Monday, September 12, 2016

10 Great Stevie Nicks Songs About Women


Here are ten great Stevie Nicks' songs about women.













1) "Sara"

2) "Juliet"

3) "Gypsy"

4) "Welcome to the Room, Sara"

5) "Rhiannon"

6) "Mabel Normand"

7) "Jane"

8) "Imperial Hotel"

9) "Sisters of the Moon"

10) "Greta"

Back in the day . . .

Those wacky 80s.  When things like this were reported by ASSOCIATED PRESS:


Republican Donald Trump has been asked to host a major Democratic fund- raising event next year by House Speaker Jim Wright and U.S. Rep. Beryl Anthony Jr. (D., Ark.). The two, who visited Trump at his Manhattan Trump Towers headquarters Monday, said they wanted the tycoon to chair Washington's 25th annual Democratic Congressional Dinner because he has the new image the Democratic Party wants to project. Trump, 41, said he would consider the request but added: "A change in parties would probably be unlikely."





















TV: Peyton Manning The Everyday Housewife

[Ava and C.I. last updated this piece 9/2/16.]


abtv

Peyton Manning showed up on TV Monday night when COMEDY CENTRAL broadcast it's roast of actor Rob Lowe.

Why?

Better question, why was the plain-to-ugly man making fun of right-winger Ann Coulter's looks?

Peyton does get that he's ugly and looks, to put it kindly, "slow," right?

And people like Jewel joining in on the laughter at Ann Coulter are aware that they should have been calling out Peyton for assault of a woman, right?

Apparently not.

The White Goddess Peyton Manning is supposed to be something.

In the world that elevates White quarterbacks and condemns athletes of color, Peyton's really supposed to be something.

But in one TV ad after another, he comes off, at best, neutered, as though he was being injected daily with saltpeter.

He shuffles around pathetically on a supposed Sunday morning, in a grocery store, wearing a bathrobe and flip-flops as he babbles on about things like 18 being his old number while the check out guy looks at him like he's crazy.

Oh, and he remembers he has a coupon.

But, in another, he doesn't remember that his brother Eli is playing in a Sunday game and is dejected when Eli can't join him for nachos (but hopefully Eli can come over for a coffee clatch on Tuesday).

And then there's the one he's at home making designer cupcakes.

He's done so many commercials, in fact, that THE URBAN DICTIONARY notes he "would probably do Tampon commercials given the chance."

"I'm not the only athlete up here.  As you know, earlier this year, Ann Coulter won the Kentucky Derby."

Does Peyton Manning not get how ugly and freakish he looks?

We wondered about Jewel as well.

In 1997, she was providing sisterhood on stages with Lilith Fair.  In 2016, she was giving cover to one sexist joke about Ann Coulter ("I do want to say, as a feminist, that I can't support everything that's been said tonight.  But, as someone who hates Ann Coulter, I'm delighted.").

Poor Jewel, who will save her soul?


And poor, pathetic Pete Davidson.

Maybe you remember earlier this year when Pete presented himself as something more than an uneducated hick?  When he was in the news for this:

SNL star Pete Davidson has launched into a blistering attack on the priest and principal of his former Staten Island school.
The edgy comedian, 22, who is the youngest member of the cast, posted his rant on Wednesday following news of a lawsuit against Father Michael Reilly for racial and homophobic abuse of his staff.
According to the lawsuit, Father Reilly regularly referred to women as 'b****s' or 'tw*ts', called gay people 'f*gs', said he was going to kick one black man 'back to the jungle' and throw a staff member battling cancer 'to the f*****g curb'. 
Labeling Father Reilly 'an absolute monster' on his Instagram account, Davidson told his 322,000 followers that his ex-teacher at St Joseph by The Sea High School was an 'epic piece of s**t' and an 'ultimate jerk off'.

Reilly was "an aboslute monster" but Pete's calling Ann a "racist c--t" and has nothing for Peyton Manning.


For those who don't know, Peyton Manning couldn't stand a woman in college, a trainer, so while she was examining his foot, he placed his penis on top of her head and his nuts against her face.

It was assault.

He then tried to lie about it and to get a teammate to join him in lying.

The teammate refused.

When a court settlement resulted in favor of the woman assaulted, Peyton and his father decided to trash the women in a self-serving autobiography which included their slurs that she slept with students -- and since both father and Peyton are racists, they made it African-American students.

Pete Davidson a little dicked boy who can speak out against a long ago principal but will attack Ann Coulter while ignored Peyton Manning's own record.

Yes, Ann has contemptible views.

Yes, she's on the other end of the political spectrum from us.

But this wasn't a roast of Ann Coulter.

It says a great deal about how pathetic our society has become that the nastiest insults were hurled at a woman whose thoughts we don't like while Peyton Manning -- guilty of sexual assault and trafficking in racism -- got a pass.


It goes to why super hero films are so popular right now.

No one tells the truth.

You've got whores for Hillary and whores for Donald on TV justifying things that cannot be justified.

You've got them attacking others -- including the news outlet ASSOCIATED PRESS -- because they don't like what's reported.

They lie and whore and stand for nothing.

Chris Evans' Captain America is one of the more favored of today's crop of film superheroes.

But you don't catch these professional pundits doing what Evans' Steve Rodgers does.

Instead, they embarrass themselves in their rush to whore.

Superhero films -- BATMAN, SUPERMAN, CAPTAIN AMERICA, THE AVENGERS, THOR, IRON MAN, soon WONDER WOMAN, etc. -- saturate the multiplexes.

Because they stand for something.

And that really matters today when Democrats rush to justify and embrace their candidate's support for wars and spying.

It really matters as we see truth tellers like Seymour Hersh ostracized for attempting the same kind of truth telling they did when a Republican was in the White House.

We want super heroes, but not enough to shun these villains whose punditry is dishonest and toxic.

Peyton Manning is the sickness in our society -- and those who enable him are just as responsible as he is.






















Did he say bitch or whore?

Rodrigo Duterte said somethings about Obama's mama.

We're just not sure what.



It's confusing because news outlets differ in their reporting.


Sheena McKenzie and Kevin Liptak (CNN) report:

Philippines President Rodrigo Duterte tore into President Obama with an obscenity on Monday, leading the White House to cancel an upcoming meeting with Duterte.
White House officials previously said Obama would confront Duterte about his country's handling of drug dealers, including extrajudicial killings, which are government executions without the benefit of judicial proceedings.
"Who does he think he is? I am no American puppet. I am the president of a sovereign country and I am not answerable to anyone except the Filipino people," Duterte scoffed in a speech Monday. "Son of a bitch, I will swear at you."


BBC quotes Duterte this way:

US President Barack Obama has cancelled a meeting with controversial Philippine President Rodrigo Duterte, who had earlier called him a "son of a whore".
Mr Obama had said he would raise the issue of drug-related extrajudicial killings in the Philippines.
But Mr Duterte, who has sanctioned the killing of drug dealers, said if that happened: "Putang ina (son of a whore) I will swear at you in that forum."


So what did he call her?




This edition's playlist

tori



 1) Tori Amos's UNREPENTANT GERALDINES.


2)  PretendersTHE ISLE OF VIEW.

3) Ben and Ellen Harper's CHILDHOOD HOME.

4) Diana Ross' DIANA ROSS SINGS SONGS FROM THE WIZ.
 


5) Janis Ian's FOLK IS THE NEW BLACK.
6) Ben Harper's CALL IT WHAT IT IS.



7) Carly Simon's THE BEDROOM TAPES.



8) Aretha Franklin's ARETHA SINGS THE GREAT DIVA CLASSICS.
9)  The Mamas and the Papas' THE PAPAS & THE MAMAS.
 

10) Ben Harper's BOTH SIDES OF THE GUN.




 

Warmth and colour make Julieta's simple story truly captivating

This is a repost from Great Britain's SOCIALIST WORKER:


Warmth and colour make Julieta's simple story truly captivating

Spanish director Pedro Almodovar’s newest film Julieta is an elegant and rewarding emotional drama—though far from his best, writes Alan Kenny


Adriana ugarte in Julieta
Adriana Ugarte in Julieta

Pedro Almodovar is a director who is prepared to take risks. It’s one reason why the simple words “a film by Almodovar” in his films’ titles is enough to excite.

His new film, the story of Julieta meeting her child Antia’s father Xoan and their lives after, is based on a series of Alice Munro short stories.

Themes include terminal illness, death, estrangement, sudden death, remorse, regret, guilt, loss and grief. There’s not much here to raise a smile.

Much of the suspense is based on Julieta’s unfolding story.

It is Almodovar’s great skill, as in many of his other films, that amid the tragedy there is a celebration of love, friendship, life, human creativity and beauty.

This is perhaps his slowest paced film ever. That’s the major risk that he takes. Even the “action” takes place in slow motion.

That’s not to say it lacks momentum.

And like all Almodovar’s work it’s marked by an attempt to make every shot a thing of elegance.

This alone can sustain a viewer’s interest almost as much as the story itself.

It is an achievement to be so minimalist in plot development yet so rich in the end result.


This is a director utterly obsessed with painting, sculpture, literature, architecture and fashion. He sees culture as a fundamental part of life and he’s not afraid to show us the things he likes.


Former musical collaborator, Japanese composer Ryuichi Sakamoto, for example, has his name shown on the spine of a book not once but twice. Even Xoan’s friend Ava’s sculptures are reminiscent of Picasso and other modernists’ African inspired sculptures.

Fascinating

Few do costume as well as Almodovar. The use of colour is fascinating too, particularly the way red and blue are used within the central family unit.

And what Almodovar film would be complete without a stunning musical score? Once again it’s by long-time collaborator Alberto Iglesias.

Julieta, a school teacher, is played brilliantly by both Emma Suarez and Adriana Ugarte.

Fans may miss some of his acting mainstays like Carmen Maura and Penelope Cruz who have brought so much to his films.

But Ugarte and Suarez are welcome additions—let’s hope they return.

Above all Almodovar is interested in the complexities of “the human condition” and he examines this with great warmth.

It’s a long time since he was the rising virtuoso of the post-Franco “Movida” cultural movement.

But what still makes him quite unique is his use almost entirely of female protagonists and actors.

Expectation has been raised that this might be a return to the form of 2006’s Volver.

Some found Broken Embraces (2009) less engaging, The Skin I Live In (2011) a bit outlandish and
I’m so Excited (2013) too farcical.

It’s certainly a return to emotional themes that Almodovar is brilliant at portraying.

But is it a tour de force of the likes of Women on the Verge of a Nervous Breakdown (1988), All About My Mother (1999), or Volver?

No, sadly, it’s not.





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Libertarian nominee top choice among veterans

Gary Johnson is the Libertarian Party's presidential candidate.


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