 1983

1) Irene Cara "Flashdance"




2) Prince's "Little Red Corvette."



3) The Police's "Every Breath You Take."



4) Stevie Nicks' "Stand Back."



5) Michael Jackon's "Beat It."



6) Eurythmics' "Sweet Dreams Are Made Of Us."



7) Pretenders' "Back On The Chain Gang."



8) Shannon's "Let The Music Play."



9) Madonna's "Holiday."



10) Billy Joel's "Allentown."







Read a book?




library



Readers have e-mailed us asking for more book coverage at community sites.  We've passed this request on.

So far, the book coverage includes:

"Alice Isn't Dead" -- Marcia.


"I NEVER LOVED A MAN THE WAY I LOVE YOU: ARETHA FRANKLIN, RESPECT, AND THE MAKING OF A SOUL MUSIC MASTERPIECE" -- Elaine.


"WHEN BLANCHE MET BRANDO" -- Betty.


"When a book no longer pleases" -- Betty.


"I HATE EVERYONE . . . STARTING WITH ME (Jess)" -- Jess.


"Parker Posey's YOU'RE ON AN AIRPLANE" -- Mike.


"Sally Field IN PIECES" -- C.I. 


"Neil deGrasse Tyson and his superficial book" -- Betty.


"Alice Walker's The Chicken Chronicles" -- Marcia.


"The really bad book The Bridge" -- Ann.

"The Third Hotel by Laura Van Den Berg" -- Trina. 


"T.J. Berry's Space Unicorn Blues" -- Marcia.  


"HELLO GORGEOUS by William Mann" -- Stan.


"CLEOPATRA: HISTORIES, DREAMS AND DISTORTIONS" -- Mike.


"Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany's and the Dawn of the Modern Woman Paperback" -- Ann.


"No one Peter Bogdanovich knows is ever gay" -- Marcia.


"Seymour Hersh meanders throughout REPORTER: A MEMOIR" -- C.I. 


"Dusty (by Karen Bartlett)" -- Marcia.


"Media critiques -- Nora Ephron's SCRIBBLE SCRABBLE" -- Mike.


"Judy Garland (the biographies)" -- Kat.


"JEAN HARLOW: TARNISHED ANGEL" -- Betty.  


"UNCOMMON TYPES: Let's kill whomever taught Tom Hanks to type" -- Elaine.


"THE YELLOW WALLPAPER" -- Marcia.


"Anne Sexton: THE COMPLETE POEMS" -- C.I.


"Charlotte Chandler's MARLENE" -- Elaine.


"A sexist woman writes She's a Rebel and distorts music history" -- Ann.


"barbara ehrenreich's 'natural causes'" -- Rebecca. 


"Weight Watchers New Complete Cookbook" -- Trina.


"IN SEARCH OF OUR MOTHERS' GARDENS" -- Elaine.


"Blackfish City" -- Marcia.


"THE CHICKEN CHRONICLES by Alice Walker" -- Ruth.


"Harry Belafonte" -- Mike.


"THE SAME RIVER TWICE (Alice Walker)" -- Isaiah.





"Dancing with Demons: The Authorized Biography of Dusty Springfield" -- Marcia.


"Good for Jimmy Stewart, bad for readers" -- Stan.

"Conversations with Toni Morrison" -- Marcia.

"Forced Into Glory: Abraham Lincoln's White Dream" -- Ann.


"He Ran All The Way" -- Trina.



And we'll also note Ann's "How a book store could stay alive in today's economy" about the book business.

10 best Simpsons characters who aren't Simpsons

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Fair use, Link


1) Ralph Wiggum.

2) Milhouse Van Houten.

3) Lindsey Naegle.

4) Todd Flanders.

5) Agnes Skinner.

6) Brandine Spuckler.

7) Rod Flanders.

8) Waylon Smithers.

9) Mr. Teeny.

10) Sherri and Terri.  Isn't it time an episode was devoted to this Patty and Selma-like duo?


BONUS:  Most missed?  Edna Krabapple.




10 best pop hits of 1968

1) The Beatles' "Hey Jude."



2) The Mamas and the Papas' "Safe In My Garden."



3) Rolling Stones' "Street Fighting Man."



4) Jefferson Airplane's "Greasy Heart."




5) Jimi Hendrix's "All Along The Watchtower."




6) The Doors' "Hello I Love You."




7) Aretha Franklin's "I Say A Little Prayer."





8) Simon & Garfunkel's "Old Friends/Bookends."




9) The Who's "Magic Bus."



10) Laura Nyro's "Save The Country."







This edition's playlist

wanderer


1) Cat Powers' WANDERER.



2) The Mamas and the Papas' THE PAPAS & THE MAMAS.



3) The Beatles' REVOLVER.


4) The Mamas and the Papas' IF YOU CAN BELIEVE YOUR EYES AND EARS.



5) The Beatles' ABBEY ROAD.


6) The Beatles' MAGICAL MYSTERY TOUR.


7) The Beatles' RUBBER SOUL.


8) Alicia KeysHERE.


9) The Cowboy JunkiesALL THAT RECKONING.


10)  The Mamas and the Papas' DELIVER.







As National Disability Employment Awareness Month Concludes, Senator Murray Releases New Report Highlighting Employment Challenges Facing People with Disabilities

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Senator Patty Murray's office issued the following:

New report makes recommendations, urges action to modernize outdated disability employment policy and programs
In observance of National Disability Employment Awareness Month (NDEAM), Senator Murray also introduced a resolution in the Senate recognizing its importance
Additionally, Senator Murray applauds National Institute on Disability, Independent Living and Rehabilitation Research (NIDILRR) on its 40th anniversary


Washington, D.C. – As National Disability Employment Awareness Month comes to a close, today U.S. Senator Patty Murray, ranking member of the Senate Health, Education, Labor and Pensions (HELP) Committee, released a new report highlighting the challenges people with disabilities face in the workforce when trying to secure or maintain employment. The report from the Senate HELP Minority staff offers key recommendations to modernize outdated policies and programs that have been a continued barrier to people with disabilities in employment, including phasing out authority that allows the Secretary of Labor to permit employers to pay people with disabilities wages less than the federal minimum wage. 
“People with disabilities should have equal opportunities in the workforce as their peers without disabilities do and it’s beyond time our laws reflected this truth,” said Senator Murray. “This important report lays out several ways federal agencies and Congress can and should update our outdated laws and programs to empower individuals with disabilities and ensure that they, too, have an equal shot at the American dream.” 

In addition to offering recommendations, the report examines disability employment outcomes with data from the U.S. Bureau of Labor Statistics (BLS), as well as summarizes outdated programs and disability employment policy and provides an overview of the HELP Committee’s findings on the vocational rehabilitation agencies’ continued efforts to implement the Workforce Innovation and Opportunity Act (WIOA) and the Rehabilitation Act of 1973 (Rehabilitation Act).
Prior to the release of the report, Senator Murray introduced a resolution in the Senate to recognize the importance of NDEAM. She also included a statement in the Congressional record in celebration of the 40th anniversary of the National Institute on Disability, Independent Living, and Rehabilitation Research (NIDILRR), a federal agency which supports applied research, training and technical assistance to enhance the lives of people with disabilities.   


The full report can be found HERE.






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