The cover's a turn off to be sure.
And Kat's certainly documented all that's wrong with the album in "Kat's Korner: Faux feminist Judy Collins plays Where The Boys Are yet again."
But, honestly, why keep recording if you have nothing to say?
Judy re-records a few oldies and does them as duets with various men.
It's tired.
It's boring.
It's, honestly, still born.
Collins keeps goosing up the arrangements thinking this will save her faltering vocals.
For a woman who can stop worshiping males, she misses the story of Johnny Cash's artistic revival in the last decade of his career: Less is more.