The Third Estate Sunday Review focuses on politics and culture. We're an online magazine. We don't play nice and we don't kiss butt. In the words of Tuesday Weld: "I do not ever want to be a huge star. Do you think I want a success? I refused "Bonnie and Clyde" because I was nursing at the time but also because deep down I knew that it was going to be a huge success. The same was true of "Bob and Carol and Fred and Sue" or whatever it was called. It reeked of success."
Monday, January 25, 2016
Truest statement of the week
There is every reason for protest against the current state of Hollywood filmmaking, but on quite other grounds. Where are the films, for example, denouncing 15 years of the brutal “war on terror,” with its accompanying attacks on democratic rights and its threat of police-state rule? Where are the films indicting the Bush and Obama administrations for their war crimes? Where are the writers and directors obsessed by the malignant growth of social inequality in America? There is no shortage of things to be outraged about…
As we noted in a previous article, the American film industry’s genuine lack of diversity at present lies in its almost exclusive treatment of the not terribly intriguing opinions, feelings and foibles of the better-off, self-obsessed petty bourgeoisie. The increased presence of the working class as an independent force in American social and political affairs, of which we now see the first signs, will do more than anything else to break up the current stagnant, constricted atmosphere in art and film.
-- David Walsh, "The semi-bycott of the 'whites only' Academy Awards" (WSWS).