The Third Estate Sunday Review focuses on politics and culture. We're an online magazine. We don't play nice and we don't kiss butt. In the words of Tuesday Weld: "I do not ever want to be a huge star. Do you think I want a success? I refused "Bonnie and Clyde" because I was nursing at the time but also because deep down I knew that it was going to be a huge success. The same was true of "Bob and Carol and Fred and Sue" or whatever it was called. It reeked of success."
Sunday, May 18, 2014
Truest statement of the week II
Mel Brooks, please don’t go there. It’s dangerous; artistic license only extends so far. Oh, alright, I can’t stop you. Not “The Producers,” you say, but its sequel, “The Despoilers,” about pillagers of American democracy, and starring, not Zero Mostel, but an equally gifted actor, whose warm smile can melt the edges of any war crime, Barack Obama, with extensive theatrical training at Harvard Law, and coaching by Wall Street’s finest, skilled in the art of duplicity. Mel, a sure winner, congratulations; central casting will never be the same. From now on, all roles featuring militarism, global conquest, the promotion of wealth concentration, cannot seek refuge in fictional treatments or the sci-fi genre (the Strangelovian scenario once and for all spoiled for amusement, and now confirmed as REAL) and necessarily must be identified, as to leadership, with a Democratic president.
-- Norman Pollack, "Springtime for Obama" (CounterPunch).